{"id":487,"date":"2014-01-14T15:45:53","date_gmt":"2014-01-14T20:45:53","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=487"},"modified":"2018-05-06T18:01:42","modified_gmt":"2018-05-06T22:01:42","slug":"barry-schwabsky","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/barry-schwabsky\/","title":{"rendered":"Barry Schwabsky"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_3525\"><audio class=\"wp-audio-shortcode\" id=\"audio-487-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/barryschwabsky.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/barryschwabsky.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/barryschwabsky.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><a href=\"http:\/\/amzn.com\/3956790022\" target=\"_blank\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-488\" alt=\"81DyooUADCL._SL1500_\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2014\/01\/81DyooUADCL._SL1500_.jpg?resize=625%2C896&#038;ssl=1\" width=\"625\" height=\"896\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2014\/01\/81DyooUADCL._SL1500_.jpg?resize=714%2C1024&amp;ssl=1 714w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2014\/01\/81DyooUADCL._SL1500_.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2014\/01\/81DyooUADCL._SL1500_.jpg?resize=624%2C894&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2014\/01\/81DyooUADCL._SL1500_.jpg?w=1046&amp;ssl=1 1046w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">Barry Schwabsky is the art critic of\u00a0<\/span>The Nation<span style=\"line-height: 1.714285714; font-size: 1rem;\"> and co-editor of international reviews for Artforum, and his essays have appeared in many other publications, including\u00a0<\/span>New Left Review<span style=\"line-height: 1.714285714; font-size: 1rem;\">,\u00a0<\/span>London Review of Books<span style=\"line-height: 1.714285714; font-size: 1rem;\">\u00a0and\u00a0<\/span>Art in America<span style=\"line-height: 1.714285714; font-size: 1rem;\">.\u00a0His books include\u00a0The Widening Circle: Con\u00adsequences of Modernism in Contemporary Art,\u00a0Vitamin P: New Perspectives in Painting\u00a0and several volumes of poetry, the most recent being\u00a0Book Left Open in the Rain\u00a0(Black Square Editions\/The Brooklyn Rail). Schwabsky has contributed to books and catalogs on artists such as Henri Matisse, Alighiero Boetti, Jessica Stockholder and Gillian Wearing, and has taught at the School of Visual Arts, Pratt Institute, New York University, Goldsmiths College (University of London) and Yale University.\u00a0<a href=\"http:\/\/amzn.com\/3956790022\" target=\"_blank\">Click on the image of his book to learn more or right here.<\/a><\/span><\/p>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">He is also a poet whose most recent publications are Book Left Open in the Rain (Black Square Editions\/The Brooklyn Rail, 2009) and 12 Abandoned Poems (Kilmog Press, 2010). His new collection of poetry, Trembling Hand Equilibrium, along with a book of his critical writings about poetry, will be published later this year by Black Square Editions.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/barryschwabsky.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Barry Schwabsky is the art critic of\u00a0The Nation and co-editor of international reviews for Artforum, and his essays have appeared in many other publications, including\u00a0New Left Review,\u00a0London Review of Books\u00a0and\u00a0Art in America.\u00a0His books include\u00a0The Widening Circle: Con\u00adsequences of Modernism [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":488,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[67,66],"class_list":{"0":"post-487","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers","8":"tag-new-york-city","9":"tag-us"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2014\/01\/81DyooUADCL._SL1500_.jpg?fit=1046%2C1500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-7R","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=487"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/487\/revisions"}],"predecessor-version":[{"id":509,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/487\/revisions\/509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/488"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}