{"id":4632,"date":"2016-09-06T18:09:21","date_gmt":"2016-09-06T22:09:21","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4632"},"modified":"2017-04-05T21:21:38","modified_gmt":"2017-04-06T01:21:38","slug":"tirza-latimer","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/tirza-latimer\/","title":{"rendered":"Tirza Latimer"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9494\"><audio class=\"wp-audio-shortcode\" id=\"audio-4632-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/tirzalatimer.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/tirzalatimer.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/tirzalatimer.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4634 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?resize=300%2C224&#038;ssl=1\" alt=\"TL, UCPauthorportrait\" width=\"300\" height=\"224\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?resize=300%2C224&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?resize=768%2C574&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?resize=1024%2C765&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?resize=624%2C466&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/TL-UCPauthorportrait.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Tirza True Latimer is Associate Professor and Chair of the Graduate Program in Visual and Critical Studies, California College of the Arts, San Francisco. Her published work reflects on modern and contemporary visual culture from queer feminist perspectives. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">She is co-editor, with Whitney Chadwick, of the anthology <i>The Mode<a href=\"http:\/\/www.ucpress.edu\/book.php?isbn=9780520288867\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4635 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/EccentricModernisms_COVER.jpg?resize=143%2C205&#038;ssl=1\" alt=\"EccentricModernisms_COVER\" width=\"143\" height=\"205\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/EccentricModernisms_COVER.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/EccentricModernisms_COVER.jpg?resize=768%2C1105&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/EccentricModernisms_COVER.jpg?resize=712%2C1024&amp;ssl=1 712w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/EccentricModernisms_COVER.jpg?resize=624%2C898&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/EccentricModernisms_COVER.jpg?w=1069&amp;ssl=1 1069w\" sizes=\"auto, (max-width: 143px) 100vw, 143px\" \/><\/a>rn Woman Revisited: Paris between the Wars<\/i> (Rutgers University Press, 2003) and the author of <i>Women Together \/ Women Apart: Portraits of Lesbian Paris<\/i> (Rutgers University Press, 2005). <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">She is co-author, with Wanda Corn, of <a href=\"http:\/\/www.ucpress.edu\/book.php?isbn=9780520270022\"><span class=\"s2\"><i>Seeing Gertrude Stein: Five Stories<\/i><\/span><\/a> (University of California Press, 2011), companion book for an exhibition organized by the Contemporary Jewish Museum, San Francisco, in partnership with the National Portrait Gallery, Washington D.C. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Her latest book, <a href=\"http:\/\/www.ucpress.edu\/book.php?isbn=9780520288867\"><span class=\"s2\"><i>Eccentric Modernisms: Making Differences in the History of American Art<\/i><\/span><\/a>, forthcoming from UC Press, builds on archival research conducted for the Stein exhibition and book.<\/span><\/p>\n<figure id=\"attachment_4636\" aria-describedby=\"caption-attachment-4636\" style=\"width: 627px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4636\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/feeabeha.jpg?resize=627%2C1099&#038;ssl=1\" alt=\"feeabeha\" width=\"627\" height=\"1099\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/feeabeha.jpg?w=438&amp;ssl=1 438w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/feeabeha.jpg?resize=171%2C300&amp;ssl=1 171w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><figcaption id=\"caption-attachment-4636\" class=\"wp-caption-text\">Florine Stettheimer, Portrait of Virgil Thomson, 1930.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/tirzalatimer.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listTirza True Latimer is Associate Professor and Chair of the Graduate Program in Visual and Critical Studies, California College of the Arts, San Francisco. Her published work reflects on modern and contemporary visual culture from queer feminist perspectives. She is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5823,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,9,20],"tags":[],"class_list":{"0":"post-4632","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-writers","9":"category-professor"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/feeabeha-1.jpg?fit=438%2C768&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1cI","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4632"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4632\/revisions"}],"predecessor-version":[{"id":4639,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4632\/revisions\/4639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5823"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}