{"id":1071,"date":"2020-04-16T11:52:05","date_gmt":"2020-04-16T15:52:05","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=1071"},"modified":"2021-06-02T02:07:36","modified_gmt":"2021-06-02T06:07:36","slug":"alexx-shilling","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/alexx-shilling\/","title":{"rendered":"Alexx Shilling"},"content":{"rendered":"
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photo by Taso Papadakis, from “This Dance is Stolen”<\/figcaption><\/figure>\n<\/div>\n
Alexx Shilling<\/a> is a Los Angeles-based <\/span>choreographer, performer, filmmaker and teacher fully committed to the infinite investigation of movement and its potential to uncover alternative narratives and allow us to remember. Her\u00a0original choreography and experimental films have been presented nationally and internationally, through residencies including Millay Colony, PAM, UCLA and Ebenb\u00f6khaus \/ Jewish Museum in Munich, and with generous support from institutions including Dance Films Association, Asylum Arts, Yiddishkayt, Center for Cultural Innovation, Lower Manhattan Cultural Council, CHIME (with mentor Bob Een) and California Arts Council both as Artistic Director of\u00a0alexx makes dances\u00a0<\/i>and\u00a0ann and alexx make dances\u00a0<\/i>(2004-2010).<\/span><\/div>\n
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She has collaborated as a performer most robustly with Victoria Marks and Richard Rivera\/PHYSUAL, and recently in projects by Christine Suarez, Kevin Williamson and Nickels Sunshine. Alexx holds an MFA in Choreography from UCLA\u2019s World Arts & Cultures\/Dance Department and a degree in Dance from Skidmore College.<\/span><\/span><\/p>\n

She currently teaches at Loyola Marymount University and Cal State Long Beach, co-founded the performance platforms Hi, Solo <\/i>and Gold Series <\/i>and holds certifications in Pilates, Yoga, Open Source Forms and Fleming Technique.<\/span><\/span><\/p>\n

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Absence a History,\u00a0 photo by Taso Papadakis
Sarah Leddy, Nguyen Nguyen, Dorothy Dubrule and Carol McDowell in\u00a0Absence: a History<\/i>
Absence\u00a0<\/i>was a suspicious attempt at constructing a past without proof; it was about creating testimony by first making fake family photographs and using them as movement language. For a change, the theatre space seemed like the perfect shadow box within which to investigate memory.
Highways Performance\u00a0Space, Los Angeles (2015)\u00a0<\/figcaption><\/figure>\n
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Julie Troost in the opening scene of The Sun Is Over the Yardarm (2004-5) , Conceived and co-directed with Ann Robideaux taken aboard the Lightship “Frying Pan,” Hudson River, photo by Bing Smith<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

photo by Taso Papadakis, from “This Dance is Stolen” Alexx Shilling is a Los Angeles-based choreographer, performer, filmmaker and teacher fully committed to the infinite investigation of movement and its potential to uncover alternative narratives and allow us to remember. Her\u00a0original choreography and experimental films have been presented nationally and internationally, through residencies including Millay […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1071"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=1071"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1071\/revisions"}],"predecessor-version":[{"id":1097,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1071\/revisions\/1097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=1071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=1071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=1071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}