{"id":5005,"date":"2016-11-17T12:52:27","date_gmt":"2016-11-17T17:52:27","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=5005"},"modified":"2018-05-25T03:48:58","modified_gmt":"2018-05-25T07:48:58","slug":"neysa-page-lieberman","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/neysa-page-lieberman\/","title":{"rendered":"Neysa Page-Lieberman"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_495\"><audio class=\"wp-audio-shortcode\" id=\"audio-5005-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/NeysaPageLieberman.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/NeysaPageLieberman.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/NeysaPageLieberman.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p2\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5006 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/Neysa_London.jpg?resize=225%2C300&#038;ssl=1\" alt=\"neysa_london\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/Neysa_London.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/Neysa_London.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/Neysa_London.jpg?resize=624%2C832&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/Neysa_London.jpg?w=843&amp;ssl=1 843w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/span><span class=\"s1\">Neysa Page-Lieberman is a contemporary art curator, lecturer, writer and educator. Her areas of focus include feminism, African diaspora, social practice and public art. Currently she is the director of the <a href=\"http:\/\/students.colum.edu\/deps\/index.php\"><span class=\"s3\">Department of Exhibitions and Performance<\/span><\/a> Spaces at Columbia College Chicago and the chief curator of the <a href=\"http:\/\/wabashartscorridor.org\/\"><span class=\"s3\">Wabash Arts Corridor<\/span><\/a>. She also designed and teaches Columbia\u2019s first course on curatorial theory and practice and lectures at the Art Institute of Chicago offering public programs on the Museum\u2019s collections. She has produced over 200 exhibitions, collaborating with international artists and curators.<\/span><\/p>\n<p class=\"p4\"><span class=\"s4\">Curatorial highlights include\u00a0<a href=\"http:\/\/www.neysapagelieberman.com\/vacancyexhibition\"><span class=\"s2\"><i>Vacancy: Urban Interruption and (Re)generation,<\/i><\/span><\/a><i>\u00a0<\/i>2015,\u00a0an affiliate exhibition of the inaugural Chicago Architecture Biennial,\u00a0<a href=\"http:\/\/www.neysapagelieberman.com\/guerrilla\/\"><span class=\"s2\"><i>Not Ready to Make Nice<\/i>:\u00a0<i>Guerrilla Girls in the Artworld and Beyond<\/i><\/span><\/a>, touring nationally through 2017,\u00a0<a href=\"http:\/\/www.neysapagelieberman.com\/risk\/\"><span class=\"s2\"><i>RISK: Empathy, Art and Social Practice<\/i><\/span><\/a><i>, 2014<\/i>,\u00a0<a href=\"http:\/\/www.neysapagelieberman.com\/disbeliever\/\"><span class=\"s2\"><i>Dis\/Believer: Intersections of Science and Religion in Contemporary Art<\/i>,<\/span><\/a> 2010,\u00a0<a href=\"http:\/\/www.neysapagelieberman.com\/campospons\"><span class=\"s2\"><i>Maria Magdalena Campos-Pons &#8211; Life Has Not Even Begun<\/i><\/span><\/a><i>,\u00a0<\/i>2009 and\u00a0<i>V<\/i><a href=\"http:\/\/www.neysapagelieberman.com\/vodou\"><span class=\"s2\"><i>odou Riche:\u00a0Contemporary Haitian Art,<\/i><\/span><\/a><i>\u00a0<\/i>2007.\u00a0\u00a0<\/span><span class=\"s1\">Neysa is an active participant in the Chicago arts community including mentoring emerging curators as a Mentor-Curator for Chicago Artists Coalition\u2019s Curator Residency and working with the City&#8217;s Department of Cultural Affairs to develop the Year of Public Art in 2017. Recent professional affiliations include a fellowship in the Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management at Northwestern University and a committee member in the College Art Associations&#8217; Committee for Women in the Arts.\u00a0<\/span><span class=\"s4\">She holds a masters in art history from Indiana University specializing in contemporary African diaspora. Her upcoming exhibition,\u00a0<a href=\"http:\/\/www.neysapagelieberman.com\/revolution\"><span class=\"s2\"><i>The Longest Revolution: Feminist Social Practice<\/i><\/span><\/a>, is co-curated with Melissa Potter and focuses on feminist theory and practice explored through socially and politically engaged art.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The book she\u00a0mentioned is here, <a href=\"https:\/\/www.amazon.com\/Secret-History-Wonder-Woman\/dp\/0804173400\">Secret History of Wonder Woman<\/a>.<\/span><\/p>\n<figure id=\"attachment_5007\" aria-describedby=\"caption-attachment-5007\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5007 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?resize=625%2C413&#038;ssl=1\" alt=\"wac-stwts\" width=\"625\" height=\"413\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?resize=1024%2C676&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?resize=300%2C198&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?resize=768%2C507&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?resize=624%2C412&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/WAC-STWTS.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-5007\" class=\"wp-caption-text\">Stop Telling Women to Smile, 2015, by Tatyana Fazlalizadeh, commissioned for the Wabash Arts Corridor<\/figcaption><\/figure>\n<figure id=\"attachment_5008\" aria-describedby=\"caption-attachment-5008\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5008 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/GG-Installation-2.jpeg?resize=696%2C522&#038;ssl=1\" alt=\"gg-installation-2\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/GG-Installation-2.jpeg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/GG-Installation-2.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/GG-Installation-2.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/GG-Installation-2.jpeg?resize=624%2C468&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-5008\" class=\"wp-caption-text\">Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond, exhibition installed at Stony Brook University, Fall 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/NeysaPageLieberman.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listNeysa Page-Lieberman is a contemporary art curator, lecturer, writer and educator. Her areas of focus include feminism, African diaspora, social practice and public art. Currently she is the director of the Department of Exhibitions and Performance Spaces at Columbia College [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5008,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[214,66],"class_list":{"0":"post-5005","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-chicago","9":"tag-us"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/11\/GG-Installation-2.jpeg?fit=1000%2C750&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1iJ","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=5005"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5005\/revisions"}],"predecessor-version":[{"id":5009,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/5005\/revisions\/5009"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5008"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=5005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=5005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=5005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}