{"id":8691,"date":"2019-01-23T19:02:23","date_gmt":"2019-01-24T00:02:23","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8691"},"modified":"2019-01-23T19:02:23","modified_gmt":"2019-01-24T00:02:23","slug":"ted-riederer-2nd-interview","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ted-riederer-2nd-interview\/","title":{"rendered":"Ted Riederer (2nd interview)"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_8454\"><audio class=\"wp-audio-shortcode\" id=\"audio-8691-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/tedriederer2.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/tedriederer2.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/tedriederer2.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_8693\" aria-describedby=\"caption-attachment-8693\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8693 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=640%2C322&#038;ssl=1\" alt=\"\" width=\"640\" height=\"322\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=1024%2C515&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=300%2C151&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=768%2C386&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=696%2C350&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=1068%2C537&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?resize=835%2C420&amp;ssl=1 835w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/Open-Spaces-Oct-2018-8945-copy.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8693\" class=\"wp-caption-text\">Ted Riederer recording Gamelan Gent Kasturi in Kansas City, photo by EG Schempf<\/figcaption><\/figure>\n<div class=\"\">\n<p class=\"\">Ted Riederer was interviewed previously, that first interview can be heard <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/ted-riederer\/\">by clicking here<\/a>.<\/p>\n<p class=\"\">A \u201cone-time refugee from punk and sometime band member,\u201d Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he\u2019s ambled artistically from the Americas to the Antipodes. His work has been shown nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff and Rosenthal Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh. His \u201cNever Records\u201d project has traveled from New York, to Liverpool, to Derry, to New Orleans, to Texas, and to London, which was sponsored by the Tate Modern.<\/p>\n<p class=\"\">Ted Riederer is the Director of <a href=\"https:\/\/www.howlarts.org\/\">Howl! Happening: An Arturo Vega Project<\/a>, non-profit gallery\/performance space in the East Village. The New York Times has described Howl! Happening as, \u201cInstrumental to the history of the area.\u201d Howl! Happening\u2019s thriving publishing imprint A\/P\/E has included essays by: Ai Wei Wei, Dan Cameron, Anthony Haden-Guest, Robert Nickas, Michelle Grabner, Michael Musto, C. Carr, Nicole Rudick, John Lyons, and James Wolcott.<\/p>\n<figure id=\"attachment_8694\" aria-describedby=\"caption-attachment-8694\" style=\"width: 746px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8694 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/1ce1480472113e42e36f6755a6aec55e3f8145d6_large..jpeg?resize=696%2C560&#038;ssl=1\" alt=\"\" width=\"696\" height=\"560\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/1ce1480472113e42e36f6755a6aec55e3f8145d6_large..jpeg?w=746&amp;ssl=1 746w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/1ce1480472113e42e36f6755a6aec55e3f8145d6_large..jpeg?resize=300%2C241&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/1ce1480472113e42e36f6755a6aec55e3f8145d6_large..jpeg?resize=696%2C560&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/1ce1480472113e42e36f6755a6aec55e3f8145d6_large..jpeg?resize=522%2C420&amp;ssl=1 522w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-8694\" class=\"wp-caption-text\">Callisto: The Dead Moon, 2019, Mixed Media, Dimensions Variable<\/figcaption><\/figure>\n<figure id=\"attachment_8695\" aria-describedby=\"caption-attachment-8695\" style=\"width: 754px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8695 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/fcb95f9d7233441a3428383835bd469493d7b017_large..jpeg?resize=696%2C554&#038;ssl=1\" alt=\"\" width=\"696\" height=\"554\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/fcb95f9d7233441a3428383835bd469493d7b017_large..jpeg?w=754&amp;ssl=1 754w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/fcb95f9d7233441a3428383835bd469493d7b017_large..jpeg?resize=300%2C239&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/fcb95f9d7233441a3428383835bd469493d7b017_large..jpeg?resize=696%2C554&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/fcb95f9d7233441a3428383835bd469493d7b017_large..jpeg?resize=528%2C420&amp;ssl=1 528w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-8695\" class=\"wp-caption-text\">Callisto: The Dead Moon, 2019, Mixed Media, Dimensions Variable<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/tedriederer2.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Ted Riederer was interviewed previously, that first interview can be heard by clicking here. A \u201cone-time refugee from punk and sometime band member,\u201d Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,60],"tags":[],"class_list":{"0":"post-8691","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-performer"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/01\/1ce1480472113e42e36f6755a6aec55e3f8145d6_large..jpeg?fit=746%2C600&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2gb","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8691"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8691\/revisions"}],"predecessor-version":[{"id":8696,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8691\/revisions\/8696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8694"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}