{"id":8385,"date":"2018-10-16T12:55:14","date_gmt":"2018-10-16T16:55:14","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8385"},"modified":"2018-10-16T15:14:16","modified_gmt":"2018-10-16T19:14:16","slug":"agustin-ortiz-herrera","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/agustin-ortiz-herrera\/","title":{"rendered":"Agust\u00edn Ortiz Herrera"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_589\"><audio class=\"wp-audio-shortcode\" id=\"audio-8385-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/augustinortizherrera.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/augustinortizherrera.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/augustinortizherrera.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"gmail_default\"><span style=\"font-family: arial, helvetica, sans-serif;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8404 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/AO_pic.jpg?resize=279%2C300&#038;ssl=1\" alt=\"\" width=\"279\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/AO_pic.jpg?resize=279%2C300&amp;ssl=1 279w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/AO_pic.jpg?w=541&amp;ssl=1 541w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/AO_pic.jpg?resize=390%2C420&amp;ssl=1 390w\" sizes=\"auto, (max-width: 279px) 100vw, 279px\" \/><a href=\"http:\/\/ortizherrera.com\/\">Agust\u00edn Ortiz Herrera<\/a>\u2019s practice is developed in the fields of audiovisual and performance. He is interested in a critical approach that challenges the semantic possibilities of narrative audiovisuals in combination with the research on installation configurations. He uses these means to explore the interconnections among diverse matters such as the intersection in queer theory, the complexities of power relations in colonial contexts, the representation of memory and the dominance of persuasive narrative in audiovisuals. He is looking for strategies that problematize the hierarchies and the automatic positions that are established between the audiovisuals and us, the audience, as well as the subversion of the expectations with the aim of shaking the interfaces and activating a critical attention of the viewer.<\/span><\/p>\n<p class=\"gmail_default\"><span style=\"font-family: arial, helvetica, sans-serif;\">Agust\u00edn studied Fine Arts at the University of Barcelona and later he studied film at the New School University of New York. After a period as a fiction screenwriter he returned to artistic production after passing through the Master of Fine Arts program at the Konstfack school in Stockholm. He has exhibited his art work in several galleries of Stockholm, Barcelona, Berlin, Madrid, Uppsala and Troms\u00f8. He also participated in the \u00d6rebro Open Art Biennial 2015 in Sweden and he was part of several group shows in places such as Centrum f\u00f6r Fotografi, Supermarket Art Fair, Platform Galeri Stockholm, Uppsala Konstmuseet and Konsthall C. He recently completed a period of residence in the Center of Production and Research of Visual Arts Hangar, in Barcelona. He was also selected to participate in the Nordic Studio Residency organized by the Rejmyre ArtLab in 2017. He received the Nils Johan Sj\u00f6stedts Award in 2016. In Barcelona he has collaborated with the curating project The Green Parrot in the organization of the events \u2018Opavivar\u00e1!\u2019 and \u2018An Oceanic Feeling\u2019 organized by the Antoni T\u00e0pies Foundation.<\/span><\/p>\n<p class=\"gmail_default\">In the interview, this is the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Staying_with_the_Trouble\">Donna Haraway book<\/a> mentioned, and this is the\u00a0<span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Carl_Linnaeus\">father of taxonomy<\/a> he is researching.<\/span><\/p>\n<div class=\"gmail_default\">\n<figure id=\"attachment_8405\" aria-describedby=\"caption-attachment-8405\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8405 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=640%2C356&#038;ssl=1\" alt=\"\" width=\"640\" height=\"356\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=1024%2C570&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=300%2C167&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=768%2C428&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=696%2C388&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=1068%2C595&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?resize=754%2C420&amp;ssl=1 754w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Oblivion.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8405\" class=\"wp-caption-text\">\u00a0Oblivion: \u00a0Video still, Agust\u00edn Ortiz Herrera, 2018<\/figcaption><\/figure>\n<figure id=\"attachment_8406\" aria-describedby=\"caption-attachment-8406\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8406 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=640%2C360&#038;ssl=1\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=696%2C392&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=1068%2C601&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?resize=747%2C420&amp;ssl=1 747w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8406\" class=\"wp-caption-text\">Long-Term Potentiation: \u00a0Video still, Agust\u00edn Ortiz Herrera, 2018<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/291666613\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/291666613\">Potenciaci\u00f3n a largo plazo \/ Long-term potentiation<\/a> from <a href=\"https:\/\/vimeo.com\/user23059877\">Agust\u00edn Ortiz Herrera<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/271328118?title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/271328118\">Olvido \/ Oblivion<\/a> from <a href=\"https:\/\/vimeo.com\/user23059877\">Agust\u00edn Ortiz Herrera<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/augustinortizherrera.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listAgust\u00edn Ortiz Herrera\u2019s practice is developed in the fields of audiovisual and performance. He is interested in a critical approach that challenges the semantic possibilities of narrative audiovisuals in combination with the research on installation configurations. He uses these means [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,19],"tags":[215,125],"class_list":{"0":"post-8385","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-filmmaker","9":"tag-barcelona","10":"tag-spain"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/10\/Long-term-potenciation.jpg?fit=2880%2C1620&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2bf","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8385"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8385\/revisions"}],"predecessor-version":[{"id":8412,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8385\/revisions\/8412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8406"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}