{"id":837,"date":"2015-03-12T12:22:11","date_gmt":"2015-03-12T16:22:11","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=837"},"modified":"2018-05-25T02:57:14","modified_gmt":"2018-05-25T06:57:14","slug":"837","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/837\/","title":{"rendered":"Maurizio Bortolotti"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5958\"><audio class=\"wp-audio-shortcode\" id=\"audio-837-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/mauriziobotolotti.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/mauriziobotolotti.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/mauriziobotolotti.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-838 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/03\/mauriziobortolotticonvegnolacriticatriennale.696Kb.jpg?resize=200%2C300&#038;ssl=1\" alt=\"mauriziobortolotticonvegnolacriticatriennale.696Kb\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/03\/mauriziobortolotticonvegnolacriticatriennale.696Kb.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/03\/mauriziobortolotticonvegnolacriticatriennale.696Kb.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/03\/mauriziobortolotticonvegnolacriticatriennale.696Kb.jpg?resize=624%2C936&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/03\/mauriziobortolotticonvegnolacriticatriennale.696Kb.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Maurizio Bortolotti is a curator and writer based in Milan, Italy.\u00a0He was Curator of the Zuecca Project Space International Program in Venice (2011-14) and professor at Urbino University 2003-5 and at NABA in Milan 2007-2013.<\/p>\n<p>In 2010 he\u00a0served as Art Commissioner for the First International Art Fair Art Gwangju made by the Gwangju Biennale, Gwangju.\u00a0Previously exhibition curated include: Ai Weiwei. Disposition, Zuecca Project Space, Venice (2013); \u00a0Yona\u00a0Friedman. Hali\u00e7\u00a0Center, Special project of Istanbul Design Biennale Istanbul (2012);\u00a0Rirkrit Tiravanija, Untitled 2012 (a study for Karl&#8217;s perfect day) or (the incomparable Karl Holmqvist). Zuecca Project Space, Venice (2012);\u00a0Orientale (with Shwetal Patel), Zuecca Project Space, Venice (2011);\u00a0Yona Friedman\/Tomas Saraceno, MerzWorld (with Adrian Notz), Cabaret Voltaire, Zurich (2011);\u00a0Dan Graham, Models and Video (with Gavin Wade), East Side Project,\u00a0Birmingham (2011);\u00a0Insight Turkey.2. Kutlug Atman. Dictionary, Galleria Francesca Minini, Milan (2009);\u00a0Insight Turkey.1. Ali Kazma. Obstructions, Galleria Francesca Minini, Milan (2008).\u00a0Platform Paradise, FAST, Village of Ayn Hawd, Israel (2008);\u00a0Local Modernity\/Global Expectations, Special project 10th International Istanbul Biennale (2007);\u00a0Tomas Saraceno, Museo Aerosolar, Isola Art Center, Milan (2007).<\/p>\n<p>He lectured in many places. Like: Domus Academy, Milan; Triennale, Milan; Goldsmiths College, London; Extra City, Antwerp; Maxxi Museum, Rome; MSU, Zagreb; Guangzhou Triennial, Guangzhou; Gwangju Biennale, Gwangju; Shanghai Biennale, Shanghai; National Visual Arts Gallery, Kuala Lumpur.<\/p>\n<p>Amongst his publications: The Critic as Curator, Milan, Silvana (2003), (Writing of) Pierre Restany. The Critic Who Was an Artist, Milan, Domus (with Stefano Casciani) (2004); Unidentified Modern Cities, Zurich, Ringier (2011).<\/p>\n<p>In preparation: Village. One Land &amp; Platform Paradise (with Malkit Shoshan) Bologna, DAP-Damiani, 2014; Ai Weiwei. Disposition, Cologne-London, Walther Koenig, 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/mauriziobotolotti.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listMaurizio Bortolotti is a curator and writer based in Milan, Italy.\u00a0He was Curator of the Zuecca Project Space International Program in Venice (2011-14) and professor at Urbino University 2003-5 and at NABA in Milan 2007-2013. In 2010 he\u00a0served as Art [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":838,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,7],"tags":[100,213],"class_list":{"0":"post-837","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers","8":"category-curator","9":"tag-italy","10":"tag-milan"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/03\/mauriziobortolotticonvegnolacriticatriennale.696Kb.jpg?fit=1000%2C1500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s47FRq-837","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=837"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/837\/revisions"}],"predecessor-version":[{"id":840,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/837\/revisions\/840"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/838"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}