{"id":4903,"date":"2016-10-31T17:45:08","date_gmt":"2016-10-31T21:45:08","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4903"},"modified":"2018-05-25T02:15:44","modified_gmt":"2018-05-25T06:15:44","slug":"marco-antonini","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/marco-antonini\/","title":{"rendered":"Marco Antonini"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2232\"><audio class=\"wp-audio-shortcode\" id=\"audio-4903-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/marcoantonini.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/marcoantonini.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/marcoantonini.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_4923\" aria-describedby=\"caption-attachment-4923\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4923 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/marco_profilepic_LA.jpg?resize=300%2C300&#038;ssl=1\" alt=\"marco_profilepic_la\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/marco_profilepic_LA.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/marco_profilepic_LA.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/marco_profilepic_LA.jpg?resize=624%2C624&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/marco_profilepic_LA.jpg?w=960&amp;ssl=1 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-4923\" class=\"wp-caption-text\">photo by: Daniele Bianchi<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\"><a href=\"https:\/\/mplusprojects.wordpress.com\/\">Marco Antonini <\/a>is an independent writer and curator. From 2011 to 2016, he served as NURTUREart\u2019s Executive Director &amp; Curator, presenting new work by Ian Pedigo, Ivan Argote, Jonathan Ehrenberg, Meredith James, Arianna Carossa, Daniel Bejar, Nathalie Hausler, Alina Tenser, Gabriela Salazar, Deville Cohen, Lior Modan, and Steffani Jemison, among many others. Antonini&#8217;s ambitious, inter-generational group exhibitions\u00a0<i>We Are: <\/i>(2011)<i>,\u00a0&#8230;Is This Free? <\/i>(2012)<i>,\u00a0Welcome to the Real <\/i>(2013),\u00a0<i>We Are: at The Luminary <\/i>(Saint Louis, MO, 2013)<i>\u00a0<\/i>and<i> Multiplicity: City as Subject Matter <\/i>(2014)\u00a0further pushed the envelope of what was possible at NURTUREart, connecting established and emerging artists, experimenting with off-site programming and developing books and publications that helped NURTUREart reach out to an increasingly international audience.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">His independent curatorial projects have been presented in New York by Japan Society, the Lower Manhattan Cultural Council (LMCC), ISE Foundation, Elizabeth Foundation Project Space, the Italian Cultural Institute, the International Studio and Curatorial Program (ISCP),\u00a0Interstate Projects, and Abrons Art Center; Internationally by\u00a0Bevilacqua La Masa Foundation, Venice, FUTURA Center for Contemporary Art, Prague, CCEG, Guatemala City, Random Institute, Zurich \u00a0among many others. As an independent curator and writer, Antonini has consistently championed the early work of artists who have moved on to greater and much deserved visibility and renown.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Antonini\u2019s articles, essays, interviews, short stories and poetry have been published worldwide on magazines, journals, catalogs and other exhibition-related publications. His two most recent books projects are <i>Golden Age: Perspectives on Abstract Painting Today<\/i> (NURTUREart 2015), co-edited with Christopher K.Ho and collecting essays and interviews dedicated to the return of abstraction in contemporary painting, and\u00a0<i>Experimental Photography<\/i> (SHS\/Vetro\/Thames and Hudson\/Prestel, 2015) a book of interviews and texts dedicated to experimental photographic practice.<\/span><\/p>\n<p class=\"p1\">See an archive of <a href=\"https:\/\/mplusprojects.wordpress.com\/\">past and current work here<\/a>.<\/p>\n<figure id=\"attachment_4924\" aria-describedby=\"caption-attachment-4924\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4924 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?resize=625%2C336&#038;ssl=1\" alt=\"Premiere of Kim Hoeckele's\u00a0theatrical\u00a0piece Rosy-Crimson. Courtesy, NURTUREart.\" width=\"625\" height=\"336\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?resize=1024%2C551&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?resize=300%2C161&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?resize=768%2C413&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?resize=624%2C336&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?w=1843&amp;ssl=1 1843w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/kim.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4924\" class=\"wp-caption-text\">Premiere of Kim Hoeckele&#8217;s\u00a0theatrical\u00a0piece Rosy-Crimson. Courtesy, NURTUREart.<\/figcaption><\/figure>\n<figure id=\"attachment_4925\" aria-describedby=\"caption-attachment-4925\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4925 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?resize=625%2C417&#038;ssl=1\" alt=\"steffani\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4925\" class=\"wp-caption-text\">Exhibition view of Steffani Jemison&#8217;s solo exhibition Prime. Courtesy, NURTUREart.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/marcoantonini.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listMarco Antonini is an independent writer and curator. From 2011 to 2016, he served as NURTUREart\u2019s Executive Director &amp; Curator, presenting new work by Ian Pedigo, Ivan Argote, Jonathan Ehrenberg, Meredith James, Arianna Carossa, Daniel Bejar, Nathalie Hausler, Alina Tenser, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5798,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,9,7],"tags":[89,88],"class_list":{"0":"post-4903","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-alternative-spaces","8":"category-writers","9":"category-curator","10":"tag-switzerland","11":"tag-zurich"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/10\/steffani-1.jpg?fit=2048%2C1366&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1h5","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4903"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4903\/revisions"}],"predecessor-version":[{"id":5797,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4903\/revisions\/5797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5798"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}