{"id":8488,"date":"2018-11-07T17:15:53","date_gmt":"2018-11-07T22:15:53","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8488"},"modified":"2018-11-07T17:17:27","modified_gmt":"2018-11-07T22:17:27","slug":"storme-webber","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/storme-webber\/","title":{"rendered":"Storme Webber"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4548\"><audio class=\"wp-audio-shortcode\" id=\"audio-8488-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div dir=\"ltr\">\n<div dir=\"ltr\">\n<div dir=\"ltr\">\n<div>\n<p dir=\"ltr\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8495 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=200%2C300&#038;ssl=1\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=768%2C1154&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=682%2C1024&amp;ssl=1 682w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=696%2C1046&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=1068%2C1605&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?resize=280%2C420&amp;ssl=1 280w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg?w=1365&amp;ssl=1 1365w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><a href=\"http:\/\/www.stormewebber.com\/\">Storme Webber<\/a> is a Two Spirit Sugpiaq\/Black\/Choctaw poet and interdisciplinary artist. Her work is cross genre, incorporating text, performance, audio and altar installation, archival photographs and collaboration in order to engage with ideas of history, lineage, gender, race and sexuality. Her practice explores liminal identities, survivance and decolonization, and does so in a blues-based experimental manner, often incorporating acapella vocals.<\/p>\n<p dir=\"ltr\">She has received numerous honors and residencies; including from Hedgebrook, Ragdale and Banff Arts Centre, and recently was honored with the James W Ray Award. Her first solo museum exhibition, \u201cCasino: A Palimpsest\u201d, was presented at <a href=\"https:\/\/fryemuseum.org\/exhibition\/6645\/\">Frye Art Museum<\/a> in Seattle. Minh Nyguyen, in Art in America, wrote: \u00a0\u201cRather than erect divisions between personal art and historical archives, \u201c<a href=\"https:\/\/fryemuseum.org\/exhibition\/6645\/\">Casino<\/a>\u201d considered the intangible properties by which art and poetry are connected to family, ancestry, language, and public memory, revealing intergenerational, underground histories of resilience.\u201d<\/p>\n<p dir=\"ltr\">Her most recent book, \u201cBlues Divine\u201d is available from <a href=\"http:\/\/www.stormewebber.com\/blues-divine\/\">her website<\/a>, along with its companion <a href=\"http:\/\/www.stormewebber.com\/blues-divine\/\">CD recording<\/a>. Currently at work on the next touring iteration of the exhibition, \u201c<a href=\"https:\/\/fryemuseum.org\/exhibition\/6645\/\">Casino: A Palimpsest<\/a>\u201d, and it\u2019s manuscript.<\/p>\n<p dir=\"ltr\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8496\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=640%2C652&#038;ssl=1\" alt=\"\" width=\"640\" height=\"652\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=1005%2C1024&amp;ssl=1 1005w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=294%2C300&amp;ssl=1 294w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=768%2C783&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=356%2C364&amp;ssl=1 356w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=696%2C709&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=1068%2C1088&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?resize=412%2C420&amp;ssl=1 412w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?w=1466&amp;ssl=1 1466w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p dir=\"ltr\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8497\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=640%2C988&#038;ssl=1\" alt=\"\" width=\"640\" height=\"988\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=663%2C1024&amp;ssl=1 663w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=768%2C1187&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=696%2C1076&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=1068%2C1651&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?resize=272%2C420&amp;ssl=1 272w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg?w=1325&amp;ssl=1 1325w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Storme Webber is a Two Spirit Sugpiaq\/Black\/Choctaw poet and interdisciplinary artist. Her work is cross genre, incorporating text, performance, audio and altar installation, archival photographs and collaboration in order to engage with ideas of history, lineage, gender, race and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,16,11],"tags":[],"class_list":{"0":"post-8488","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-musician","9":"category-poet"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg?fit=1466%2C1494&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2cU","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8488"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8488\/revisions"}],"predecessor-version":[{"id":8499,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8488\/revisions\/8499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8496"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}