{"id":7282,"date":"2018-03-11T22:08:23","date_gmt":"2018-03-12T02:08:23","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=7282"},"modified":"2018-03-11T22:08:23","modified_gmt":"2018-03-12T02:08:23","slug":"rachel-klipa","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/rachel-klipa\/","title":{"rendered":"Rachel Klipa"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_294\"><audio class=\"wp-audio-shortcode\" id=\"audio-7282-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/RachelKlipa.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/RachelKlipa.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/RachelKlipa.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><span style=\"color: #4a4a4a; font-family: Roboto, Arial, Helvetica, sans-serif;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-7309 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Remont-2.jpg?resize=203%2C203&#038;ssl=1\" alt=\"\" width=\"203\" height=\"203\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Remont-2.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Remont-2.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Remont-2.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Remont-2.jpg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Remont-2.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/>Rachel Klipa works for the Office of Public Art in Pittsburgh, Pennsylvania. <\/span><\/p>\n<p><span style=\"color: #4a4a4a; font-family: Roboto, Arial, Helvetica, sans-serif;\">Her current research pertains to New Deal post-office murals by industrial designer Alexander J. Kostellow (1897-1954), and Serbia&#8217;s first modern artist Nade\u017eda Petrovi\u0107 (1873-1915).<br \/>\n<\/span><span style=\"color: #4a4a4a; font-family: Roboto, Arial, Helvetica, sans-serif;\"><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_7310\" aria-describedby=\"caption-attachment-7310\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7310 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?resize=696%2C417&#038;ssl=1\" alt=\"\" width=\"696\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?resize=300%2C180&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?resize=768%2C460&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?resize=696%2C417&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?resize=701%2C420&amp;ssl=1 701w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-7310\" class=\"wp-caption-text\">Howard Cook,\u00a0Steel Industry, 1936, commissioned by the Treasury Section of Painting and Sculpture Photograph courtesy of the United States General Services Administration<\/figcaption><\/figure>\n<figure id=\"attachment_7311\" aria-describedby=\"caption-attachment-7311\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7311 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Stuyvesant_van_Veen-1.jpg?resize=696%2C424&#038;ssl=1\" alt=\"\" width=\"696\" height=\"424\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Stuyvesant_van_Veen-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Stuyvesant_van_Veen-1.jpg?resize=300%2C183&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Stuyvesant_van_Veen-1.jpg?resize=768%2C468&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Stuyvesant_van_Veen-1.jpg?resize=696%2C424&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Stuyvesant_van_Veen-1.jpg?resize=690%2C420&amp;ssl=1 690w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-7311\" class=\"wp-caption-text\">Stuyvesant van Veen,\u00a0Pittsburgh Panorama, 1937, commissioned by the Treasury Section of Painting and Sculpture Photograph courtesy of the United States General Services Administration<span style=\"color: #222222; font-size: 15px;\">\u00a0<\/span><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/RachelKlipa.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listRachel Klipa works for the Office of Public Art in Pittsburgh, Pennsylvania. Her current research pertains to New Deal post-office murals by industrial designer Alexander J. Kostellow (1897-1954), and Serbia&#8217;s first modern artist Nade\u017eda Petrovi\u0107 (1873-1915). &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":7310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,9,27],"tags":[],"class_list":{"0":"post-7282","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-alternative-spaces","8":"category-writers","9":"category-education"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/03\/Howard_Norton_Cook_Steel_Industry_1_2-1.jpg?fit=800%2C479&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1Ts","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=7282"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7282\/revisions"}],"predecessor-version":[{"id":7312,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/7282\/revisions\/7312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/7310"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=7282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=7282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=7282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}