{"id":5489,"date":"2017-02-23T10:15:30","date_gmt":"2017-02-23T15:15:30","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5489"},"modified":"2017-04-05T13:58:41","modified_gmt":"2017-04-05T17:58:41","slug":"swetlana-heger%e2%80%a8","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/swetlana-heger%e2%80%a8\/","title":{"rendered":"Swetlana Heger\u2028"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5489\"><audio class=\"wp-audio-shortcode\" id=\"audio-5489-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/swetlanaheger.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/swetlanaheger.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/swetlanaheger.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_5492\" aria-describedby=\"caption-attachment-5492\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5492 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/Pherme%CC%80s2.jpg?resize=625%2C796&#038;ssl=1\" width=\"625\" height=\"796\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/Pherme%CC%80s2.jpg?resize=804%2C1024&amp;ssl=1 804w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/Pherme%CC%80s2.jpg?resize=236%2C300&amp;ssl=1 236w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/Pherme%CC%80s2.jpg?resize=768%2C978&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/Pherme%CC%80s2.jpg?resize=624%2C794&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/Pherme%CC%80s2.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5492\" class=\"wp-caption-text\">Swetlana Heger Playtime (SH &amp; Hermes, photographed by Alexander Gnaedinger), #3 2002 125 x 175 cm Lambda print on crome de luxe paper, mounted on acrylic glass and aluminum, ed 2\/3 Courtesy of the artist and Collection of Eijiro Imafuku, Tokyo<\/figcaption><\/figure>\n<p>lives and works in Berlin and Ume\u00e5\/Sweden. She is a Visual Artist\/Professor in Fine Arts and Dean at the Ume\u00e5 Academy of Fine Arts\/Ume\u00e5 University. Heger has an ongoing interest in the act of contextualization and dislocation. She is exploring the questions about conditions of an art production including discussion about multiple authorships and relevant possibilities of collaborations between the arts and other partners.<\/p>\n<p class=\"p1\"><span class=\"s1\">Various international solo and group exhibitions include: Mus\u00e9e des Beaux Arts\/Nancy, Le Consortium\/Dijon, Melbourne Biennale, Berlin Biennale,<\/span> <span class=\"s1\">Centre Georges Pompidou\/Paris, Artists Space\/New York, Vienna Secession, Centre National de la Photographie\/Paris, De Appel Foundation\/Amsterdam, Tokyo Opera City Art Gallery, Hamburger Bahnhof\/Berlin, Phoenix Art Museum, BASS Museum of Art\/Miami, Moderna Museet\/Stockholm, Manifesta 11\/Zurich.<\/span><\/p>\n<p>Talks and lectures at various international venues, include: Royal College of Art\/London, Royal Academy of Art\/Stockholm, St\u00e4delschule\/Frankfurt, Somerset House\/Courtauld Institute of Art, London, IED Instituto Europeo di Design Madrid, Akademie der Bildenden Kuenste\/Vienna, Universit\u00e9 Paris, Panth\u00e9on-Sorbonne\/Paris, School of Visual Arts\/New York.<\/p>\n<p>Her art works are represented in international private and public collections.<\/p>\n<p>The book mentioned in the interview is <a href=\"http:\/\/museumofnonvisibleart.com\/interview\/Roland_Barthes_Roland_a_lover_s_discourse_1978.pdf\">A Lover&#8217;s Discourse: Fragments<\/a> by Roland Barthes, and the full download of the book is attached to the link <a href=\"http:\/\/museumofnonvisibleart.com\/interview\/Roland_Barthes_Roland_a_lover_s_discourse_1978.pdf\">here<\/a> and above.<\/p>\n<figure id=\"attachment_5493\" aria-describedby=\"caption-attachment-5493\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5493 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?resize=625%2C428&#038;ssl=1\" width=\"625\" height=\"428\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?resize=1024%2C701&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?resize=300%2C205&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?resize=768%2C526&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?resize=624%2C427&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/QNL_1.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5493\" class=\"wp-caption-text\">Swetlana Heger &amp; Plamen Dejanov Quite Normal Luxury (Test the World) 1999-2001 BMW Z3 Courtesy of the artist and of the MAK Collection, Vienna<\/figcaption><\/figure>\n<figure id=\"attachment_5494\" aria-describedby=\"caption-attachment-5494\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5494 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?resize=625%2C468&#038;ssl=1\" width=\"625\" height=\"468\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?resize=1024%2C767&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?resize=624%2C468&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?w=1181&amp;ssl=1 1181w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5494\" class=\"wp-caption-text\">Swetlana Heger Playtime (Portrait of an artist) 2002 Size variable Mixed media Courtesy of the artist<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/swetlanaheger.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listlives and works in Berlin and Ume\u00e5\/Sweden. She is a Visual Artist\/Professor in Fine Arts and Dean at the Ume\u00e5 Academy of Fine Arts\/Ume\u00e5 University. Heger has an ongoing interest in the act of contextualization and dislocation. She is exploring [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5494,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-5489","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/playtime_vitra.jpg?fit=1181%2C885&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1qx","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5489"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5489\/revisions"}],"predecessor-version":[{"id":5530,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5489\/revisions\/5530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5494"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}