{"id":4910,"date":"2016-10-28T19:14:35","date_gmt":"2016-10-28T23:14:35","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4910"},"modified":"2018-05-06T18:08:09","modified_gmt":"2018-05-06T22:08:09","slug":"ben-langlands-nikki-bell","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ben-langlands-nikki-bell\/","title":{"rendered":"Ben Langlands &#038; Nikki Bell"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4852\"><audio class=\"wp-audio-shortcode\" id=\"audio-4910-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/BenLanglandsandNikkiBell.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/BenLanglandsandNikkiBell.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/BenLanglandsandNikkiBell.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_4912\" aria-describedby=\"caption-attachment-4912\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4912 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?resize=300%2C284&#038;ssl=1\" alt=\"portrait-ldm-april-copy\" width=\"300\" height=\"284\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?resize=300%2C284&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?resize=768%2C726&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?resize=1024%2C968&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?resize=624%2C590&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Portrait-LDM-APRIL-copy.jpeg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-4912\" class=\"wp-caption-text\">Portrait of Ben Langlands &amp; Nikki Bell in their Whitechapel Studio by Lucinda Douglas Menzies.<\/figcaption><\/figure>\n<p>Artists <a href=\"http:\/\/www.langlandsandbell.com\/\">Ben Langlands Nikki Bell<\/a> are based in London. They met and began collaborating in 1977 while studying Fine Art at Middlesex Polytechnic. Their artistic practice ranges widely from sculpture, to film &amp; video, innovative digital media projects, and full-scale architecture. Their art is focused on a poetic and conceptual exploration of architecture and the coded systems of mass-communication and exchange we use to negotiate an increasingly fast-changing technological world.<\/p>\n<p>Langlands &amp; Bell have exhibited widely internationally throughout their career including exhibitions at Tate Britain and Tate Modern, Serpentine Gallery and Whitechapel Art Gallery, in London, IMMA (Irish Museum of Modern Art) Dublin, Kunsthalle Bielefeld, Haus der Kunst, and Hamburger Bahnhof, Germany, MoMA, and the New Museum, New York, Centre for British Art, Yale, USA, Central House of the Artist, Moscow, State Hermitage Museum, St Petersburg, Venice Biennale, Seoul Biennale, CCA Kitakyushu, Kitakyushu, and TN Probe, Tokyo, Japan.<\/p>\n<p>In 2002 Langlands &amp; Bell were commissioned as \u201cWar Artists\u201d by the Imperial War Museum to research <em>The Aftermath of September 11 and the War in Afghanistan. <\/em>In 2003 they won the BAFTA Award for <em>Interactive Arts Installation<\/em> and in 2004 were nominated for the Turner Prize for <em>The House of Osama bin Laden<\/em> the trilogy of art works they made on their return. Since 2003 <em>The House of Osama bin Laden <\/em>artworks have been exhibited in 17 museums and galleries in 11 different countries worldwide.<\/p>\n<p>Artworks by Langlands &amp; Bell are in the collections of many prominent national and international art museums including the British Museum, Imperial War Museum, Tate, V&amp;A in London, MoMA New York, Carnegie Museum of Art, Pittsburgh, USA, Center for British Art, Yale, USA, State Hermitage Museum St Petersburg, Russia. Learn more on <a href=\"http:\/\/www.langlandsandbell.com\/\">their website<\/a>.<\/p>\n<p class=\"p1\"><span class=\"s1\">The books mentioned in the interview: Corrections &amp; Collections &#8211;<a href=\"https:\/\/www.amazon.co.uk\/Corrections-Collections-Architectures-Art-Crime\/dp\/0415534828\"> Architectures for Art &amp; Crime<\/a> by Joe Day, and\u00a0<\/span><span class=\"s1\"><a href=\"http:\/\/uk.phaidon.com\/store\/architecture\/this-brutal-world-9780714871080\/\">This Brutal World<\/a>, by Peter Chadwick<\/span><\/p>\n<figure id=\"attachment_4913\" aria-describedby=\"caption-attachment-4913\" style=\"width: 782px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4913 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Domain-001.jpg?resize=696%2C506&#038;ssl=1\" alt=\"domain-001\" width=\"696\" height=\"506\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Domain-001.jpg?w=782&amp;ssl=1 782w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Domain-001.jpg?resize=300%2C218&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Domain-001.jpg?resize=768%2C559&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Domain-001.jpg?resize=624%2C454&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-4913\" class=\"wp-caption-text\">Domain, Water soluble house paint, 556 cm x 1583 cm. Milton Keynes Art Gallery, UK, 2005<\/figcaption><\/figure>\n<figure id=\"attachment_4914\" aria-describedby=\"caption-attachment-4914\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4914 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?resize=625%2C375&#038;ssl=1\" alt=\"infinite-loop-2016\" width=\"625\" height=\"375\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?resize=1024%2C614&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?resize=300%2C180&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?resize=768%2C461&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?resize=624%2C374&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?w=1890&amp;ssl=1 1890w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4914\" class=\"wp-caption-text\">Infinite Loop 2016, Piezo pigment inkjet print on Hahnemuhle Photo Rag paper. Courtesy Alan Cristea Gallery, London<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/BenLanglandsandNikkiBell.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listArtists Ben Langlands Nikki Bell are based in London. They met and began collaborating in 1977 while studying Fine Art at Middlesex Polytechnic. Their artistic practice ranges widely from sculpture, to film &amp; video, innovative digital media projects, and full-scale [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5800,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[62,63],"class_list":{"0":"post-4910","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-london","9":"tag-uk"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/Infinite-Loop-2016-1.jpg?fit=1890%2C1134&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1hc","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4910"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4910\/revisions"}],"predecessor-version":[{"id":4916,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4910\/revisions\/4916"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5800"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}