{"id":6278,"date":"2017-05-18T21:34:00","date_gmt":"2017-05-19T01:34:00","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=6278"},"modified":"2017-05-18T21:35:16","modified_gmt":"2017-05-19T01:35:16","slug":"dan-piepenbring","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/dan-piepenbring\/","title":{"rendered":"Dan Piepenbring"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4104\"><audio class=\"wp-audio-shortcode\" id=\"audio-6278-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/danpiepenbring.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/danpiepenbring.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/danpiepenbring.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-6280 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=165%2C207&#038;ssl=1\" alt=\"\" width=\"165\" height=\"207\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=768%2C959&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=820%2C1024&amp;ssl=1 820w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=696%2C869&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=1068%2C1334&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?resize=336%2C420&amp;ssl=1 336w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/12725128_454382954769589_1379689594_n.jpg?w=1080&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 165px) 100vw, 165px\" \/>Dan Piepenbring is the editor of <i>The Paris Review Daily<\/i>. He was collaborating with Prince on a memoir, <i>The Beautiful Ones<\/i>, before the artist\u2019s death.<\/div>\n<div><\/div>\n<div>With Tom O&#8217;Neill, he\u2019s co-writing <i>CHAOS: A Secret History of the 1960s<\/i>, due out for the fiftieth anniversary of the Manson murders. His work has appeared online at <i>The New Yorker<\/i>, <i>Bon App\u00e9tit<\/i>, <i>n+1<\/i>, <i>Flaunt<\/i>, and elsewhere.<\/div>\n<div>\n<div><\/div>\n<div>Some of the books and writing mentioned in the interview are <a href=\"https:\/\/www.amazon.com\/West-Eden-American-Jean-Stein\/dp\/0812987934\/ref=sr_1_1?ie=UTF8&amp;qid=1494786440&amp;sr=8-1&amp;keywords=west+of+eden\">Jean Stein&#8217;s West of Eden<\/a>:. and\u00a0<a href=\"https:\/\/www.theparisreview.org\/blog\/author\/bwashington\/\">Bryan Washington&#8217;s writing for the Daily<\/a> as well as <a href=\"https:\/\/www.theparisreview.org\/blog\/author\/jstern\/\">Jane Stern&#8217;s writing<\/a>.<\/div>\n<\/div>\n<div><\/div>\n<div><\/div>\n<div><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/30\/points-of-sale\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6281\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM.png?resize=696%2C683&#038;ssl=1\" alt=\"\" width=\"696\" height=\"683\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM.png?w=784&amp;ssl=1 784w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM.png?resize=300%2C294&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM.png?resize=768%2C753&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM.png?resize=696%2C683&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM.png?resize=428%2C420&amp;ssl=1 428w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/div>\n<div><a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/a-punk-band-that-knows-the-bar-is-low-for-straight-white-men\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6282\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-04-08-at-1.02.36-PM.png?resize=696%2C602&#038;ssl=1\" alt=\"\" width=\"696\" height=\"602\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-04-08-at-1.02.36-PM.png?w=755&amp;ssl=1 755w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-04-08-at-1.02.36-PM.png?resize=300%2C259&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-04-08-at-1.02.36-PM.png?resize=534%2C462&amp;ssl=1 534w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-04-08-at-1.02.36-PM.png?resize=696%2C602&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-04-08-at-1.02.36-PM.png?resize=486%2C420&amp;ssl=1 486w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/danpiepenbring.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listDan Piepenbring is the editor of The Paris Review Daily. He was collaborating with Prince on a memoir, The Beautiful Ones, before the artist\u2019s death. With Tom O&#8217;Neill, he\u2019s co-writing CHAOS: A Secret History of the 1960s, due out for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-6278","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/05\/Screen-shot-2017-05-14-at-2.24.35-PM-1.png?fit=784%2C769&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1Dg","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/6278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=6278"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/6278\/revisions"}],"predecessor-version":[{"id":6285,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/6278\/revisions\/6285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/6284"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=6278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=6278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=6278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}