{"id":9919,"date":"2019-11-05T13:57:16","date_gmt":"2019-11-05T18:57:16","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=9919"},"modified":"2019-11-06T13:50:14","modified_gmt":"2019-11-06T18:50:14","slug":"caroline-cox","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/caroline-cox\/","title":{"rendered":"Caroline Cox"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5563\"><audio class=\"wp-audio-shortcode\" id=\"audio-9919-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/CarolineCox.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/CarolineCox.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/CarolineCox.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"gmail-p1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9942 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?resize=236%2C300&#038;ssl=1\" alt=\"\" width=\"236\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?resize=236%2C300&amp;ssl=1 236w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?resize=768%2C978&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?resize=804%2C1024&amp;ssl=1 804w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?resize=696%2C886&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?resize=330%2C420&amp;ssl=1 330w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/10\/cox-image.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><span class=\"s1\"><a href=\"http:\/\/www.carolinecox.com\/\">Caroline Cox<\/a> creates process oriented installations and drawings. The installations evolve through an improvisational process that explores how materials interact with light, gravity and space. Through experimenting with materials that are optically interactive, pliable, and light weight<\/span><span class=\"s2\">\u00a0<\/span><span class=\"s1\">she develops shapeshifting overlays and optical mutations. These coalesce into ambiguous environments that can range from the microscopic to outer space. Cox\u2019s interactive installations contemplate the intricacies and poetic mutability of perception.\u00a0\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Cox has shown at the Yale University School of Art, Wake Forest University, Old Dominion University, Pierogi, Lesley Heller, Smack Melon, Sculpture Center, White Columns, Kathryn Markel Fine Arts, Outpost, Governor\u2019s Island, The Kitchen and had solo shows at Studio10, Long Island University Bklyn, FiveMyles, Another Year in LA, Sarah Bowen, Big &amp; Small Casual, Het Apollohuis. She has completed residencies at Edward Albee\u2019s, The Barn, The Clocktower and Het Apollohuis, Eindhoven, the Netherlands. Cox has received grants from the Pollock Krasner Foundation, The Tree of Life Foundation, and Artist Space. Her work has been reviewed online at Hyperallergic, Art in America, Art Critical, Artweek, and in print in Sculpture Magazine, the New York Times, Time Out, The Village Voice and published in\u00a0<\/span><span class=\"s4\"><i>Alternative Histories, New York Art Spaces,1960-2010<\/i><\/span><span class=\"s1\">, MIT Press, <i>Found Objec<\/i>t,<span class=\"Apple-converted-space\">\u00a0 <\/span>a quarterly journal published by the Center for the Study of Culture, Technology and Work at the Graduate School of the CUNY<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Cox is from California and while living in San Francisco she was part of the women\u2019s artist cooperative, Amargi, a live\/work space for artists. After moving to NYC<\/span><span class=\"s2\">\u00a0<\/span><span class=\"s1\">she played in the noise band, The Chairs, that performed at Roulette. While living in Brooklyn Caroline co-founded and ran Flipside, an alternative exhibition space, with Tim Spelios.\u00a0Caroline has also curated shows at The Outpost, Sarah Bowen Gallery, Schroeder Romero Gallery, Century29, The Police Building (through OIA) the show traveled to William Patterson College.<\/span><\/p>\n<figure id=\"attachment_9943\" aria-describedby=\"caption-attachment-9943\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9943 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-yellow-blue-green-image.jpg?resize=696%2C694&#038;ssl=1\" alt=\"\" width=\"696\" height=\"694\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-yellow-blue-green-image.jpg?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-yellow-blue-green-image.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-yellow-blue-green-image.jpg?resize=696%2C694&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-yellow-blue-green-image.jpg?resize=421%2C420&amp;ssl=1 421w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-9943\" class=\"wp-caption-text\">Yellow, Blue, Green, 2018, installation at Studio10 from Cox\u2019s solo show, horsehair fabric and monofilament, dimensions variable<\/figcaption><\/figure>\n<figure id=\"attachment_9944\" aria-describedby=\"caption-attachment-9944\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9944 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=640%2C480&#038;ssl=1\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=265%2C198&amp;ssl=1 265w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?w=1800&amp;ssl=1 1800w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-in-progress-shot.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-9944\" class=\"wp-caption-text\">Caroline Cox\u2019s studio, the drawings are untitled, 2019, ink on paper, (R) 36\u201d X\u00a0 54\u201d,\u00a0 (L) 58\u201d x\u00a0 48\u201d. The 3D works are in progress and made from monofilament, horsehair tubing and wire.<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/371184044\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/371184044\">optical effects of glass balls &amp; lenses<\/a> from <a href=\"https:\/\/vimeo.com\/user69513480\">Caroline Cox<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/CarolineCox.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listCaroline Cox creates process oriented installations and drawings. The installations evolve through an improvisational process that explores how materials interact with light, gravity and space. Through experimenting with materials that are optically interactive, pliable, and light weight\u00a0she develops shapeshifting overlays [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-9919","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/11\/cox-yellow-blue-green-image.jpg?fit=750%2C748&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2zZ","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=9919"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9919\/revisions"}],"predecessor-version":[{"id":9960,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9919\/revisions\/9960"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/9943"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=9919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=9919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=9919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}