{"id":8488,"date":"2018-11-07T17:15:53","date_gmt":"2018-11-07T22:15:53","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8488"},"modified":"2018-11-07T17:17:27","modified_gmt":"2018-11-07T22:17:27","slug":"storme-webber","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/storme-webber\/","title":{"rendered":"Storme Webber"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4481\"><audio class=\"wp-audio-shortcode\" id=\"audio-8488-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div dir=\"ltr\">\n<div dir=\"ltr\">\n<div dir=\"ltr\">\n<div>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8495 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-200x300.jpeg 200w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-768x1154.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-682x1024.jpeg 682w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-696x1046.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-1068x1605.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot-280x420.jpeg 280w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbanffheadshot.jpeg 1365w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><a href=\"http:\/\/www.stormewebber.com\/\">Storme Webber<\/a> is a Two Spirit Sugpiaq\/Black\/Choctaw poet and interdisciplinary artist. Her work is cross genre, incorporating text, performance, audio and altar installation, archival photographs and collaboration in order to engage with ideas of history, lineage, gender, race and sexuality. Her practice explores liminal identities, survivance and decolonization, and does so in a blues-based experimental manner, often incorporating acapella vocals.<\/p>\n<p dir=\"ltr\">She has received numerous honors and residencies; including from Hedgebrook, Ragdale and Banff Arts Centre, and recently was honored with the James W Ray Award. Her first solo museum exhibition, \u201cCasino: A Palimpsest\u201d, was presented at <a href=\"https:\/\/fryemuseum.org\/exhibition\/6645\/\">Frye Art Museum<\/a> in Seattle. Minh Nyguyen, in Art in America, wrote: \u00a0\u201cRather than erect divisions between personal art and historical archives, \u201c<a href=\"https:\/\/fryemuseum.org\/exhibition\/6645\/\">Casino<\/a>\u201d considered the intangible properties by which art and poetry are connected to family, ancestry, language, and public memory, revealing intergenerational, underground histories of resilience.\u201d<\/p>\n<p dir=\"ltr\">Her most recent book, \u201cBlues Divine\u201d is available from <a href=\"http:\/\/www.stormewebber.com\/blues-divine\/\">her website<\/a>, along with its companion <a href=\"http:\/\/www.stormewebber.com\/blues-divine\/\">CD recording<\/a>. Currently at work on the next touring iteration of the exhibition, \u201c<a href=\"https:\/\/fryemuseum.org\/exhibition\/6645\/\">Casino: A Palimpsest<\/a>\u201d, and it\u2019s manuscript.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8496\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-1005x1024.jpeg\" alt=\"\" width=\"640\" height=\"652\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-1005x1024.jpeg 1005w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-294x300.jpeg 294w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-768x783.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-356x364.jpeg 356w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-696x709.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-1068x1088.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1-412x420.jpeg 412w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swbd1.jpeg 1466w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8497\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-663x1024.jpeg\" alt=\"\" width=\"640\" height=\"988\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-663x1024.jpeg 663w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-194x300.jpeg 194w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-768x1187.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-696x1076.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-1068x1651.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter-272x420.jpeg 272w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/11\/swfryeposter.jpeg 1325w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/stormewebber.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Storme Webber is a Two Spirit Sugpiaq\/Black\/Choctaw poet and interdisciplinary artist. Her work is cross genre, incorporating text, performance, audio and altar installation, archival photographs and collaboration in order to engage with ideas of history, lineage, gender, race and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,16,11],"tags":[],"class_list":["post-8488","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artists","category-musician","category-poet"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8488"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8488\/revisions"}],"predecessor-version":[{"id":8499,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8488\/revisions\/8499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8496"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}