{"id":5118,"date":"2016-12-04T21:25:25","date_gmt":"2016-12-05T02:25:25","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5118"},"modified":"2017-04-05T15:23:24","modified_gmt":"2017-04-05T19:23:24","slug":"ruth-beale","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ruth-beale\/","title":{"rendered":"Ruth Beale"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6973\"><audio class=\"wp-audio-shortcode\" id=\"audio-5118-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/RuthBeale.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/RuthBeale.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/RuthBeale.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_5119\" aria-describedby=\"caption-attachment-5119\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5119 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale.jpg?resize=625%2C417&#038;ssl=1\" alt=\"ruthbeale\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale.jpg?w=1348&amp;ssl=1 1348w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5119\" class=\"wp-caption-text\">Production shot from\u00a0Their Constructive Materials\/Layers, 2016.\u00a0Courtesy Performance as Publishing<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\"><a href=\"http:\/\/www.ruthbeale.net\/\">Ruth Beale<\/a>&#8216;s practice considers the evocative relationships between culture, governance, social discourse and representation. A form of socialised questioning, it includes performance, writing, collecting, drawing and socially-engaged processes. She works on both long-term projects involving extensive archive research, and more spontaneous performances which co-opt audiences, collaborators and participants.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Her collaboration with Amy Feneck, &#8216;<a href=\"http:\/\/www.alternativeschoolofeconomics.org\/\">The Alternative School of Economics<\/a>&#8216;, <\/span><span class=\"s2\">uses the practice of self-education to study economics, creating a framework for investigating political, social and cultural issues. They recently completed<\/span><span class=\"s1\">\u00a0a major commission with Create London, working with communities in Newham, East London, where they set up Rabbits Road Institute, a new space for community, educational and creative activity.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Ruth is also co-founder of <a href=\"http:\/\/www.performanceaspublishing.com\">Performance as Publishing<\/a> with Nicole Bachmann, an active research project into text and writing for performance.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In 2016 they presented Take One \/ Take Two \/ Take Three at Eastside Projects, Birmingham (UK), in partnership with Lux Artists&#8217; Moving Image and this is tomorrow.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Ruth gained a BA from Edinburgh College of Art and an MFA from Goldsmiths, London, in 2010.\u00a0S<\/span><span class=\"s3\">olo exhibitions include\u00a0<i>The Library of Future Societies\u00a0<\/i>as part of Fig.2 at ICA, London (2015),\u00a0<\/span><span class=\"s1\"><i>Bookbed<\/i>\u00a0at Peckham Platform, London (2014),<i>\u00a0Bikes, Caves, Raves\u00a0<\/i>at<i>\u00a0<\/i>Trade, Nottingham (2014), and\u00a0<i>Lindgren &amp; Langlois: The Archive Paradox<\/i>\u00a0at Grand Union, Birmingham (2013).\u00a0She has performed and exhibited at Whitechapel Gallery, ICA, Turner Contemporary, Basel Kunsthalle, MoMA Ps1, South London Gallery and Modern Art Oxford.<\/span><\/p>\n<figure id=\"attachment_5120\" aria-describedby=\"caption-attachment-5120\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5120 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Ruth_Beale_Library-of-Future-Societies.jpg?resize=625%2C424&#038;ssl=1\" alt=\"ruth_beale_library-of-future-societies\" width=\"625\" height=\"424\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Ruth_Beale_Library-of-Future-Societies.jpg?resize=1024%2C694&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Ruth_Beale_Library-of-Future-Societies.jpg?resize=300%2C203&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Ruth_Beale_Library-of-Future-Societies.jpg?resize=768%2C520&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Ruth_Beale_Library-of-Future-Societies.jpg?resize=624%2C423&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/Ruth_Beale_Library-of-Future-Societies.jpg?w=1092&amp;ssl=1 1092w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5120\" class=\"wp-caption-text\">Ruth Beale, The Library of Future Societies, 2015, utopian and dystopian novels borrowed from London public libraries, Photo: Sylvain Deleu<\/figcaption><\/figure>\n<figure id=\"attachment_5121\" aria-describedby=\"caption-attachment-5121\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5121 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?resize=625%2C400&#038;ssl=1\" alt=\"ruthbeale_their-constructive-materials\" width=\"625\" height=\"400\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?resize=1024%2C655&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?resize=300%2C192&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?resize=768%2C491&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?resize=624%2C399&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5121\" class=\"wp-caption-text\">Ruth Beale, Their Constructive Materials\/Layers, 2016, livestreamed digital video, 19 minutes<\/figcaption><\/figure>\n<p class=\"p1\">\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/RuthBeale.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listRuth Beale&#8216;s practice considers the evocative relationships between culture, governance, social discourse and representation. A form of socialised questioning, it includes performance, writing, collecting, drawing and socially-engaged processes. She works on both long-term projects involving extensive archive research, and more [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5121,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,7],"tags":[],"class_list":{"0":"post-5118","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-curator"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/12\/RuthBeale_Their-constructive-materials.jpg?fit=5406%2C3456&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1ky","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5118"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5118\/revisions"}],"predecessor-version":[{"id":5123,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5118\/revisions\/5123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5121"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}