{"id":8032,"date":"2018-08-01T16:14:44","date_gmt":"2018-08-01T20:14:44","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=8032"},"modified":"2018-08-01T18:23:53","modified_gmt":"2018-08-01T22:23:53","slug":"daniel-terna","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/daniel-terna\/","title":{"rendered":"Daniel Terna"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6147\"><audio class=\"wp-audio-shortcode\" id=\"audio-8032-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/danielterna.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/danielterna.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/danielterna.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-8041\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=200%2C300&#038;ssl=1\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=682%2C1024&amp;ssl=1 682w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=696%2C1044&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=1068%2C1602&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?resize=280%2C420&amp;ssl=1 280w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/DanielTerna_portrait_300dpi.jpg?w=1333&amp;ssl=1 1333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><a href=\"http:\/\/www.danielterna.com\/\">Daniel Terna<\/a> (b. Brooklyn, NY, 1987) is a Brooklyn-based artist using photography and video as a means to uncover, reveal, and direct attention towards the overlooked.<\/p>\n<p>As the first-generation child of immigrants (one of whom is a 94 year-old Holocaust survivor and painter, and the other a child of survivors), he has produced several photographic series and short films about family history and inherited trauma, subverting traditional ideas of memorialization in his exploration of various sites such as the Dachau Concentration Camp, military history museums and army bases across the United States, and bomb shelters in Israel.<\/p>\n<p>Since 2017, his work has focused on mass gatherings such as Trump\u2019s Inauguration, the Women\u2019s March, the NYC Caribbean Day Parade, the Juggalo March on Washington, and the March for Our Lives. In conjunction to his work as an artist, Terna is a Director at <a href=\"http:\/\/321gallery.org\/\">321 Gallery<\/a>, an artist-run gallery space in Brooklyn that he founded in 2012. While mounting solo and group shows for a multi-generational group of emerging artists both in the gallery and at global art fairs, <a href=\"http:\/\/321gallery.org\/\">321<\/a> has presented screenings, performances, hosted artist talks, and published books.<\/p>\n<p>His work has been shown in\u00a0select group exhibitions at MoMA PS1 (NYC); the International Center of Photography (NYC); Elizabeth Foundation for the Arts (NYC); Baxter St. Camera Club of NY (NYC); New Wight Biennial (UCLA, Los Angeles); BRIC Arts Media Biennial (Brooklyn, NY); Eyebeam (NYC); the Carpenter Center for Visual Arts (Cambridge, MA); and Armory Center for the Arts (Pasadena, CA). Terna graduated with a BA in photography from Bard College and received his MFA from the International Center of Photography-Bard.<\/p>\n<p>The book that was mentioned in the interview was\u00a0<a href=\"https:\/\/www.nytimes.com\/2008\/09\/21\/books\/review\/Gates-t.html\">Philip Roth&#8217;s <\/a><i>Indignation.<\/i><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/132338242?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/132338242\">A Crazy Bass<\/a> from <a href=\"https:\/\/vimeo.com\/danielterna\">Daniel Terna<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<figure id=\"attachment_8044\" aria-describedby=\"caption-attachment-8044\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8044 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=640%2C800&#038;ssl=1\" alt=\"\" width=\"640\" height=\"800\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?resize=336%2C420&amp;ssl=1 336w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-18-2-1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8044\" class=\"wp-caption-text\">Daniel Terna The Great Escape, 2016 30 x 20 inches Pigment print<\/figcaption><\/figure>\n<figure id=\"attachment_8045\" aria-describedby=\"caption-attachment-8045\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8045 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=640%2C800&#038;ssl=1\" alt=\"\" width=\"640\" height=\"800\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?resize=336%2C420&amp;ssl=1 336w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8045\" class=\"wp-caption-text\">Daniel Terna A Form of Protest, 2016 30 x 20 inches Pigment print<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_8042\" aria-describedby=\"caption-attachment-8042\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-8042 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=640%2C483&#038;ssl=1\" alt=\"\" width=\"640\" height=\"483\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=1024%2C773&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=300%2C226&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=768%2C579&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=696%2C525&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=1068%2C806&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?resize=557%2C420&amp;ssl=1 557w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/Cait_Carouge_Alyse_Ronayne_Angel_in_the_House_321_Gallery-3-1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-8042\" class=\"wp-caption-text\">Cait Carouge and Alyse Ronayne,\u00a0<em>Angel in the House<\/em>, exhibition view\u2028, Courtesy 321 Gallery<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/danielterna.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listDaniel Terna (b. Brooklyn, NY, 1987) is a Brooklyn-based artist using photography and video as a means to uncover, reveal, and direct attention towards the overlooked. As the first-generation child of immigrants (one of whom is a 94 year-old Holocaust [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8045,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,14],"tags":[95,237,52,238],"class_list":{"0":"post-8032","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-galleries","9":"tag-brooklyn","10":"tag-city","11":"tag-new-york","12":"tag-photographer"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/08\/HomePictures_New_2018_DanielTerna-13-2-1.jpg?fit=2133%2C2666&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-25y","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=8032"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8032\/revisions"}],"predecessor-version":[{"id":8064,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/8032\/revisions\/8064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/8045"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=8032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=8032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=8032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}