{"id":5367,"date":"2017-02-03T07:39:55","date_gmt":"2017-02-03T12:39:55","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5367"},"modified":"2018-05-25T01:57:42","modified_gmt":"2018-05-25T05:57:42","slug":"kim-schoen","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/kim-schoen\/","title":{"rendered":"Kim Schoen"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_3918\"><audio class=\"wp-audio-shortcode\" id=\"audio-5367-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/KimShoen.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/KimShoen.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/KimShoen.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_5374\" aria-describedby=\"caption-attachment-5374\" style=\"width: 225px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5374 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/KimSchoen_portrait-option-2-e1486125068566-225x300.jpg?resize=225%2C300&#038;ssl=1\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/KimSchoen_portrait-option-2-e1486125068566.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/KimSchoen_portrait-option-2-e1486125068566.jpg?w=480&amp;ssl=1 480w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-5374\" class=\"wp-caption-text\">Kim Schoen in her Chinatown studio, Los Angeles<\/figcaption><\/figure>\n<p class=\"p2\"><a href=\"http:\/\/kimschoen.com\">Kim Schoen&#8217;s<\/a> work in photography, video installation, and text experiments with the rhetoric of display. She takes existing representations\u2014ones intended to persuade and convince\u2014as her starting point, and through the process of making reframes how the objects and language we take for granted may affect us. In Schoen\u2019s work, <span class=\"s1\">the blank repetition of consumer culture often collides with literary influences, exploring the malleability of speech, its translation into texts and images and back again. <\/span><\/p>\n<p class=\"p4\"><span class=\"s2\">Current and r<\/span>ecent exhibitions include <a href=\"http:\/\/www.moskowitzbayse.com\/upcoming-1\/\"><span class=\"s2\"><i>Hawaii<\/i><\/span> (<span class=\"s2\">Moskowitz Bayse, Los Angeles (solo)) <\/span><\/a><i>Ours Is A City of Writers<\/i> (Barnsdall Art Park, Los Angeles), <a href=\"http:\/\/www.mmoca.org\/exhibitions-collection\/exhibits\/kim-schoen-have-you-never-let-someone-else-be-strong\"><i>Have You Never Let Someone Else Be Strong<\/i>, (MMoCA, (solo)<\/a>, <i>duh? Art &amp; Stupidity<\/i> (Focal Point Gallery, UK), <i>Komma<\/i> (Kunstverein Springhornhof, DE),\u00a0<i>Objective Considerations of Contemporary Phenomena\u00a0<\/i>(MOTInternational Projects, London), <i>Stupidious<\/i> (South London Gallery, London), and <i>Unsparing Quality<\/i> (Diane Rosenstein Gallery, Los Angeles). Kim has also curated international symposia on photography and repetition such as <i>Remembering Forward <\/i> at LAXART in Los Angeles,\u00a0and <i>Returning to Berlin<\/i> at Motto Books in Berlin.<\/p>\n<p class=\"p4\">Kim Schoen\u2019s work is included in private and public collections, including LACMA, and has been written about in the Los Angeles Times, ArtForum, and Art in America. She has published her own writing on repetition and photography (\u201cThe Serial Attitude Redux\u201d, \u201cThe Expansion of the Instant: Photography, Anxiety and Infinity\u201d) in X-TRA Quarterly for Contemporary Art and her most recent photographic essay appeared in Issue VII of E.R.O.S. Press, London. Kim is also the co-founder, co-publisher and co-editor of MATERIAL, a journal of writing by artists. She received her MFA from CalArts in 2003 and a Masters in Philosophy from The Royal College of Art in London in 2008. She lives and works in Berlin and Los Angeles.<\/p>\n<p class=\"p4\">See more on <a href=\"http:\/\/materialpress.org\/\">MATERIAL<\/a> here.<\/p>\n<p class=\"p4\">The books she mentioned in the interview are, <a href=\"https:\/\/www.amazon.com\/Between-Past-Future-Penguin-Classics\/dp\/0143104810\">Between Past and Future<\/a> and <a href=\"https:\/\/www.amazon.com\/Logic-Sense-Gilles-Deleuze\/dp\/0231059833\">The Logic of Sense.<\/a><\/p>\n<figure id=\"attachment_5375\" aria-describedby=\"caption-attachment-5375\" style=\"width: 850px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5375 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/1_KimSchoen_HTCYTYU.jpg?resize=696%2C468&#038;ssl=1\" width=\"696\" height=\"468\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/1_KimSchoen_HTCYTYU.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/1_KimSchoen_HTCYTYU.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/1_KimSchoen_HTCYTYU.jpg?resize=768%2C517&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/1_KimSchoen_HTCYTYU.jpg?resize=624%2C420&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-5375\" class=\"wp-caption-text\">Kim Schoen, HTCYTYU (How Tightly Can You Tie Yourself Up), Light-jet print, 2016, \u00a9 Kim Schoen, courtesy of the artist<\/figcaption><\/figure>\n<figure id=\"attachment_5376\" aria-describedby=\"caption-attachment-5376\" style=\"width: 850px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5376 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/2_KimSchoen_HTIYRTTSDIGTH.jpg?resize=696%2C464&#038;ssl=1\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/2_KimSchoen_HTIYRTTSDIGTH.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/2_KimSchoen_HTIYRTTSDIGTH.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/2_KimSchoen_HTIYRTTSDIGTH.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/2_KimSchoen_HTIYRTTSDIGTH.jpg?resize=624%2C416&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-5376\" class=\"wp-caption-text\">Kim Schoen, HTIYRTTSDIGTH (Hoping That If You Replace The Trap Something Different Is Going To Happen), Light-Jet print, 2009, Los Angeles County Museum of Art, purchased with funds provided by LENS: Photography Council, 2016, \u00a9 Kim Schoen, courtesy of the artist<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/118316926\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/118316926\">Is It The Opera Or Is It Something Political?<\/a> from <a href=\"https:\/\/vimeo.com\/kimschoen\">Kim Schoen<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/KimShoen.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listKim Schoen&#8217;s work in photography, video installation, and text experiments with the rhetoric of display. She takes existing representations\u2014ones intended to persuade and convince\u2014as her starting point, and through the process of making reframes how the objects and language we [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5376,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[83,84],"class_list":{"0":"post-5367","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-berlin","9":"tag-germany"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/02\/2_KimSchoen_HTIYRTTSDIGTH.jpg?fit=850%2C567&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1oz","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5367"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5367\/revisions"}],"predecessor-version":[{"id":5383,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5367\/revisions\/5383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5376"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}