{"id":11348,"date":"2022-09-29T21:15:56","date_gmt":"2022-09-30T01:15:56","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=11348"},"modified":"2022-09-29T21:18:23","modified_gmt":"2022-09-30T01:18:23","slug":"monia-ben-hamouda","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/monia-ben-hamouda\/","title":{"rendered":"Monia Ben Hamouda"},"content":{"rendered":"
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Portrait of Monia, photo credit: Michele Gabriele<\/figcaption><\/figure>\n

Monia Ben Hamouda<\/a> (b. 1991, Milan) lives and works between al-Qayrawan and Milan.\u00a0<\/span>She graduated with a BA in Fine Arts from the Brera Academy of Fine Arts, Milan.\u00a0<\/span>Previous positions\u00a0include a visiting professorship at the Hochschule f\u00fcr Bildende K\u00fcnste in Dresden and a Master of Curating at Istituto Marangoni, Florence, and a seat in the jury at the Filmmaker Festival, Milan.\u00a0<\/span><\/p>\n<\/div>\n

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Her work has been presented in various venues including ChertL\u00fcdde, Berlin; ASHES\/ASHES<\/a>, New York; Ar\/Ge kunst Kunstverein, Bozen; Jevouspropose, Zurich; Museo Salvatore Ferragamo, Florence; Et.Al, San Francisco; Ada, Rome; Galerie Valeria Cetraro, Paris; Universit\u00e4tssammlungen Kunst, Dresden; Alios 16me Biennale d\u2019Art Contemporain, La Teste de Buch; Marselleria Permanent Exhibition, Milan. Awards include: Pollock-Krasner Foundation Grant (winner); VI Club Gamec Prize (finalist); TSI Art Award x Artissima (winner); Art Business Accelerator Grant, Artwork Archive and Redline Contemporary Art Center (winner); DUCATO Contemporary Art Prize\u00a0\u00a0(special prize winner).<\/div>\n
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Additional information for Monia can be found on her\u00a0artist page<\/a>.<\/div>\n<\/div>\n
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The book she discussed in the interview is <\/span>The Big Something<\/i> by Ron Padgett<\/a>.<\/span><\/div>\n<\/div>\n
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Monia Ben Hamouda Denial of a Red-Winged Blackbird (Aniconism As Figurative Urgency), 2022 laser-cut steel, spice powders, charcoal 86 1\/4 x 76 3\/8 x 3\/64 inches (219 x 194 x 0.3 centimeters). photo credit: ASHES\/ASHES, New York and ChertL\u00fcdde, Berlin.<\/figcaption><\/figure>\n<\/div>\n
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Monia Ben Hamouda Denial of a Red-Winged Blackbird (Aniconism As Figurative Urgency), 2022 laser-cut steel, spice powders, charcoal 86 1\/4 x 76 3\/8 x 3\/64 inches (219 x 194 x 0.3 centimeters). photo credit: ASHES\/ASHES, New York and ChertL\u00fcdde, Berlin.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Portrait of Monia, photo credit: Michele Gabriele Monia Ben Hamouda (b. 1991, Milan) lives and works between al-Qayrawan and Milan.\u00a0She graduated with a BA in Fine Arts from the Brera Academy of Fine Arts, Milan.\u00a0Previous positions\u00a0include a visiting professorship at the Hochschule f\u00fcr Bildende K\u00fcnste in Dresden and a Master of Curating at Istituto Marangoni, […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/11348"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=11348"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/11348\/revisions"}],"predecessor-version":[{"id":11382,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/11348\/revisions\/11382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=11348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=11348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=11348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}