{"id":8151,"date":"2018-08-21T13:21:38","date_gmt":"2018-08-21T17:21:38","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8151"},"modified":"2018-08-22T11:52:01","modified_gmt":"2018-08-22T15:52:01","slug":"tsuneko-taniuchi","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/tsuneko-taniuchi\/","title":{"rendered":"Tsuneko Taniuchi"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7425\"><audio class=\"wp-audio-shortcode\" id=\"audio-8151-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TsunekoTaniuchi.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TsunekoTaniuchi.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TsunekoTaniuchi.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_8157\" aria-describedby=\"caption-attachment-8157\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.taniuchi.fr\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8157 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/portrait_003.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-8157\" class=\"wp-caption-text\">Tsuneko Taniuchi portrait \u00a9 Adagp, Paris 2018 Photo \u00a9 Atsushi Nakamichi \/ Nacasa &amp;PartnersINC.<\/figcaption><\/figure>\n<p><a href=\"http:\/\/www.taniuchi.fr\/\">Tsuneko Taniuchi<\/a> Born in Hy\u00f4go, Japan. Since 1987, she has lived and worked in Paris.<\/p>\n<p>She graduated from Kobe college, Sociology department, where she majored in the History of Western Culture. Then she moved to Paris to enroll the Ecole nationale des beaux-arts, Paris. She is a performance artist who works with photography, video and installation.<\/p>\n<p>Since the first Micro-Events which occurred in 1995, Tsuneko Taniuchi\u2019s work has critically engaged with contemporary society. Constructed with great precision, each Micro-Event questions the relationships between individuals and societies.<\/p>\n<p>By reconstructing specific situations, each of her Micro-Events redefine space and time, between the work, the public, and the artist. These tensions, these engagements between the artist and the public through their shared experiences, here and now, constitute a work and, in their immaterial character, inscribe the memory of the Micro-Events (Performances). The Micro-Events question the boundary between reality and art; thus, it is a question of upsetting reality, traditions, representations, and overturning codes, from the point of view of intersectionality and post-colonial and global capitalism among other topics.<\/p>\n<p>These micro-events were born from urban social networks which are coming together and coming apart every day, continuously moving their frontiers. It is precisely <strong>the idea of frontier<\/strong> that is interesting to Taniuchi and that she is trying to highlight, as the limit between art and reality, but also the one that prevails in the sharing of identities (the multiplicity of identities), whether they are based on sexual orientation, gender, social classes or culture.<\/p>\n<p>Taniuchi had shows in many public and private institutions around the world, and regularly participates in events in France and internationally\u2014Micro-Events: Tsuneko Taniuchi (Ginza Maison Herm\u00e8s Le Forum, Tokyo, 2014), <em>Rendez-vous du forum<\/em> (Centre Pompidou, Paris, 2010) <em>La Force de l\u2019Art<\/em> 01, 02 (Grand Palais, Paris, 2009 &amp; 2006), and Tokyorama (Palais de Tokyo, 2001).<\/p>\n<p>Her installation \u201cMicro-Event \/Weddings Anniversary\u201d is currently held at MAC Mus\u00e9e d&#8217;<strong>art <\/strong>Contemporain,\u00a0Marseille, France in <em>Quel Amour !?<\/em>, set up after her performance at the Centre Pompidou Paris 2010 (Public collection of the CNAP &#8211; Centre national des arts plastiques in 2013). She has created to date forty-nine micro-events since 1995.<\/p>\n<p>She is currently <strong>working at the Micro-Event n\u00b0\u00a050 for which she <\/strong>obtained the grants from <u>t<\/u>he CNAP (Centre National des Arts Plastiques) 2018 and the FNAGP (Fondation Nationale des Arts Graphiques and Plastiques) 2017.<\/p>\n<figure id=\"attachment_8158\" aria-describedby=\"caption-attachment-8158\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8158 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8158\" class=\"wp-caption-text\">Micro-Event n\u00b049 \/Space Oddity \u2013 The Artist and Her Studio. Frasq #8, Le G\u00e9n\u00e9rateur, France, 2016; The Emily Harvey Foundation, NY, USA, 2017; Travers\u00e9es Ren@rde, Transpalette, Bourges, an exhibition for the celebration of the 40th anniversary of the Centre Pompidou, 2017. Tsuneko Taniuchi \u00a9 Adagp, Paris 2018\u00a0\u00a0\u00a0\u00a0 Photo \u00a9 Lu Wang<\/figcaption><\/figure>\n<figure id=\"attachment_8159\" aria-describedby=\"caption-attachment-8159\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8159 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=640%2C961&#038;ssl=1\" alt=\"\" width=\"640\" height=\"961\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=682%2C1024&amp;ssl=1 682w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=696%2C1044&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=1068%2C1603&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?resize=280%2C420&amp;ssl=1 280w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?w=1706&amp;ssl=1 1706w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/ZA8O0023.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8159\" class=\"wp-caption-text\">Micro-Event n\u00b05 \/Nine Female Characters + Queen B\u00e9atrice, Theater aan Vrijthof, Maastricht, Netherlands, 2018 Tsuneko Taniuchi \u00a9 Adagp, Paris 2018\u00a0\u00a0\u00a0\u00a0 Photo \u00a9 Renner Volker<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/47168542\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/47168542\">Micro-\u00e9v\u00e9nement \/ Anniversaire de mariages, Centre Pompidou, Paris<\/a> from <a href=\"https:\/\/vimeo.com\/tsunekotaniuchi\">Tsuneko Taniuchi<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<br \/>\nVideo \u201cMicro-Event \/ Weddings Anniversary\u201d, Centre Gorges Pompidou, Paris, 2010<\/p>\n<p>\u201cMicro-Event \/ Weddings Anniversary\u201d, Centre Gorges Pompidou, Paris, 2010<br \/>\nTsuneko Taniuchi organises wedding ceremonies completed with officiant and sealed by a certificate authenticating the exchange of vows. In these fictive weddings, conducted like bona fide, solemn celebrations, Tsuneko Taniuchi &#8216;ties the knot&#8217; with her chosen partner who maybe a man, a woman or even several persons. On the occasion of the festival \u201cRendez-vous du Forum Session 2\u201c, at the Centre Gorges Pompidou in 2010,\u00a0Tsuneko Taniuchi organized a \u201cWeddings Anniversary\u201c, to which she invited all her \u201chusbands\u201c and \u201cwives\u201c with whom she exchanged vows at her various micro-events, the first having taken place at the Jennifer Flay Gallery in 2002. This celebration aims to strengthen the bonds of these marriages and create a family, while glorifying the idea of profound freedom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TsunekoTaniuchi.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listTsuneko Taniuchi Born in Hy\u00f4go, Japan. Since 1987, she has lived and worked in Paris. She graduated from Kobe college, Sociology department, where she majored in the History of Western Culture. Then she moved to Paris to enroll the Ecole [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,24],"tags":[],"class_list":{"0":"post-8151","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-collaborative"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/IMG_6088.jpg?fit=5184%2C3456&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-27t","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8151"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8151\/revisions"}],"predecessor-version":[{"id":8169,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8151\/revisions\/8169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8158"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}