{"id":5200,"date":"2017-01-30T13:08:04","date_gmt":"2017-01-30T18:08:04","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5200"},"modified":"2017-04-05T14:40:24","modified_gmt":"2017-04-05T18:40:24","slug":"pilar-millan","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/pilar-millan\/","title":{"rendered":"Pilar Mill\u00e1n"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_786\"><audio class=\"wp-audio-shortcode\" id=\"audio-5200-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/pilarmillan.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/pilarmillan.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/pilarmillan.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5351 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/bw-portrait.jpg?resize=200%2C300&#038;ssl=1\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/bw-portrait.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/bw-portrait.jpg?resize=684%2C1024&amp;ssl=1 684w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/bw-portrait.jpg?resize=624%2C934&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/bw-portrait.jpg?w=709&amp;ssl=1 709w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><a href=\"http:\/\/www.pilarmillan.com\/\">Pilar Mill\u00e1n<\/a> resides in Berlin. Her multi-disciplinary projects tend towards the cultural, social, and political borders and their consequences in our society. In most of these projects, Millan pursues her ongoing creative explorations into fundamental concepts of diverse myths, as an archaeology of transcendental ideas of the human being and their actual manifestations. And as a European artist she tries to reflect on canonized western positions from a transcultural perspective.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Millan\u2019s work takes form in projects, most of them participatory-based. They are presented as\u00a0installations that may combine photography, video, drawing and painting, objects and audios. In these installations she creates spaces that lead deep into layers of rich historical narratives in a contemporary form.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In 2003 Pilar Millan graduated from the University of Seville in Arts and continued her studies with diverse courses at the MACBA, Barcelona. Her work has been presented in solo and collective exhibitions in institutions, galleries and fairs like ARCO Madrid in 2007\/08; CCCB, Barcelona; Sala Santa In\u00e9s, Seville; or the University of Barcelona (UB). Images for stage setting for CAT-CDG, C\u00edrculo de BBAA, Madrid. She has also been invited by the Foundation Pilar Citoler-Alliance Fran\u00e7aise to PhotoEspa\u00f1a, Madrid; by the Forum Eugenio de Almeida (curated by Claudia Giannetti) Evora; Video-Festival MM, Casa Encendida, Madrid; and Berlinerpool, Berlin, in 2014. Rivadavia and Neilson Chapman Gallery (curated by Alicia Chillida) Grazalema, in C\u00e1diz 2015. She participated in ARTifariti at the Saharawian Refugees Camps of Tindouf, Algeria, in the context of a cooperation with Federico Guzm\u00e1n with an audio piece in the Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofia (MNCARS) Madrid 2015.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Seminars and conferences at the University of Barcelona, Barcelona 2014, and in 2015 at Arts Club Berlin (ACB), Berlin (<i>Art as a strategy to change the sociopolitical borders<\/i>, curated by Andrzej Raszyk).<\/span><\/p>\n<p class=\"p1\">The books that\u00a0Pilar Millan is reading: <a href=\"http:\/\/www.goodreads.com\/book\/show\/75902.The_Future_of_Nostalgia\"><i>El futuro de la nostalgia<\/i> (The future of nostalgia)<\/a>, Svetlana Boym. Antonio Machado Libros Edt., Madrid 2015.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/8xje5vHC8Mc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s5\">The stage play <a href=\"https:\/\/www.youtube.com\/watch?v=8xje5vHC8Mc&amp;feature=player_embedded\">(CAT-CDG<\/a>).<\/span><\/p>\n<figure id=\"attachment_5352\" aria-describedby=\"caption-attachment-5352\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5352 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?resize=625%2C560&#038;ssl=1\" width=\"625\" height=\"560\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?resize=1024%2C917&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?resize=300%2C269&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?resize=768%2C688&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?resize=624%2C559&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5352\" class=\"wp-caption-text\"><i>Negative Revelation<\/i> 2016, Photographic celluloid and cartoon on plastic frames filled with materials from the chapter East-Germany of the Shopping in Occupied Territories project (2015-work in progress). Variable dimensions.<\/figcaption><\/figure>\n<figure id=\"attachment_5353\" aria-describedby=\"caption-attachment-5353\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5353 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?resize=625%2C623&#038;ssl=1\" width=\"625\" height=\"623\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?resize=1024%2C1020&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?resize=768%2C765&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?resize=624%2C622&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Silencis-Dona-20102015.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5353\" class=\"wp-caption-text\"><i>Silencis-Dona (Silenced Women)<\/i> 2010\/2015, Installation: Two digital videos and 21 sound insulating polyurethane foam elements (video 1. on screen with the images of the hand loom weavers and no audio; video 2. on the tridimensional elements with the images of the movement of the mechanical looms and audio of the rythmical noise of the reed combs of this loom). Variable dimensions. Textum project 2015.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/pilarmillan.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listPilar Mill\u00e1n resides in Berlin. Her multi-disciplinary projects tend towards the cultural, social, and political borders and their consequences in our society. In most of these projects, Millan pursues her ongoing creative explorations into fundamental concepts of diverse myths, as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5352,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-5200","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Negative-Revelation-2017.jpg?fit=2889%2C2588&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1lS","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5200"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5200\/revisions"}],"predecessor-version":[{"id":5354,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5200\/revisions\/5354"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5352"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}