{"id":5281,"date":"2017-01-19T21:31:59","date_gmt":"2017-01-20T02:31:59","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5281"},"modified":"2018-05-25T02:10:39","modified_gmt":"2018-05-25T06:10:39","slug":"ludger-brummer","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ludger-brummer\/","title":{"rendered":"Ludger Br\u00fcmmer"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_941\"><audio class=\"wp-audio-shortcode\" id=\"audio-5281-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/LudgerBrummer.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/LudgerBrummer.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/LudgerBrummer.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5282 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?resize=200%2C300&#038;ssl=1\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?resize=624%2C936&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?w=1831&amp;ssl=1 1831w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/Ludger_Bruemmer1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/span><span class=\"s1\">Born and raised in Werne, Germany, Ludger Br\u00fcmmer received his Masters in psychology\/sociology at University Dortmund. Composition studies\u00a0with Nicolaus A. Huber and Dirk Reith at the Folkwang Hochschule Essen. Collaboration with choreographer Susanne Linke and the Nederlands Dans Theater for &#8220;Ruhrort&#8221; with his work \u201cRiti Contour\u201d for orchestra. International Performances at GRM, Paris at ICMC&#8217;s in San Jose , Tokyo, Banff, Thessaloniki. Visiting Scholar at CCRMA Stanford University, teaching Assistant at the Folkwang Hochschule, TU Berlin, School of Design Karlsruhe, research fellow at Kingston University, lecturer for composition at the Sonic Arts\u00a0 Research Centre Belfast. Since 2003 head of the Institute for Music and Acoustics at ZKM|Karlsruhe and guest professor at School of Design. Member of the &#8220;Academy of the arts\u201c Berlin.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s4\">\u00a0<\/span><span class=\"s1\">2010 Amazonas, Opera Biennale Munich \/ Sao Paulo, 2012 &#8220;The origin of Noise, the noise of the origin&#8221;, Donaufestival Krems.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Focus in physical modelling of sound, Video, granular synthesis, sound synthesis techniques, spatial music, databases.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Awards: Folkwang Award Essen, WDR Award Cologne. Busoni Award Akademie der K\u00fcnste Berlin, Golden Nica Ars Electronica 1994 and second prize at the Ars Electronica 1997, Larry Austin Award, ICMA, Pierre d&#8217;Or Bourges 1997 and 2001, first prize at Rostrum for electroacoustic music by the UNESCO.\u00a0Musica Sacrae 2001, Fribourg Switzerland. Menzioni D&#8217;Onore at the Luigi Russolo Award, Italy and the Stockholm Electronic Music Award.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The book he referred to is this one by\u00a0<\/span><span class=\"s1\">Irvine Stone about Michelangelo: <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Agony_and_the_Ecstasy_(novel)\">The Agony and the Ecstasy<\/a><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">There is an excerpt of a composition called Spin,in the inetrview, and here are the notes on the full version.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Spin 18 min<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">After working with Granular Synthesis and Physical Modells I became interested in a sound quality that was more or less already present in all of the used techniques: Noise.\u00a0<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">The sounds I have used in this work started with digital noise. This sound were video or data files which were read as raw data into a sound editor, than modified so that the information structure inside the video file became audible. Of course I was looking for files with quite some periodical information in it so that this could be interpreted as a more or less pitched or repetitive sound quality. After modifying these sounds they were cross composed with other algorithmic structures I have created before. This process resulted in different more or less noisy sounds ranging from hiss to some \u201edirty\u201c timbres.\u00a0<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">In conjunction with some samples of string instruments and modified voices I created the narrative form of Spin with the intention to generate an experience of noise.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">The sound structure were mixed and separated again for the 32 channel spatial version of the work which is on this recording reduced to stereo. It was the aim to make the dense structure mix happening in the concert space through a cluster of speakers while they were moving. This enables the listener to experience a world of sound containing a perspective perception, auditive focussing inside an individual scenario which and many other features. Of course the stereo can only reproduce fractions of this but it gives still a good hint of the potential of the work.<\/span><\/p>\n<figure id=\"attachment_5294\" aria-describedby=\"caption-attachment-5294\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5294 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?resize=625%2C84&#038;ssl=1\" width=\"625\" height=\"84\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?resize=1024%2C137&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?resize=300%2C40&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?resize=768%2C102&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?resize=624%2C83&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/rosalie_lichtsicht_20.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5294\" class=\"wp-caption-text\">Prozession der Tiere, audiovisual Installation by rosalie (visuals) and Ludger Br\u00fcmmer (music) 80 meter x 16 meter<\/figcaption><\/figure>\n<figure id=\"attachment_5283\" aria-describedby=\"caption-attachment-5283\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5283 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?resize=625%2C417&#038;ssl=1\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine018.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5283\" class=\"wp-caption-text\">Still from the work &#8220;Shine\u201c for video, dance and audio<\/figcaption><\/figure>\n<figure id=\"attachment_5284\" aria-describedby=\"caption-attachment-5284\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5284 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?resize=625%2C417&#038;ssl=1\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5284\" class=\"wp-caption-text\">Still from the work &#8220;Shine\u201c for video, dance and audio<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/LudgerBrummer.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listBorn and raised in Werne, Germany, Ludger Br\u00fcmmer received his Masters in psychology\/sociology at University Dortmund. Composition studies\u00a0with Nicolaus A. Huber and Dirk Reith at the Folkwang Hochschule Essen. Collaboration with choreographer Susanne Linke and the Nederlands Dans Theater for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5284,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[84,209],"class_list":{"0":"post-5281","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-germany","9":"tag-karlsruhe"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/shine116.jpg?fit=4374%2C2916&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1nb","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5281"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5281\/revisions"}],"predecessor-version":[{"id":5295,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5281\/revisions\/5295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5284"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}