{"id":9092,"date":"2019-05-01T12:48:35","date_gmt":"2019-05-01T16:48:35","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=9092"},"modified":"2019-05-01T12:48:35","modified_gmt":"2019-05-01T16:48:35","slug":"lynne-thompson","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/lynne-thompson\/","title":{"rendered":"Lynne Thompson"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_8264\"><audio class=\"wp-audio-shortcode\" id=\"audio-9092-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LynneThompson.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LynneThompson.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LynneThompson.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div class=\"\"><span class=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9094 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/fullsizeoutput_1816.jpeg?resize=300%2C247&#038;ssl=1\" alt=\"\" width=\"300\" height=\"247\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/fullsizeoutput_1816.jpeg?resize=300%2C247&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/fullsizeoutput_1816.jpeg?resize=511%2C420&amp;ssl=1 511w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/fullsizeoutput_1816.jpeg?w=584&amp;ssl=1 584w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"https:\/\/www.poetryfoundation.org\/poets\/lynne-thompson\">Lynne Thompson<\/a> is the author of three chapbooks and won the 2018 <a href=\"http:\/\/marshhawkpress.org\/\">Marsh Hawk Press<\/a> Poetry Prize for her full-length manuscript, <i class=\"\">Fretwork<\/i>, published by the Press in 2019.\u00a0 She also authored <a href=\"http:\/\/whatbookspress.com\/\"><i class=\"\">Start With A Small Guitar <\/i><\/a>\u00a0and <a href=\"http:\/\/perugiapress.com\/\"><i class=\"\">Beg No Pardon<\/i><\/a>, winner of the Perugia Press Book Award and the Great Lakes Colleges Association\u2019s New Writers Award. She is the recipient of an Artist\u2019s Fellowship from the City of Los Angeles and Special Mention in the 2018 Pushcart Prizes.<\/span><\/div>\n<div class=\"\"><\/div>\n<div class=\"\"><span class=\"\">Thompson\u2019s poetry appears or is forthcoming in <i class=\"\">Pleiades, Colorado Review, Ploughshares<\/i>, and the <i class=\"\">New England Review; <\/i>her prose is included in <i class=\"\">Jane Cooper, A Radiance of Attention <\/i>issued by the University of Michigan Press (2019). Follow these links to find two examples of her work: <a class=\"\" href=\"http:\/\/www.poetrynw.org\/\">www.poetrynw.org<\/a> and <a class=\"\" href=\"http:\/\/www.poetryfoundation.org\/\">www.poetryfoundation.org<\/a>.<\/span><\/div>\n<div class=\"\"><\/div>\n<div class=\"\"><span class=\"\">Thompson serves as Reviews and Essays Editor for the journal, <i class=\"\">Spillway,<\/i> and Chair of the Board of Trustees at Scripps College.<\/span><\/div>\n<div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-9096\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/FRETWORK_cvr_F_300dpi-1.jpeg?resize=641%2C961&#038;ssl=1\" alt=\"\" width=\"641\" height=\"961\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/FRETWORK_cvr_F_300dpi-1.jpeg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/FRETWORK_cvr_F_300dpi-1.jpeg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/FRETWORK_cvr_F_300dpi-1.jpeg?resize=280%2C420&amp;ssl=1 280w\" sizes=\"auto, (max-width: 641px) 100vw, 641px\" \/><\/div>\n<div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-9095\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/Scan-4.jpeg?resize=643%2C942&#038;ssl=1\" alt=\"\" width=\"643\" height=\"942\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/Scan-4.jpeg?w=437&amp;ssl=1 437w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/Scan-4.jpeg?resize=205%2C300&amp;ssl=1 205w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/Scan-4.jpeg?resize=287%2C420&amp;ssl=1 287w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LynneThompson.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listLynne Thompson is the author of three chapbooks and won the 2018 Marsh Hawk Press Poetry Prize for her full-length manuscript, Fretwork, published by the Press in 2019.\u00a0 She also authored Start With A Small Guitar \u00a0and Beg No Pardon, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,11],"tags":[],"class_list":{"0":"post-9092","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers","8":"category-poet"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/05\/FRETWORK_cvr_F_300dpi-1.jpeg?fit=427%2C640&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2mE","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=9092"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9092\/revisions"}],"predecessor-version":[{"id":9097,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/9092\/revisions\/9097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/9096"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=9092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=9092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=9092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}