{"id":9250,"date":"2019-06-05T19:46:14","date_gmt":"2019-06-05T23:46:14","guid":{"rendered":"http:\/\/new.museumofnonvisibleart.com\/interviews\/?p=9250"},"modified":"2025-03-24T13:43:19","modified_gmt":"2025-03-24T17:43:19","slug":"rina-ralay-ranaivo-joel-andrianomearisoa","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/rina-ralay-ranaivo-joel-andrianomearisoa\/","title":{"rendered":"Rina Ralay-Ranaivo &#038; Jo\u00ebl Andrianomearisoa"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7325\"><audio class=\"wp-audio-shortcode\" id=\"audio-9250-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/Madagascar.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/Madagascar.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/Madagascar.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p>By <strong>Joan Farrenkopf<\/strong> November 25, 2019<br \/>\n<figure id=\"attachment_9258\" aria-describedby=\"caption-attachment-9258\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9258 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Joel.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" \/><figcaption id=\"caption-attachment-9258\" class=\"wp-caption-text\">Jo\u00ebl Andrianomearisoa photo \u00a9farrenkopf<\/figcaption><\/figure><\/p>\n<p>Jo\u00ebl Andrianomearisoa was born in Antananarivo, Madagascar, in 1977. He lives and works between Antananarivo and Paris, France.<\/p>\n<p>Andrianomearisoa originally studied at the Institut M\u00e9tiers Arts Plastiques. He obtained a diploma degree in architecture from Ecole Speciale d\u2019Architecture, Paris, France in 2003.<\/p>\n<p>Solo presentations include:\u00a0<em>De Profundis<\/em>, Sabrina Amrani Gallery, Madrid, Spain (2015);\u00a0<em>Je ne suis plus une femme noire<\/em>, Kinani Festival, Maputo, Mozambique (2015); a special project in\u00a0<em>Tu M\u2019Aimes<\/em>\u00a0at the \u00a0Bamako Encounters Biennial of African Photography, Mali (2015);\u00a0<em>Perfection, the grave of our own existence<\/em>, Mikael Andersen, Berlin, Germany (2014);\u00a0<em>Sentimental<\/em>, Maison Revue Noire, Paris, France (2013);\u00a0<em>Une Histoire<\/em>, Centre Culturel Albert Camus, Antananarivo (2008) and\u00a0<em>Black Out,<\/em>mentalKLINIK project space, Istanbul (2007).<\/p>\n<figure id=\"attachment_9254\" aria-describedby=\"caption-attachment-9254\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9254 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Rina-Ralay-Ranaivo.jpg?resize=300%2C261&#038;ssl=1\" alt=\"\" width=\"300\" height=\"261\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Rina-Ralay-Ranaivo.jpg?resize=300%2C261&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Rina-Ralay-Ranaivo.jpg?resize=534%2C462&amp;ssl=1 534w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Rina-Ralay-Ranaivo.jpg?resize=483%2C420&amp;ssl=1 483w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Rina-Ralay-Ranaivo.jpg?w=690&amp;ssl=1 690w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-9254\" class=\"wp-caption-text\">Curator, Rina Ralay-Ranaivo photo \u00a9farrenkopf<\/figcaption><\/figure>\n<p>Born in 1984 in Antananarivo, Madagascar, Curator Rina Ralay-Ranaivo lives and works between Antananarivo and Berlin.Rina Ralay-Ranaivo started his career at the Institut Fran\u00e7ais of Madagascar. For twelve years (2006 to 2018) he was in charge of the artistic programming of this flagship institution of Malagasy cultural life.<\/p>\n<p>This transversal work enabled him to design \u00a0produce and manage several projects in the field of visual arts and dance. It gave him the opportunity to work with countless Malagasy artists (Jo\u00ebl Andrianomearisoa, Madame Zo, Rijasolo, Ariry Andriamoratsiresy, Pierrot Men, Christiane Ramanantsoa),\u00a0Pan-African artists (Kettly No\u00ebl, Omar Viktor Diop, Ballak\u00e9 Sissoko) Oceanic artists (Pascal Montrouge, Hans Nayna, Davy Sicard&#8230;) and artists from Europe (Claude Brumachon,\u00a0Moise Tour\u00e9, Bernardo Montet, Pascal Maitre, The Shopping)<\/p>\n<p>Rina Ralay-Ranaivo is also a visual artist and his work has been shown in art centers and\u00a0contemporary art events in Africa and Europe. He has curated several exhibitions, all in his country, the most important of which is entitled \u201cIci la limite du royaume est la mer\u201d (2018): a collective and retrospective exhibition of the last twenty years of the history of Malagasy contemporary artistic expressions.<\/p>\n<p>Previously, Rina Ralay-Ranaivo had been a cultural journalist for the Malagasy newspaper\u00a0La Gazette de la Grande Ile (2003 to 2005), after studying Information Science and Communication at the University of Antananarivo. This proposal by the Ministry of Culture and Jo\u00ebl Andrianomearisoa to curate the Malagasy Pavilion at the 58th edition of\u00a0La Biennale di Venezia is an essential mission for several obvious reasons.<\/p>\n<p>It is a tremendous honour that comes at the right moment, on the eve of a new orientation in my career. It is also a commitment that I accepted out of friendship, for the artist and for\u00a0the association Revue Noire, with whom I have maintained both a complicity and a working\u00a0relationship for about fifteen years.<\/p>\n<p>This invitation to write together, in a dialogue and collectively, a page in the history of Malagasy arts is an act that brings us even closer together. This curation is an unprecedented exercise: interacting intimately with the artist on his way of making poetry, drama, emotion and give them shape.<\/p>\n<p>Finally, it is a personal source of pride to be able to participate in this project and to bring this work on aesthetics &#8211; deeply Malagasy in its soul and in its approach &#8211; to a prestigious event with worldwide outreach.<\/p>\n<figure id=\"attachment_9260\" aria-describedby=\"caption-attachment-9260\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9260 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Madagascar.jpg?resize=640%2C853&#038;ssl=1\" alt=\"\" width=\"640\" height=\"853\" \/><figcaption id=\"caption-attachment-9260\" class=\"wp-caption-text\">\u201cI Have Forgotten the Night\u201d Madagascar Pavilion, Venice Biennale photo \u00a9farrenkopf<\/figcaption><\/figure>\n<figure id=\"attachment_9261\" aria-describedby=\"caption-attachment-9261\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9261 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Madagascar-RinaJoel.jpg?resize=640%2C480&#038;ssl=1\" alt=\"\" width=\"640\" height=\"480\" \/><figcaption id=\"caption-attachment-9261\" class=\"wp-caption-text\">\u201cI Have Forgotten the Night\u201d Madagascar Pavilion, Venice Biennale photo \u00a9farrenkopf<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/Madagascar.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listBy Joan Farrenkopf November 25, 2019 Jo\u00ebl Andrianomearisoa was born in Antananarivo, Madagascar, in 1977. He lives and works between Antananarivo and Paris, France. Andrianomearisoa originally studied at the Institut M\u00e9tiers Arts Plastiques. He obtained a diploma degree in architecture [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,7],"tags":[295,284,281],"class_list":{"0":"post-9250","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-curator","9":"tag-madagascar-pavilion","10":"tag-venice","11":"tag-venice-biennial"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/Madagascar.jpg?fit=3024%2C4032&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2pc","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=9250"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9250\/revisions"}],"predecessor-version":[{"id":15381,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9250\/revisions\/15381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/9251"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=9250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=9250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=9250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}