{"id":8425,"date":"2018-10-21T12:28:37","date_gmt":"2018-10-21T16:28:37","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8425"},"modified":"2018-10-24T15:40:18","modified_gmt":"2018-10-24T19:40:18","slug":"xavier-de-luca","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/xavier-de-luca\/","title":{"rendered":"Xavier de Luca"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5698\"><audio class=\"wp-audio-shortcode\" id=\"audio-8425-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/XavierdeLuca.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/XavierdeLuca.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/XavierdeLuca.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8426 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=300%2C205&#038;ssl=1\" alt=\"\" width=\"300\" height=\"205\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=300%2C205&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=768%2C524&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=1024%2C698&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=218%2C150&amp;ssl=1 218w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=696%2C475&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=1068%2C728&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?resize=616%2C420&amp;ssl=1 616w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/5e4c9e65-e80a-4c9e-9c94-338b292267c9.gif?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Xavier de Luca (Barcelona, 1980) has focused his education in the field of contemporary art, photography and cultural management. Currently, he is the Chief Curator at <a href=\"http:\/\/www.fundaciosunol.org\/\">Fundaci\u00f3 Su\u00f1ol<\/a> and Founder and Coordinator at <a href=\"http:\/\/www.jiser.org\/\">Jiser Reflexions Mediterr\u00e0nies<\/a>.<\/p>\n<p>His interest in artistic creation in the Mediterranean region began after a stay in Tunisia in 2004, where he worked in the organization of the Journ\u00e9es Cin\u00e9matographiques de Carthage. It was precisely in this country that he created, together with other artists, the Jiser Reflexions Mediterr\u00e0nies association, which since 2005 has organized and promoted artistic and research projects that have as main objectives the mobility of young people, the promotion of creation, the exchange of artistic proposals and initiatives, and their dissemination in the Mediterranean area. Some examples are the artistic meeting\u00a0<strong>Perceptions de la Ville<\/strong> (Barcelona, \u200b\u200bZaragoza and Tunis, 2006) or the ongoing project <strong>R\u00e9sidences de Cr\u00e9ation BCN&gt;TNS&gt;ALG<\/strong>, which began in 2010, and which establishes creative bridges between the cities of Barcelona, \u200b\u200bTunis and Algiers. After the success of the <strong>Focus Maghreb<\/strong> program, which was presented at Swab Barcelona Art Fair 2016, he curated the <strong>Focus Mediterr\u00e0nia <\/strong>program, expanding the number of participants, coming from the Southern Mediterranean countries (from Morocco to Syria).<\/p>\n<p>Between 2012 and 2017, Jiser has actively promoted and collaborated in the\u00a0<strong>Trans-Cultural Dialogues<\/strong>\u00a0platform, which together with other Mediterranean cultural associations organized in Algiers the multidisciplinary cultural festival\u00a0<strong>DJART<\/strong>\u00a0in 2014, as well as the research project\u00a0<strong>medreb<\/strong>, regarding the heritage of the abandoned industrial complex in the El Hamma district of Algiers. In 2017, Jiser also takes part in the\u00a0<strong>Kibrit<\/strong>\u00a0platform, whose projects seek to revive historical heritage and collective memory.<\/p>\n<p>The book mentoned in the interview is\u00a0Kamel Daoud&#8217;s novel: <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Meursault_Investigation\">The Mersault Investigation<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8428\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<figure id=\"attachment_8429\" aria-describedby=\"caption-attachment-8429\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8429 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?w=1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona2.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8429\" class=\"wp-caption-text\">Omar Bey working in Barcelona in 2006, during the Percepcions de la Ciutat project.<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/F0Bod1eay4E\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/XavierdeLuca.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listXavier de Luca (Barcelona, 1980) has focused his education in the field of contemporary art, photography and cultural management. Currently, he is the Chief Curator at Fundaci\u00f3 Su\u00f1ol and Founder and Coordinator at Jiser Reflexions Mediterr\u00e0nies. His interest in artistic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8428,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,8,7],"tags":[244,215,250,249,251],"class_list":{"0":"post-8425","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-alternative-spaces","8":"category-artists","9":"category-curator","10":"tag-algiers","11":"tag-barcelona","12":"tag-mediterranean","13":"tag-tunis","14":"tag-visual-arts"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/omar-bey-2006-barcelona.jpg?fit=5120%2C3413&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2bT","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8425"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8425\/revisions"}],"predecessor-version":[{"id":8430,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8425\/revisions\/8430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8428"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}