{"id":5410,"date":"2017-02-09T15:41:41","date_gmt":"2017-02-09T20:41:41","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5410"},"modified":"2018-05-24T11:10:11","modified_gmt":"2018-05-24T15:10:11","slug":"joshua-schwebel","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/joshua-schwebel\/","title":{"rendered":"Joshua Schwebel"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_8539\"><audio class=\"wp-audio-shortcode\" id=\"audio-5410-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/JoshSchwebel.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/JoshSchwebel.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/JoshSchwebel.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p3\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-5411 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/14468564_1655604868063966_3853281633660718474_o.jpg?resize=383%2C255&#038;ssl=1\" alt=\"\" width=\"383\" height=\"255\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/14468564_1655604868063966_3853281633660718474_o.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/14468564_1655604868063966_3853281633660718474_o.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/14468564_1655604868063966_3853281633660718474_o.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/14468564_1655604868063966_3853281633660718474_o.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/14468564_1655604868063966_3853281633660718474_o.jpg?w=1313&amp;ssl=1 1313w\" sizes=\"auto, (max-width: 383px) 100vw, 383px\" \/><a href=\"http:\/\/joshuaschwebel.com\/home.html\">Joshua Schwebel<\/a> is a conceptual artist interested in the relationship between value and visibility. His work reveals the concept of value as a cultural construct borne through hidden ties to morality and privilege, by exposing the cultural and social techniques employed in value construction. In his work he devises strategies to reveal the politics of exclusion, expropriation, and competition that both mandate and conceal the conditions of valuation in late Capitalism. Through strategic interventions, displacements, and withdrawals, he attempts to unbalance and open up these seemingly impartial processes.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">His practice can be located within the lineage of dematerialized and anti-commercial practices that emerged from the avant-garde such as conceptual art and Institutional Critique.\u00a0<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Schwebel received an MFA from NSCAD University (2008) and a BFA in Interdisciplinary Fine Arts from Concordia University (2006). Recent exhibitions and projects include Linings, a private installation in Tadeusz Kantor&#8217;s forest house (Gdow, Poland, 2016); No, No, No, After You, KNULP (Sydney, Australia, 2016); Working Conditions, TPW (Toronto, 2016); as well numerous projects in other Canadian and international venues. He is the recipient of a Research\/Creation grant from the Conseil des Arts et des Lettres de Qu\u00e9bec and the Laureate of the R\u00e9sidence Crois\u00e9es France\/Qu\u00e9bec, supported by the Quartier \u00c9ph\u00e9m\u00e8re\/ Fonderie Darling, Montr\u00e9al\/Paris. He was artist in residence at the Qu\u00e9bec Studio in Berlin at the K\u00fcnstlerhaus Bethanien, for the year of 2015.<\/span><\/p>\n<p class=\"p6\">\n<figure id=\"attachment_5412\" aria-describedby=\"caption-attachment-5412\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5412 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?resize=625%2C415&#038;ssl=1\" width=\"625\" height=\"415\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?resize=1024%2C680&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?resize=768%2C510&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?resize=624%2C414&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5412\" class=\"wp-caption-text\">Privation 2016 | contractually de ned extraction, Kienzle Art Foundation, Berlin In this work I developed a contract between myself and art collector Jochen Kienzle which permitted me 20 minutes unsupervised and alone in his Berlin home and established that while I was alone in the flat I would remove a single object. The identity of this extracted object \u2013 one that is so banal that its disappearance is unnoticeable \u2013 is to perpetually remain a secret, unknown to Herr Kienzle and withheld from public knowledge. The extraction introduces an undetermined absence into the collector\u2019s domestic space. The Kienzle art collection also acquires this intervention, in the form of a signified but empty \u2018unknown\u2019, as an artwork within its holdings. image: Jochen Kienzle posed in his living room, 2016<\/figcaption><\/figure>\n<figure id=\"attachment_5413\" aria-describedby=\"caption-attachment-5413\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5413 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?resize=625%2C469&#038;ssl=1\" width=\"625\" height=\"469\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?resize=624%2C468&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/schwebel2016.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5413\" class=\"wp-caption-text\">Subsidy 2015 | intervention using exhibition budget, unpaid interns, o ce furniture and o ce supplies An intervention enacted during a year-long residency at the K\u00fcnstlerhaus Bethanien. I used my exhibition budget (\u20ac3.000) to compensate the normally unpaid interns who work in the institution\u2019s administrative offices. A total of seven interns were paid for their work in the KB office. \u00a0<\/figcaption><\/figure>\n<p class=\"p7\">\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/JoshSchwebel.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJoshua Schwebel is a conceptual artist interested in the relationship between value and visibility. His work reveals the concept of value as a cultural construct borne through hidden ties to morality and privilege, by exposing the cultural and social techniques [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5412,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[83,84],"class_list":{"0":"post-5410","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-berlin","9":"tag-germany"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/DSC_0187a.jpg?fit=4000%2C2657&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1pg","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5410"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5410\/revisions"}],"predecessor-version":[{"id":5780,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5410\/revisions\/5780"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5412"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}