{"id":8921,"date":"2019-03-27T19:41:00","date_gmt":"2019-03-27T23:41:00","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8921"},"modified":"2019-03-27T19:41:00","modified_gmt":"2019-03-27T23:41:00","slug":"oliver-kalb","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/oliver-kalb\/","title":{"rendered":"Oliver Kalb"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7135\"><audio class=\"wp-audio-shortcode\" id=\"audio-8921-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/oliverkalb.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/oliverkalb.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/oliverkalb.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8922 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=696%2C465&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=1068%2C713&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?resize=629%2C420&amp;ssl=1 629w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/MTC-Bellows-42.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"https:\/\/bellows.bandcamp.com\/music\">Bellows<\/a> is the bedroom recording project of songwriter and producer Oliver Kalb. The sound of Bellows is sensory and delicate, subtle and quiet, but erupts with frantic wobbling drums, large orchestral sections and bursts of noise that push the conventions of pop and folk. Started in late 2010 in a bedroom in upstate New York, Bellows has since blossomed from a solo recording experiment into a large-scale rock band, employing the help of friends to bring Kalb&#8217;s intimate home recordings to life on stage in sweeping, loud, and intense live performances.<\/div>\n<p>Bellows has been writing and self-producing records for the better part of the last decade, recording four full length albums and multiple shorter collections of song-a-day projects in the years since 2011\u2019s <i><a href=\"https:\/\/bellows.bandcamp.com\/album\/as-if-to-say-i-hate-daylight-2\">As If To Say I Hate Daylight<\/a>, <\/i>a quietly brooding album recorded on a single microphone, for which Kalb challenged himself to create a large, fully orchestrated blanket of sounds without the use of synthesizers or any digital sounds. Over the next eight years, Bellows\u2019 palate of sounds has expanded and changed with each successive album. On <a href=\"https:\/\/bellows.bandcamp.com\/album\/blue-breath\"><i>Blue Breath<\/i><\/a> (2014), which Kalb recorded over the course of three years in several cities across the United States, dozens of strange sounds were layered over would-be humble folk songs, resulting in a soaring pop record that tread the line between minuscule and gigantic. <a href=\"https:\/\/bellows.bandcamp.com\/album\/blue-breath\"><i>Blue Breath<\/i><\/a> was named one of Bob Boilen of NPR&#8217;s <i>All Songs Considered<\/i>&#8216;s favorite records of 2014. Bellows\u2019 third album <a href=\"https:\/\/bellows.bandcamp.com\/album\/fist-palm\"><i>Fist &amp; Palm<\/i><\/a> (2016) meditated on the ending of a friendship, contrasting its stark and gutting lyrics with warm pop and dance-music based orchestrations of fluttering synthesizers, drum machines, choir harmonies and strings. <a href=\"https:\/\/bellows.bandcamp.com\/album\/fist-palm\"><i>Fist &amp; Palm<\/i><\/a> was featured twice on Stereogum\u2019s 100 Best Songs of 2016 list. Bellows&#8217; latest album <a href=\"https:\/\/bellows.bandcamp.com\/album\/the-rose-gardener-2\"><i>The Rose Gardener<\/i><\/a> was released on <a href=\"https:\/\/bellows.bandcamp.com\/\">Topshelf Records<\/a> in February 2019.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8923\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=640%2C640&#038;ssl=1\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=1068%2C1068&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?w=1440&amp;ssl=1 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8925\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=640%2C640&#038;ssl=1\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=1068%2C1068&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/FRONT.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/oliverkalb.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listBellows is the bedroom recording project of songwriter and producer Oliver Kalb. The sound of Bellows is sensory and delicate, subtle and quiet, but erupts with frantic wobbling drums, large orchestral sections and bursts of noise that push the conventions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[],"class_list":{"0":"post-8921","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musician"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/bandcampcoverRGB.jpg?fit=1440%2C1440&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2jT","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8921"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8921\/revisions"}],"predecessor-version":[{"id":8926,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8921\/revisions\/8926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8923"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}