{"id":4614,"date":"2016-09-08T19:43:47","date_gmt":"2016-09-08T23:43:47","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4614"},"modified":"2017-04-05T21:20:34","modified_gmt":"2017-04-06T01:20:34","slug":"anke-kempkes","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/anke-kempkes\/","title":{"rendered":"Anke Kempkes"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9535\"><audio class=\"wp-audio-shortcode\" id=\"audio-4614-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/ankekempkes.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/ankekempkes.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/ankekempkes.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_4652\" aria-describedby=\"caption-attachment-4652\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4652 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?resize=625%2C766&#038;ssl=1\" alt=\"ak-press-sept2016\" width=\"625\" height=\"766\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?resize=836%2C1024&amp;ssl=1 836w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?resize=245%2C300&amp;ssl=1 245w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?resize=768%2C941&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?resize=624%2C765&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/AK-Press-Sept2016.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4652\" class=\"wp-caption-text\">Anke Kempkes in front of Rosemarie Castoro&#8217;s, Yellow Pink Brown Blue, 1964, at the new gallery, Broadway 1602 Harlem 211&amp;213 E. 121 Street<\/figcaption><\/figure>\n<p class=\"p1\">After her studies at the Courtauld Institute of Art in London in 1991\/2, <a href=\"http:\/\/broadway1602.com\/broadway-1602-founder-anke-kempkes-interviewed-artauction-dealers-notebook-feature\/\">Anke Kempkes<\/a> has worked as an independent curator, scholar and critic in Berlin from 1993-2002. In 2003 she directed The Martin Kippenberger Estate in Cologne, Germany. In 2004 she held the position of Curator at Kunsthalle Basel, Switzerland, where she curated the exhibition &#8220;Flesh at War with Enigma&#8221; (with rediscovered postwar Polish sculptor <a href=\"http:\/\/artmuseum.pl\/en\/publikacje\/red-agata-jakubowska-alina-szapocznikow-awkward-objects\">Alina Szapocznikow<\/a> in dialog with four international contemporary artists).<\/p>\n<p class=\"p2\"><span class=\"s1\">In 2005 Anke Kempkes founded the gallery BROADWAY 1602 in New York City where she presented the first solo show of Alina Szapocznikow in the United States. The gallery program has since focused on reintroducing women artists from the 1960s and 70s, such as Babette Mangolte (US), Rosemarie Castoro (US), Idelle Weber (US), Sylvia Palacios Whitman (Chile\/US), Evelyne Axell (Belgium), Gina Pane (France), Lenora de Barros (Brazil), Lydia Okumura (Brazil), Ewa Partum (Poland), Teresa Murak (Poland), Wanda Czelkowska (Poland), Penny Slinger (UK), among others.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Next to this core engagement for female artists, <a href=\"http:\/\/broadway1602.com\/\">BROADWAY 1602<\/a> also represents other cultural agents and outstanding personalities of the New York postwar avant-garde, such as The Archive of Experiments in Art and Technology (E.A.T.), David Tudor &amp; Composers Inside Electronics (CIE), and collaborations with the The George and Helen Segal Foundation, Robert Whitman and the Robert Anton collection. Since 2010 BROADWAY 1602 represents the Estate of prewar Bauhaus artist and Black Mountain College pioneer Xanti Schawinsky and in 2016 began a collaboration with the family of 1920s stage design avant-gardist Boris Aronson . <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">In 2016 the gallery opened two new locations BROADWAY 1602 UPTOWN &amp; HARLEM.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Anke Kempkes has contributed to numerous international art magazines, periodicals (e.g. Frieze and Texte zur Kunst) and catalogs. She continues her scholarly work in art criticism, public talks and panels, with focus on feminist art history and critical discourse. In 2009 and 2014 she gave talks at the Museum of Modern Art in Warsaw: &#8220;<\/span><span class=\"s2\">The Incommensurable Contemporaneity of Alina Szapocznikow&#8221; and <\/span><span class=\"s1\">&#8220;<a href=\"http:\/\/artmuseum.pl\/en\/publikacje\/maria-bartuszova-provisional-forms\">Maria Bartuszova: Pioneer of Form<\/a>. The Futurism of Women Avantgardists&#8221;. In 2017 she will give a talk at the <\/span><span class=\"s2\">Xawery Dunikowski Museum of Sculpture at the Kr\u00f3likarnia Palace, Division of The National Museum in Warsaw<\/span><span class=\"s1\"> on Wanda Czelkowska and Rosemarie Castoro: &#8220;The Third Gender: Life in the Studio&#8221;.<\/span><\/p>\n<figure id=\"attachment_4615\" aria-describedby=\"caption-attachment-4615\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4615 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?resize=625%2C412&#038;ssl=1\" alt=\"gallery1\" width=\"625\" height=\"412\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?resize=1024%2C675&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?resize=300%2C198&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?resize=768%2C506&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?resize=624%2C411&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4615\" class=\"wp-caption-text\">Exhibition view at BROADWAY 1602 UPTOWN, March 2016 &#8220;Inaugural Show: Idelle Weber, Paul P., Oran Hoffmann, George Segal, Rosemarie Castoro, Penny Slinger, Experiments in Art and Technology (E.A.T.), Lenora de Barros, Lydia Okumura, Babette Mangolte, Sylvia Palacios Whitman, Xanti Schawinsky, Evelyne Axell&#8221;<\/figcaption><\/figure>\n<figure id=\"attachment_4616\" aria-describedby=\"caption-attachment-4616\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4616 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?resize=625%2C417&#038;ssl=1\" alt=\"gallery1a\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?resize=624%2C417&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4616\" class=\"wp-caption-text\">Exhibition view &#8220;121 Street&#8221; at BROADWAY 1602 HARLEM, May 2016 In front: George Segal &#8220;Man on Scaffold&#8221; (1976)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/ankekempkes.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listAfter her studies at the Courtauld Institute of Art in London in 1991\/2, Anke Kempkes has worked as an independent curator, scholar and critic in Berlin from 1993-2002. In 2003 she directed The Martin Kippenberger Estate in Cologne, Germany. In [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5821,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,14],"tags":[],"class_list":{"0":"post-4614","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers","8":"category-galleries"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/09\/gallery1a-1.jpg?fit=768%2C513&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1cq","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4614"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4614\/revisions"}],"predecessor-version":[{"id":4653,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4614\/revisions\/4653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5821"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}