{"id":7409,"date":"2018-03-28T08:10:21","date_gmt":"2018-03-28T12:10:21","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=7409"},"modified":"2018-03-28T08:10:21","modified_gmt":"2018-03-28T12:10:21","slug":"igor-eskinja","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/igor-eskinja\/","title":{"rendered":"Igor E\u0161kinja"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9117\"><audio class=\"wp-audio-shortcode\" id=\"audio-7409-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/\/igoreskinja.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/\/igoreskinja.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/\/igoreskinja.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7411 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=300%2C149&#038;ssl=1\" alt=\"\" width=\"300\" height=\"149\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=300%2C149&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=768%2C383&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=1024%2C510&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=324%2C160&amp;ssl=1 324w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=696%2C347&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=1068%2C532&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?resize=843%2C420&amp;ssl=1 843w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Igor-1.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Igor E\u0161kinja (Croatia, 1975.) live and work in Rijeka, Croatia. E\u0161kinja constructs his architectonics of perception as ensembles of modesty and elegance. The artist \u201cperforms\u201d the objects and situations, catching them in their intimate and silent transition from two-dimensional to three-dimensional formal appearance. Using simple, inexpensive materials, such as adhesive tape or electric cables and unraveling them with extreme precision and mathematical exactitude within strict spatial parameters, Eskinja defines another quality that goes beyond physical aspects and enters the registers of the imaginative and the imperceptible.<\/p>\n<p>E\u0161kinja\u2019s participated in various group exhibitions<em>: Manifesta 7<\/em>, Rovereto (2008); <em>Complicity<\/em>, Rena Bransten gallery, San Francisco (2009); <em>28 Grafi\u010dni Biennale,<\/em> Ljubljana (2009); <em>Dirt<\/em>, Wellcome foundation, London, (2011), <em>Rearview Mirror<\/em>, Power plant, Toronto, (2011); <em>Inhabitants of generic places<\/em>, Kunstforum, Vienna, Museum of Contemporary Art-Zagreb (2011), <em>Ash and Gold \u2013 a world tour<\/em>, Marta Herford, (2012); <em>2<sup>nd<\/sup> Ural Industrial Biennale<\/em>, Ekaterinburg, (2012); <em>8 ways to overcome space and time<\/em>, Muzej savremene umetnosti, Belgrade, (2013), <em>T-ht nagrada<\/em>, MSU, Zagreb (2016.), <em>Every time a ear di soun<\/em> \u2013 Dokumenta 14 program, Savvy contemporary,\u00a0Berlin (2017), as well as solo exhibitons in: <em>Project for unssuccesful gathering<\/em>, Casino LuxembourgForum d\u2019art\u00a0contemporain, Luxembourg (2009.), <em>Inhabitants of generic places<\/em>, Kunstforum, Vienna, Museum of Contemporary Art-Zagreb (2011), <em>The Day After<\/em>, Federico Luger gallery, Milano, (2011)<strong>; <\/strong><em>Interieur Captivant<\/em>, MAC\/VAL Museum, Vitry, (2012); <em>Quixote<\/em>, MUWA, Graz, (2014).<\/p>\n<p>The book mentioned during the interview was <a href=\"https:\/\/yalebooks.yale.edu\/book\/9780300218480\/blameless\">Blameless, by\u00a0Claudio Magris<\/a> and Fox, from Dubravka Ugre\u0161i\u0107<\/p>\n<figure id=\"attachment_7414\" aria-describedby=\"caption-attachment-7414\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7414 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=640%2C425&#038;ssl=1\" alt=\"\" width=\"640\" height=\"425\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=1024%2C680&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=768%2C510&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=696%2C462&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=1068%2C710&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?resize=632%2C420&amp;ssl=1 632w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?w=2038&amp;ssl=1 2038w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR1.png?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-7414\" class=\"wp-caption-text\">Ephemeropolis, 2016. Installation, digital prints on polyester Variable dimensions exhibition veiw, House of Arts, Usti and Labem, Czech Republic photo: Polak<\/figcaption><\/figure>\n<figure id=\"attachment_7415\" aria-describedby=\"caption-attachment-7415\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7415 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=640%2C444&#038;ssl=1\" alt=\"\" width=\"640\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=1024%2C710&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=300%2C208&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=768%2C533&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=100%2C70&amp;ssl=1 100w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=218%2C150&amp;ssl=1 218w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=696%2C483&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=1068%2C741&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?resize=605%2C420&amp;ssl=1 605w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?w=1950&amp;ssl=1 1950w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-7415\" class=\"wp-caption-text\">Ephemeropolis, 2016. Installation, digital prints on polyester Variable dimensions exhibition veiw, House of Arts, Usti and Labem, Czech Republic photo: Polak<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/\/igoreskinja.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listIgor E\u0161kinja (Croatia, 1975.) live and work in Rijeka, Croatia. E\u0161kinja constructs his architectonics of perception as ensembles of modesty and elegance. The artist \u201cperforms\u201d the objects and situations, catching them in their intimate and silent transition from two-dimensional to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-7409","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/IGOR2.png?fit=1950%2C1353&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1Vv","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=7409"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7409\/revisions"}],"predecessor-version":[{"id":7416,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7409\/revisions\/7416"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/7415"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=7409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=7409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=7409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}