{"id":8800,"date":"2019-02-28T15:12:40","date_gmt":"2019-02-28T20:12:40","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8800"},"modified":"2020-02-04T19:58:25","modified_gmt":"2020-02-05T00:58:25","slug":"margaret-keller","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/margaret-keller\/","title":{"rendered":"Margaret Keller"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7948\"><audio class=\"wp-audio-shortcode\" id=\"audio-8800-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/margaretkeller.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/margaretkeller.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/margaretkeller.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8802 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/MK-at-GCAAD-closeup.jpeg?resize=219%2C300&#038;ssl=1\" alt=\"\" width=\"219\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/MK-at-GCAAD-closeup.jpeg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/MK-at-GCAAD-closeup.jpeg?resize=307%2C420&amp;ssl=1 307w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/MK-at-GCAAD-closeup.jpeg?w=468&amp;ssl=1 468w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><a href=\"http:\/\/www.margaretkellerstudio.com\/\">Margaret Keller<\/a> works in related series using installation, drawing, digital media, painting, mixed media, 3D printing, and screen prints to examine the relationships between nature, contemporary culture and technology, along with their effects on our lives.<\/p>\n<p>Current series look at surveillance, natural disasters, gender, and our experience of nature and the landscape in this digital\/virtual age.\u00a0 She also focuses on the curatorial and critical aspects of contemporary art, with many published reviews, including in <em>Delicious Line<\/em>, <em>Art in America,<\/em> <em>All the Art <\/em>and <em>temporaryartreview<\/em>.<\/p>\n<p>Her exhibits include galleries, museums and collections in Berlin, Chicago, Atlanta, California, Ohio, Colorado, Missouri, Maryland, Wisconsin, Arkansas, New York, Beijing and others. \u00a0Her art has been shown at over 50 galleries and museums, such as\u00a0Quadratfu\u00df\/NX2-Annex Art Berlin,\u00a0The Arkansas Art Center Museum in Little Rock, the RAC gallery in St. Louis, The Mitchell Museum in Mt. Vernon, Illinois, The Center for Contemporary Art, and Gallery 210 in St. Louis. \u00a0In 2018, she was commissioned to create the public artwork <em>Riverbend, <\/em>a 105-foot-long aluminum representation of the navigable Missouri River, at the <a href=\"https:\/\/www.stltoday.com\/entertainment\/arts-and-theatre\/st-louis-gets-a-shiny-new-river-at-the-gateway\/article_9ec6467b-a956-5bf2-a53d-4a22cec15630.html\">Gateway Arch National Park<\/a>.\u00a0 In 2019, her one person exhibit <em>The Space Between <\/em>is at The William and Florence Schmidt Art Center Museum, Illinois.<\/p>\n<p>From 1993-2018, Keller taught full-time as Professor of Art in drawing, painting, design and art history at St. Louis Community College-Meramec; she was also a Visiting Associate Professor at Washington University in St. Louis and in Florence, Italy. She has also worked as a Historic Preservation Consultant, a Fiscal Analyst for the Missouri State Legislature, a cake decorator, and in a box factory.<\/p>\n<p>The book mentioned in the interview was <a href=\"https:\/\/www.amazon.com\/Augustus-York-Review-Books-Classics\/dp\/1590178211\">Augustus<\/a> by John Williams.<\/p>\n<figure id=\"attachment_8803\" aria-describedby=\"caption-attachment-8803\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8803 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/IMG_1968.jpeg?resize=640%2C413&#038;ssl=1\" alt=\"\" width=\"640\" height=\"413\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/IMG_1968.jpeg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/IMG_1968.jpeg?resize=300%2C194&amp;ssl=1 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8803\" class=\"wp-caption-text\">The Space Between series, 52 foot-long x 14\u2019 wall installation, detail, paintings and mixed media on 30 round panels, from the exhibition at The William and Florence Schmidt Art Center, Belleville, Illinois, by Margaret Keller, 2019<\/figcaption><\/figure>\n<figure id=\"attachment_8804\" aria-describedby=\"caption-attachment-8804\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8804 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/Riverbend-6x4.jpeg?resize=640%2C360&#038;ssl=1\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/Riverbend-6x4.jpeg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/Riverbend-6x4.jpeg?resize=300%2C169&amp;ssl=1 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8804\" class=\"wp-caption-text\">Riverbend, 105 feet-long, aluminum substrate, The Gateway Arch National Park, St. Louis, a public art commission by Critical Mass for the Visual Arts\u2019 Public Works Project, 2018 by Margaret Keller, a representation of the navigable Missouri River.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/margaretkeller.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listMargaret Keller works in related series using installation, drawing, digital media, painting, mixed media, 3D printing, and screen prints to examine the relationships between nature, contemporary culture and technology, along with their effects on our lives. Current series look at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8803,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-8800","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/02\/IMG_1968.jpeg?fit=640%2C413&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2hW","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8800"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8800\/revisions"}],"predecessor-version":[{"id":10086,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8800\/revisions\/10086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8803"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}