{"id":8932,"date":"2019-04-07T13:32:31","date_gmt":"2019-04-07T17:32:31","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8932"},"modified":"2019-04-07T13:32:31","modified_gmt":"2019-04-07T17:32:31","slug":"pedro-lasch","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/pedro-lasch\/","title":{"rendered":"Pedro Lasch"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2251\"><audio class=\"wp-audio-shortcode\" id=\"audio-8932-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/pedrolasch.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/pedrolasch.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/pedrolasch.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><a href=\"http:\/\/www.pedrolasch.com\/#en\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8963 alignright\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-256x300.jpg\" alt=\"\" width=\"256\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-256x300.jpg 256w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-359x420.jpg 359w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy.jpg 481w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/>Pedro Lasch<\/a> (Mexico\/US\/Germany) is a visual artist, Duke professor, and 16 Beaver organizer. He is also director of the FHI Social Practice Lab at Duke. Solo exhibitions and presentations include\u00a0<em>Open Routines<\/em>\u00a0(QMA), <em>Black Mirror<\/em>\u00a0(Nasher), <em>Abstract Nationalism <\/em>(Phillips Collection), <em>Art of the MOOC<\/em> (Creative Time), <em>A Sculptural Proposal for the Z\u00f3calo <\/em>(Casa Wabi); group exhibitions include MoMA PS1,\u00a0MASS MoCA (USA); RCA, Hayward Gallery, Baltic (UK); Centro Nacional de las Artes, MUAC, National Palace Gallery (Mexico); Prospect 4 Triennial New Orleans (2017), Gwangju Biennial (2006), Havana Biennial (2015), Documenta 13 (ANDANDAND, 2012), and 56<sup>th<\/sup> Venice Biennale (Creative Time Summit, 2015).\u00a0Author of four books, his work has appeared in numerous catalogues, as well as journals like <em>October Magazine<\/em>, <em>Saber Ver,<\/em> <em>Art Forum<\/em>, <em>ARTnews, Cultural Studies, The New York Times<\/em>, <em>and La Jornada.<\/em> His online pedagogical artwork <em>ART of the MOOC<\/em> has had over 30,000 enrolled participants in 134 countries since it launched in 2015.<\/p>\n<figure id=\"attachment_8961\" aria-describedby=\"caption-attachment-8961\" style=\"width: 647px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8961\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-1024x768.jpg\" alt=\"\" width=\"647\" height=\"485\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-1024x768.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-300x225.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-768x576.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-80x60.jpg 80w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-265x198.jpg 265w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-696x522.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-1068x801.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048-560x420.jpg 560w\" sizes=\"auto, (max-width: 647px) 100vw, 647px\" \/><figcaption id=\"caption-attachment-8961\" class=\"wp-caption-text\">Pedro Lasch, A Sculptural Proposal for the Zocalo (1999\/2004\/2018). Architectural model exhibition at Casa Wabi Santa Maria, Mexico City, 2018-2019.<\/figcaption><\/figure>\n<figure id=\"attachment_8962\" aria-describedby=\"caption-attachment-8962\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-8962\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-1024x576.png\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-1024x576.png 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-300x169.png 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-768x432.png 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-696x392.png 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-1068x601.png 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/04\/IMG_4766-747x420.png 747w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8962\" class=\"wp-caption-text\">Pedro Lasch, Phantom Limbs paintings (2001-2011). Selection: WTC Kabul, WTC Paris, WTC Baghdad) at \u2018Politics of Fiction\u2019 solo exhibition at Espacio Mexico, Montreal (March 2nd &#8211; June 9th, 2019)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/pedrolasch.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listPedro Lasch (Mexico\/US\/Germany) is a visual artist, Duke professor, and 16 Beaver organizer. He is also director of the FHI Social Practice Lab at Duke. Solo exhibitions and presentations include\u00a0Open Routines\u00a0(QMA), Black Mirror\u00a0(Nasher), Abstract Nationalism (Phillips Collection), Art of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8962,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-8932","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artists"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8932"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8932\/revisions"}],"predecessor-version":[{"id":8964,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8932\/revisions\/8964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8962"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}