{"id":7587,"date":"2018-05-03T15:15:44","date_gmt":"2018-05-03T19:15:44","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=7587"},"modified":"2018-05-03T19:49:49","modified_gmt":"2018-05-03T23:49:49","slug":"joan-waltemath","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/joan-waltemath\/","title":{"rendered":"Joan Waltemath"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4684\"><audio class=\"wp-audio-shortcode\" id=\"audio-7587-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/joanwaltemath.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/joanwaltemath.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/joanwaltemath.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><hr \/>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.joanwaltemath.net\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7588 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=768%2C771&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=1020%2C1024&amp;ssl=1 1020w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=696%2C699&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=1068%2C1072&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?resize=418%2C420&amp;ssl=1 418w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?w=2032&amp;ssl=1 2032w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/JWaltemath.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Joan Waltemath<\/a>, born in 1953, grew up on the Great Plains where her German ancestors settled in the late 19<sup>th<\/sup> century. Her early experiences in nature and looking at native geometries inform her subsequent abstract paintings and guide their complex use of materials.\u00a0\u00a0 As her multifaceted 2 dimensional surfaces unfold in time, their spatial voids constructed of harmonic progressions emerge to facilitate an interaction with her audience and allow for a reflective response from a sustained engagement.<\/p>\n<p style=\"text-align: left;\">Waltemath holds a BFA from the RI School of Design, an MFA from Hunter College, CUNY.\u00a0 She has lived and worked in New York city since 1977 and collaborated with filmmakers, musicians, and writers in collective groups and through special projects since the early days of the downtown No Wave era.\u00a0 \u201cOk, Today, Tomorrow\u201d a film produced out of her studio was shown at MOMA and archived in their collection as part of a recent survey of the LES 1980\u2019s.<\/p>\n<p>Shown in New York, Chicago, Los Angeles, Houston, Portland, San Diego, Omaha, London, Basel, Amsterdam and Cologne, her paintings and drawings are in the collections of the Museum of Modern Art, the National Gallery of Art, Yale University Art Galleries and the Harvard University Art Museum, among others. She has written extensively on art and served as an editor-at-large for the <em>Brooklyn Rail <\/em>since 2001<em>.<\/em> She taught at the IS Chanin School of Architecture of the Cooper Union from 1997 to 2010, at Princeton University and has lectured widely. She is currently the Director of MICA\u2019s MFA program, the LeRoy E. Hoffberger School of Painting.<\/p>\n<figure id=\"attachment_7589\" aria-describedby=\"caption-attachment-7589\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7589 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=640%2C852&#038;ssl=1\" alt=\"\" width=\"640\" height=\"852\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=769%2C1024&amp;ssl=1 769w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=768%2C1022&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=696%2C927&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=1068%2C1422&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?resize=315%2C420&amp;ssl=1 315w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-7589\" class=\"wp-caption-text\">M\u2019s Crossing (1,2,3,5,8 west) 2015 -17 172\u201d x 168 \u00bd\u201d Oil, lead white, marble dust, haematite, cooper iron oxide, aluminum, interference, florescent, mica and phosphorescent pigment on prepared natural and black canvas sewn from individual pieces.<\/figcaption><\/figure>\n<figure id=\"attachment_7593\" aria-describedby=\"caption-attachment-7593\" style=\"width: 805px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7593 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?resize=696%2C1246&#038;ssl=1\" alt=\"\" width=\"696\" height=\"1246\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?w=805&amp;ssl=1 805w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?resize=168%2C300&amp;ssl=1 168w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?resize=768%2C1375&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?resize=572%2C1024&amp;ssl=1 572w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?resize=696%2C1246&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/7D0E9763-2383-4C54-9B5C-02FA22EB11FA.jpeg?resize=235%2C420&amp;ssl=1 235w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-7593\" class=\"wp-caption-text\">right arm 2014 thread and pencil on natural and black canvas 21 3\/8\u201d x 3\u201d left arm 2014 thread and pencil on natural and black canvas 22 \u00bd\u201d x 3 \u00bc \u201d<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/joanwaltemath.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Joan Waltemath, born in 1953, grew up on the Great Plains where her German ancestors settled in the late 19th century. Her early experiences in nature and looking at native geometries inform her subsequent abstract paintings and guide their [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-7587","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ms-crossing-angle-17841.jpg?fit=2792%2C3717&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1Yn","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=7587"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7587\/revisions"}],"predecessor-version":[{"id":7595,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7587\/revisions\/7595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/7589"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=7587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=7587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=7587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}