{"id":5384,"date":"2017-02-07T13:21:34","date_gmt":"2017-02-07T18:21:34","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5384"},"modified":"2018-05-06T17:48:02","modified_gmt":"2018-05-06T21:48:02","slug":"barbara-clausen","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/barbara-clausen\/","title":{"rendered":"Barbara Clausen"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_595\"><audio class=\"wp-audio-shortcode\" id=\"audio-5384-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/barbaraclausen.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/barbaraclausen.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/barbaraclausen.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5385 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/ClausenImage.jpg?resize=297%2C300&#038;ssl=1\" alt=\"\" width=\"297\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/ClausenImage.jpg?resize=297%2C300&amp;ssl=1 297w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/ClausenImage.jpg?w=321&amp;ssl=1 321w\" sizes=\"auto, (max-width: 297px) 100vw, 297px\" \/><a href=\"https:\/\/histoiredelart.uqam.ca\/personnel\/professeurs\/16-professeurs\/35-professeurs-barbara-clausen.html\">Barbara Clausen<\/a> is an independent curator and professor for performance theory and history at the art history department of the Universit\u00e9 du Qu\u00e9bec in Montreal. Since 2000 she has written extensively on the documentation of performance art (After the Act: The (Re)presentation of Performance Art, 2006) and performative curatorial practices and has curated numerous exhibitions and performance series in Europe as well as North America, including the series After the Act, Again and Against and Push and Pull (2005-2011) at the Museum of Modern art (MUMOK) in Vienna and TATE Modern in London.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In 2013 she curated the first retrospective of <a href=\"http:\/\/www.centrevox.ca\/en\/exposition\/babette-mangolte\/\">Babette Mangolte<\/a> at VOX, Centre d&#8217;image contemporaine, and in 2014, the exhibition and performance series STAGE SET STAGE: On Identity and Institutionalism at SBC Gallery for contemporary art. Since 2014 she is the director of the long term University research project An Annotated Bibliography : performance art in Quebec and Canada presented as a research exhibition at ARTEXTE in Montreal in 2015. In 2016 she curated the first major exhibition of <a href=\"http:\/\/dhc-art.org\/joan-jonas-affinities-program\/\">Joan Jonas\u2019 work<\/a> in Canada at DHC\/ Art in Montreal.<\/span><\/p>\n<figure id=\"attachment_5386\" aria-describedby=\"caption-attachment-5386\" style=\"width: 626px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5386\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/joanjonas.png?resize=626%2C662&#038;ssl=1\" width=\"626\" height=\"662\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/joanjonas.png?w=345&amp;ssl=1 345w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/joanjonas.png?resize=284%2C300&amp;ssl=1 284w\" sizes=\"auto, (max-width: 626px) 100vw, 626px\" \/><figcaption id=\"caption-attachment-5386\" class=\"wp-caption-text\">Joan Jonas, They Come to Us without a Word, 2015. Video still, courtesy of the artist.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/barbaraclausen.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listBarbara Clausen is an independent curator and professor for performance theory and history at the art history department of the Universit\u00e9 du Qu\u00e9bec in Montreal. Since 2000 she has written extensively on the documentation of performance art (After the Act: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5386,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[72,104],"class_list":{"0":"post-5384","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-curator","8":"tag-canada","9":"tag-montreal"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/joanjonas.png?fit=345%2C365&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1oQ","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5384"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5384\/revisions"}],"predecessor-version":[{"id":5387,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5384\/revisions\/5387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5386"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}