{"id":9574,"date":"2019-08-16T11:01:02","date_gmt":"2019-08-16T15:01:02","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=9574"},"modified":"2019-08-16T11:01:02","modified_gmt":"2019-08-16T15:01:02","slug":"kemi-adeyemi","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/kemi-adeyemi\/","title":{"rendered":"Kemi Adeyemi"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5883\"><audio class=\"wp-audio-shortcode\" id=\"audio-9574-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/KemiAdeyemi.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/KemiAdeyemi.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/KemiAdeyemi.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9617 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?resize=201%2C300&#038;ssl=1\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?resize=201%2C300&amp;ssl=1 201w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?resize=687%2C1024&amp;ssl=1 687w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?resize=696%2C1038&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?resize=282%2C420&amp;ssl=1 282w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?w=704&amp;ssl=1 704w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><a href=\"https:\/\/kemiadeyemi.com\/\">Kemi Adeyemi<\/a> is assistant professor of Gender, Women and Sexuality Studies and Director of The <a href=\"https:\/\/www.blackembodiments.org\/\">Black Embodiments Studio<\/a>, an arts writing residency, at the University of Washington.<\/div>\n<div>Her book manuscript\u00a0on<i>\u00a0<\/i>black queer women\u2019s geographies of neoliberalism, and her co-edited volume\u00a0<i>Queer Nightlife<\/i>,\u00a0are currently in development. Adeyemi\u2019s has forthcoming writing in\u00a0<i>GLQ: a journal of lesbian and gay studies,\u00a0<\/i>and has published in\u00a0<i>Women &amp; Performance<\/i>,\u00a0<i>Transgender Studies Quarterly, Gulf Coast: A Journal of Literature and Fine Arts<\/i>, and\u00a0<i>QED: A Journal of GLBTQ Worldmaking<\/i>.<\/div>\n<div><\/div>\n<div>She has contributed exhibition essays for\u00a0<i>Tschabalala Self<\/i>\u00a0(Seattle),\u00a0<i>This is Not a Gun\u00a0<\/i>(Los Angeles),\u00a0<i>black is a color<\/i>\u00a0(Los Angeles),\u00a0<i>Impractical Weaving Suggestions<\/i>\u00a0(Madison), and\u00a0<i>Endless Flight\u00a0<\/i>(Chicago); and writings on artists including Liz Mputu, Adee Robinson,\u00a0Brendan Fernandes, Oli Rodriguez, and Indira Allegra. Adeyemi co-curated the\u00a0<i>unstable objects<\/i>\u00a0exhibition at The Alice Gallery in 2017 and is curating Amina Ross\u2019 October 2019 solo show at Ditch Projects.<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/KemiAdeyemi.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listKemi Adeyemi is assistant professor of Gender, Women and Sexuality Studies and Director of The Black Embodiments Studio, an arts writing residency, at the University of Washington. Her book manuscript\u00a0on\u00a0black queer women\u2019s geographies of neoliberalism, and her co-edited volume\u00a0Queer Nightlife,\u00a0are [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,9],"tags":[],"class_list":{"0":"post-9574","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-writers"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg?fit=704%2C1050&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2uq","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=9574"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9574\/revisions"}],"predecessor-version":[{"id":9618,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9574\/revisions\/9618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/9617"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=9574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=9574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=9574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}