{"id":10724,"date":"2022-08-26T08:35:59","date_gmt":"2022-08-26T12:35:59","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=10724"},"modified":"2022-08-26T09:20:28","modified_gmt":"2022-08-26T13:20:28","slug":"naomi-r-safran-hon","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/naomi-r-safran-hon\/","title":{"rendered":"Naomi R. Safran-Hon"},"content":{"rendered":"<p class=\"p3\"><img loading=\"lazy\" class=\"size-medium wp-image-12797 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483.jpg\" alt=\"\" width=\"300\" height=\"266\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-1.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-2.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Naomi_0483-scaled-9.jpg 1392w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><a href=\"https:\/\/naomisafranhon.com\/home.html\">Naomi Safran-Hon<\/a> creates work that makes gripping statements about the fragility of human experience, the complicated nature of one&#8217;s home, and the vicissitudes of collective identities. The artist is seeking the narrative that is hidden and buried in the landscape. The spirit is inherent in Safran-Hon&#8217;s intellectual construction, and, as the journey described in <i>sefer hechaloth<\/i>, the inner odyssey within oneself (Anselm Kiefer) permeates her entire body of work.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">Safran-Hon&#8217;s process lingers at the intersection of drawing, photography, sculpture, and painting, focusing on the internal energy of the material, continuously emboldening the viewer to look beyond the surface. Her work is anchored in undeniable reality, yet she unceasingly builds by extracting the essence from the soul of the materials she uses, thus transforming preexisting contexts.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">Safran-Hon uses a unique process to transform her photographs into evocative paintings with strong impressionist undertones. Cutting through the photograph and canvas, Safran-Hon pushes concrete through the lace stretched over these empty spaces then paints on top, imbuing each piece with a sculptural quality whose dimensionality causes the eye to stick in the nooks and crannies of the work, lingering over objects\u2014some immediately recognizable, some requiring effort to piece back together.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<figure id=\"attachment_12798\" aria-describedby=\"caption-attachment-12798\" style=\"width: 696px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/Fields of Color II, 2022 Acrylic, lace and cement on canvas 61x54 inches\"><img loading=\"lazy\" class=\"wp-image-12798 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022.jpeg\" alt=\"\" width=\"696\" height=\"785\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-1.jpeg 908w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-2.jpeg 266w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-4.jpeg 1362w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-5.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-6.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Fields-of-Color-II-61x54-inches-Acrylic-lace-and-cement-on-canvas-2022-7.jpeg 1774w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><\/a><figcaption id=\"caption-attachment-12798\" class=\"wp-caption-text\">Fields of Color II, 2022 Acrylic, lace and cement on canvas 61&#215;54 inches<\/figcaption><\/figure>\n<figure id=\"attachment_12799\" aria-describedby=\"caption-attachment-12799\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-12799 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542.jpg\" alt=\"\" width=\"696\" height=\"567\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-7.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-8.jpg 2000w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/NaomiSH_0542-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-12799\" class=\"wp-caption-text\">Wall Dreams in Pink, Acrylic, lace, cement, sewing pins and archival ink jet print on tulle 20&#215;24 inches<\/figcaption><\/figure>\n<figure id=\"attachment_12800\" aria-describedby=\"caption-attachment-12800\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-12800 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020.jpg\" alt=\"\" width=\"696\" height=\"442\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-7.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-8.jpg 2000w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/08\/Those-Who-Got-Away-55x88-inches-acrylic-cement-lace-fabric-and-barbed-wire-2020-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-12800\" class=\"wp-caption-text\">Those Who Got Away, 2020 Acrylic, cement, lace, fabric and barbed wire 55&#215;88 inches<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Naomi Safran-Hon creates work that makes gripping statements about the fragility of human experience, the complicated nature of one&#8217;s home, and the vicissitudes of collective identities. The artist is seeking the narrative that is hidden and buried in the landscape. The spirit is inherent in Safran-Hon&#8217;s intellectual construction, and, as the journey described in sefer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/10724"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=10724"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/10724\/revisions"}],"predecessor-version":[{"id":10764,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/10724\/revisions\/10764"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=10724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=10724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=10724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}