{"id":5245,"date":"2017-01-09T06:24:31","date_gmt":"2017-01-09T11:24:31","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5245"},"modified":"2017-04-05T14:58:02","modified_gmt":"2017-04-05T18:58:02","slug":"renee-petropoulos","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/renee-petropoulos\/","title":{"rendered":"Ren\u00e9e Petropoulos"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2141\"><audio class=\"wp-audio-shortcode\" id=\"audio-5245-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/ReneePetropoulos.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/ReneePetropoulos.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/ReneePetropoulos.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_5246\" aria-describedby=\"caption-attachment-5246\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5246 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/04.jpg?resize=300%2C300&#038;ssl=1\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/04.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/04.jpg?resize=624%2C624&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/04.jpg?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-5246\" class=\"wp-caption-text\">Portrait copyright Silvia Gruener<\/figcaption><\/figure>\n<p><a href=\"http:\/\/reneepetropoulos.tumblr.com\/\">Ren\u00e9e Petropoulos<\/a> has created projects and exhibited internationally. Most recently embarking on the project &#8220;Among Nations (Mostly)&#8221; with a performance &#8220;Analogue&#8221; (2012) at the MAK, Venice to Venice (2012) as part of the Hammer Museum\u2019s Made in L.A. and \u201cWomen in Surrealism\u201d for LACMA (Los Angeles County Museum of Art). &#8220;Black Star&#8221;, begun in 2006, is a performance in continuum in Berlin. \u00a0Her most recent installment of &#8220;Prototype for the History of Painting: Eingrouping Social Historical&#8221; was installed in MARTE San Salvador, El Salvador. \u00a0Her recent film, &#8220;Two or Three Things I Know About Gas Station Mini Marts&#8221; screened at Screening, in Philadelphia. \u00a0 The outdoor public sculpture project \u201cBouquet\u201d(Flower Tower) Between Egypt, India, Iraq, the United States, Brazil, Ethiopia, and Mexico\u201d, situated in Santa Monica, California at a street and pedestrian intersection was completed in spring, 2014. An exhibit of related subject, \u201cBouquet(Flower Girl) Between Libya, the United States and Scotland\u201d, was installed at LAMOA in Eagle Rock in May 2014. Petropoulos\u2019 monument drawings were also included in \u201cForms of the Formless\u201d at Beijing Moca, curated by Marlena Donahue.<\/p>\n<p>From the <em>United States to Mexico\/ From<\/em> <em>Mexico to the Untied States<\/em>, was presented at Commonwealth and Council, which included a choreographed performance. She is exhibited <em>Monument 1 \u2013 conjugation,<\/em> with the Proxy Gallery in Paris in 2016. In 2016, a cd of sound work, <em>Between Libya, the United States and Scotland,<\/em> created with composer Greg Lenczycki, will be released. Two new works are scheduled for 2016, one with the Isaura String Quartet and a reading of sculpture, \u201cCheek by Jowl\u201d, at Hauser Wirth Schimmel. Her project with former student, Amanda Katz was released this summer in 7 x 7 (<a href=\"http:\/\/7x7.la\/semicolon\/\">http:\/\/7&#215;7.la\/semicolon\/<\/a>). She recently returned from Naples Italy where she has been working on a collaborative project, with Neapolitan scholar, Dr. Denise Spampinato.<\/p>\n<figure id=\"attachment_5247\" aria-describedby=\"caption-attachment-5247\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5247 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?resize=625%2C469&#038;ssl=1\" width=\"625\" height=\"469\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?resize=624%2C468&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/02.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5247\" class=\"wp-caption-text\">\u201dVenice to Venice\u201d 2012 Venice Beach Biennial_Made in California_organized by Hammer Museum<\/figcaption><\/figure>\n<figure id=\"attachment_5248\" aria-describedby=\"caption-attachment-5248\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5248 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?resize=625%2C416&#038;ssl=1\" width=\"625\" height=\"416\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5248\" class=\"wp-caption-text\">Installation view of \u201cUpish\u201d exhibition including from left to right, \u201cLondon (interior walkway)\u201d and \u201cBerlin (exterior walkway)\u201d and \u201cStudy for a Representation of Germany\u2026\u201d and \u201cStudy for a Representation of Syria (Parts A and B)\u201d (other artwork by other artists is seen in the room as well)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/ReneePetropoulos.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listRen\u00e9e Petropoulos has created projects and exhibited internationally. Most recently embarking on the project &#8220;Among Nations (Mostly)&#8221; with a performance &#8220;Analogue&#8221; (2012) at the MAK, Venice to Venice (2012) as part of the Hammer Museum\u2019s Made in L.A. and \u201cWomen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5248,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-5245","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/01\/03.jpg?fit=2000%2C1333&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1mB","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5245"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5245\/revisions"}],"predecessor-version":[{"id":5249,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5245\/revisions\/5249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5248"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}