{"id":7958,"date":"2018-07-11T17:12:51","date_gmt":"2018-07-11T21:12:51","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=7958"},"modified":"2018-07-11T19:01:25","modified_gmt":"2018-07-11T23:01:25","slug":"ted-riederer","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ted-riederer\/","title":{"rendered":"Ted Riederer"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2602\"><audio class=\"wp-audio-shortcode\" id=\"audio-7958-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/tedreiderer.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/tedreiderer.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/tedreiderer.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-7973\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/PortraitByMothannaHussein-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/PortraitByMothannaHussein-300x300.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/PortraitByMothannaHussein-768x768.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/PortraitByMothannaHussein-696x696.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/PortraitByMothannaHussein-420x420.jpg 420w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/PortraitByMothannaHussein.jpg 789w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A \u201cone-time refugee from punk and sometime band member,\u201d <a href=\"http:\/\/tedriederer.samexhibit.com\/opening\">Ted Riederer<\/a> has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he\u2019s ambled artistically from the Americas to the Antipodes.<\/p>\n<p>His work has been shown nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff and Rosenthal Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh.<\/p>\n<p>His \u201c<a href=\"http:\/\/tedriederer.samexhibit.com\/never-records\">Never Records<\/a>\u201d project has traveled from New York, to Liverpool, to Derry, to New Orleans, to Texas, and to London, which was sponsored by the Tate Modern.<\/p>\n<div><\/div>\n<p>Ted Riederer is the Founding Artistic Director of Howl! Happening: An Arturo Vega Project, non-profit gallery\/performance space in the East Village. The New York Times has described Howl! Happening as, \u201cInst<span style=\"color: #4db2ec;\"><span style=\"background-color: #d5d5d5;\">r<\/span><\/span>umental to the history of the area.\u201d Howl! Happening\u2019s thriving publishing imprint A\/P\/E has included essays by: Ai Wei Wei, Dan Cameron, Anthony Haden-Guest, Robert Nickas, Michelle Grabner, Michael Musto, C. Carr, Nicole Rudick, John Lyons, and James Wolcott.<\/p>\n<figure id=\"attachment_7974\" aria-describedby=\"caption-attachment-7974\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7974 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-1024x683.jpeg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-1024x683.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-300x200.jpeg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-768x512.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-696x464.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-1068x713.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm-630x420.jpeg 630w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/neverrecords1sm.jpeg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-7974\" class=\"wp-caption-text\">Never Records, installation<\/figcaption><\/figure>\n<figure id=\"attachment_7975\" aria-describedby=\"caption-attachment-7975\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7975 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7-711x1024.jpeg\" alt=\"\" width=\"640\" height=\"922\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7-711x1024.jpeg 711w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7-208x300.jpeg 208w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7-768x1106.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7-696x1002.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7-292x420.jpeg 292w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/07\/drumsrosessf7.jpeg 889w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-7975\" class=\"wp-caption-text\">Drums and Roses, performance<\/figcaption><\/figure>\n<div><\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/269785199\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/269785199\">La Gallera Abandonada<\/a> from <a href=\"https:\/\/vimeo.com\/user19737529\">ted riederer<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/tedreiderer.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listA \u201cone-time refugee from punk and sometime band member,\u201d Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,8,16,23],"tags":[234,233,67,221],"class_list":["post-7958","post","type-post","status-publish","format-standard","has-post-thumbnail","category-alternative-spaces","category-artists","category-musician","category-publisher","tag-broooklyn","tag-howl-happening-an-arturo-vega-project","tag-new-york-city","tag-usa"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=7958"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7958\/revisions"}],"predecessor-version":[{"id":7979,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7958\/revisions\/7979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/7974"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=7958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=7958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=7958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}