{"id":9677,"date":"2019-09-05T17:19:14","date_gmt":"2019-09-05T21:19:14","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=9677"},"modified":"2019-09-05T19:33:00","modified_gmt":"2019-09-05T23:33:00","slug":"eve-schillo","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/eve-schillo\/","title":{"rendered":"Eve Schillo"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9685 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/Eve_Schillo_headshot.jpg?resize=185%2C237&#038;ssl=1\" alt=\"\" width=\"185\" height=\"237\" \/>Eve Schillo, Assistant Curator in the Wallis Annenberg Photography Department, has worked on a range of exhibitions in her 20+ years with LACMA, including Cuban photography after the revolution, multi-media work by author\/artist William S. Burroughs, an ongoing self-portraiture series, Pictorialist displays, and the still and moving imagery of Katy Grannan and Charlie White.<\/p>\n<p>At LACMA, she curates exhibitions that span photographic history for galleries dedicated to American, Latin American, Modern, Contemporary and Japanese Art, as well as photo-specific spaces.<\/p>\n<p>Recent projects include an exhibition celebrating Mexican photographer Mariana Yampolsky;\u00a0<i>This Is Not a Selfie<\/i>;<i>\u00a0Sarah Charlesworth: Doubleworld<\/i>; and\u00a0<i>Road Trip: Photography and the American West<\/i>. She is working on an exhibition on California photography spanning the early 1900s to the present.\u00a0 For that reason, she\u2019s reading about the West, as the histories of the area don\u2019t become untwined until statehood and pesky things like borders, see <a href=\"https:\/\/www.goodreads.com\/book\/show\/43062975-inland\">Inland by T\u00e9a Obreht<\/a>.<\/p>\n<figure id=\"attachment_9688\" aria-describedby=\"caption-attachment-9688\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9688 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=640%2C428&#038;ssl=1\" alt=\"\" width=\"640\" height=\"428\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=696%2C465&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=1068%2C713&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?resize=629%2C420&amp;ssl=1 629w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/101.jpg?w=1439&amp;ssl=1 1439w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-9688\" class=\"wp-caption-text\">Figure and Form in Contemporary Photography (2012)<\/figcaption><\/figure>\n<figure id=\"attachment_9689\" aria-describedby=\"caption-attachment-9689\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9689 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=640%2C391&#038;ssl=1\" alt=\"\" width=\"640\" height=\"391\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=1024%2C625&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=300%2C183&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=768%2C469&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=696%2C425&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=1068%2C652&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?resize=688%2C420&amp;ssl=1 688w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?w=1572&amp;ssl=1 1572w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/102.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-9689\" class=\"wp-caption-text\">Lens Work: Celebrating LACMA\u2019s Experimental Photography at 50 (2015)<\/figcaption><\/figure>\n<figure id=\"attachment_9690\" aria-describedby=\"caption-attachment-9690\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9690 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?w=1431&amp;ssl=1 1431w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-9690\" class=\"wp-caption-text\">TV on Film (2017)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Eve Schillo, Assistant Curator in the Wallis Annenberg Photography Department, has worked on a range of exhibitions in her 20+ years with LACMA, including Cuban photography after the revolution, multi-media work by author\/artist William S. Burroughs, an ongoing self-portraiture series, Pictorialist displays, and the still and moving imagery of Katy Grannan and Charlie White. At [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9690,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-9677","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/09\/103.jpg?fit=1431%2C954&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2w5","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=9677"}],"version-history":[{"count":7,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9677\/revisions"}],"predecessor-version":[{"id":9698,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9677\/revisions\/9698"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/9690"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=9677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=9677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=9677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}