{"id":7507,"date":"2018-05-15T22:13:08","date_gmt":"2018-05-16T02:13:08","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=7507"},"modified":"2018-05-15T22:13:08","modified_gmt":"2018-05-16T02:13:08","slug":"michael-broder","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/michael-broder\/","title":{"rendered":"Michael Broder"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_8686\"><audio class=\"wp-audio-shortcode\" id=\"audio-7507-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/MichaelBroder.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/MichaelBroder.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/MichaelBroder.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div><a class=\"\" href=\"http:\/\/www.mbroder.com\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7639 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/04\/michaelbroder.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/04\/michaelbroder.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/04\/michaelbroder.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/04\/michaelbroder.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/04\/michaelbroder.jpg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/04\/michaelbroder.jpg?w=960&amp;ssl=1 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Michael Broder<\/a>\u00a0is the author of <i class=\"\">This Life Now<\/i> (A Midsummer Night\u2019s Press, 2014), a finalist for the Lambda Literary Award for Gay Poetry. He is the founding publisher and managing editor of\u00a0<a class=\"\" href=\"http:\/\/www.indolentbooks.com\/\">Indolent Books<\/a>\u00a0 a small nonprofit poetry press in Brooklyn, championing underrepresented voices writing innovative, provocative, and risky poetry addressing racial, social, and economic justice themes.<\/div>\n<div><\/div>\n<div><span style=\"color: #333333;\"><span class=\"\">His poems have appeared in <i class=\"\">American Poetry Review<\/i>,\u00a0<i class=\"\">Assaracus<\/i>,\u00a0<i class=\"\">BLOOM<\/i>,\u00a0<i class=\"\">Columbia Poetry Review<\/i>,\u00a0<i class=\"\">Court Green<\/i>,\u00a0<i class=\"\">OCHO<\/i>, <i class=\"\">Painted Bride Quarterly<\/i>, and other journals, as well as in the\u00a0anthologies\u00a0<i class=\"\">This New Breed: Gents, Bad Boys and Barbarians 2<\/i>\u00a0(Windstorm Creative, 2004), ed. Rudy Kikel;\u00a0<i class=\"\">My Diva: 65 Gay Men on the Women Who Inspire Them<\/i>\u00a0(Terrace Books, 2009), ed.\u00a0Michael Montlack;\u00a0<i class=\"\">Spaces Between Us: Poetry, Prose and Art on HIV\/AIDS<\/i>\u00a0(Third World Press, 2010), eds. Kelly Norman Ellis and ML Hunter; <i class=\"\">Divining Divas: 50 Gay Men on Their Muses<\/i>\u00a0(Lethe Press, 2012), ed. Michael Montlack;\u00a0<\/span><\/span><span style=\"color: #333333;\"><span class=\"\">Rabbit Ears: TV Poems (NYQ Books, 2015<\/span><\/span><span class=\"\">), edited by\u00a0Joel Allegretti; and\u00a0<\/span><span style=\"color: #333333;\"><span class=\"\"><i class=\"\">Multilingual Anthology: The Americas Poetry Festival of New York\u00a0<\/i><\/span><\/span><span class=\"\">(Artepoetica Press Inc., 2015), eds.\u00a0<\/span><span class=\"\">Carlos Aguasaco<\/span><span class=\"\">\u00a0and\u00a0<\/span><span class=\"\">Yrene Santos. He edited <\/span><i class=\"\">Poems in the Aftermath: An Anthology from the 2016 Presidential Transition Period <\/i><span class=\"\">(Indolent Books, 2018). <\/span><\/div>\n<div><\/div>\n<div><span class=\"\">His essay &#8220;The Most Obscene Satires: A Queer\/Camp Approach to Juvenal 2, 6, and 9\u201d appears in the volume <\/span><i class=\"\">Ancient Obscenities: Their Nature and Use in the Ancient Greek and Roman Worlds\u00a0<\/i><span class=\"\">(<\/span><span class=\"\">University of Michigan Press<\/span><span class=\"\">,<\/span><span class=\"\">\u00a0<\/span><span class=\"\">2015), eds.Dorota Dutsch and Ann Suter. He holds a BA in comparative literature from Columbia University (magna cum laude); an MA in classics from The Graduate Center, CUNY; an MFA in creative writing (poetry) from NYU; and a PhD in classics from The Graduate Center, CUNY. His doctoral dissertation,\u00a0<\/span><a class=\"\" href=\"https:\/\/academicworks.cuny.edu\/cgi\/viewcontent.cgi?referer=https:\/\/www.google.com\/&amp;httpsredir=1&amp;article=2738&amp;context=gc_etds\">Mensura Incognita: Queer Kinship and Camp Aesthetics in Juvenal\u2019s Ninth Satire<\/a><span class=\"\">, is available for free download from\u00a0<\/span><a class=\"\" href=\"https:\/\/academicworks.cuny.edu\/\">CUNY Academic Works<\/a><span class=\"\">.\u00a0<\/span><\/div>\n<div><\/div>\n<div><span class=\"\">He lives in Brooklyn with his husband, the poet Jason Schneiderman, and a backyard colony of feral and stray cats.\u00a0<\/span><\/div>\n<div>\n<div class=\"\"><a class=\"\" href=\"http:\/\/www.indolentbooks.com\/\"><\/a><\/div>\n<div class=\"\"><\/div>\n<div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-7640\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=640%2C901&#038;ssl=1\" alt=\"\" width=\"640\" height=\"901\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=727%2C1024&amp;ssl=1 727w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=213%2C300&amp;ssl=1 213w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=768%2C1082&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=696%2C980&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=1068%2C1504&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?resize=298%2C420&amp;ssl=1 298w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?w=1242&amp;ssl=1 1242w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/div>\n<div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7641\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ancient.jpg?resize=650%2C980&#038;ssl=1\" alt=\"\" width=\"650\" height=\"980\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ancient.jpg?w=331&amp;ssl=1 331w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ancient.jpg?resize=199%2C300&amp;ssl=1 199w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/ancient.jpg?resize=279%2C420&amp;ssl=1 279w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/MichaelBroder.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listMichael Broder\u00a0is the author of This Life Now (A Midsummer Night\u2019s Press, 2014), a finalist for the Lambda Literary Award for Gay Poetry. He is the founding publisher and managing editor of\u00a0Indolent Books\u00a0 a small nonprofit poetry press in Brooklyn, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7640,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,23],"tags":[],"class_list":{"0":"post-7507","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-poet","8":"category-publisher"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/thisisnow.jpg?fit=1242%2C1749&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1X5","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=7507"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7507\/revisions"}],"predecessor-version":[{"id":7642,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7507\/revisions\/7642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/7640"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=7507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=7507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=7507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}