{"id":4557,"date":"2016-08-26T08:26:01","date_gmt":"2016-08-26T12:26:01","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4557"},"modified":"2018-05-25T03:43:26","modified_gmt":"2018-05-25T07:43:26","slug":"nat-muller","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/nat-muller\/","title":{"rendered":"Nat Muller"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2691\"><audio class=\"wp-audio-shortcode\" id=\"audio-4557-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/natmuller.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/natmuller.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/natmuller.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4559 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?resize=201%2C300&#038;ssl=1\" alt=\"nm01\" width=\"201\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?resize=201%2C300&amp;ssl=1 201w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?resize=768%2C1148&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?resize=685%2C1024&amp;ssl=1 685w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?resize=624%2C933&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?w=2036&amp;ssl=1 2036w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/nm01.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><a href=\"http:\/\/www.natmuller.com\/\">Nat Muller<\/a> is an independent curator and critic based in Amsterdam. Her main interests include: the intersections of aesthetics, media and politics; media art and contemporary art in and from the Middle East. She is a regular contributor to <i>Springerin<\/i>, <i>MetropolisM<\/i>. Her writing has been published amongst others in <i>Bidoun<\/i>, <i>ArtAsiaPacific<\/i>, <i>Art Papers<\/i>, <i>Hyperallergic<\/i>, <i>Canvas<\/i>, <i>X-tra<\/i>, <i>The Majalla<\/i>, <i>Art Margins<\/i> and <i>Harper\u2019s Bazaar Arabia<\/i>. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">She has also written numerous catalogue and monographic essays on artists from the Middle East. With Alessandro Ludovico she edited the <a href=\"http:\/\/mag.net\/\"><span class=\"s2\"><i>Mag.net<\/i><\/span><\/a><i> Reader2: Between Paper and Pixel<\/i> (2007), and <a href=\"http:\/\/mag.net\/\"><span class=\"s2\"><i>Mag.net<\/i><\/span><\/a><i> Reader3: Processual Publishing, Actual Gestures<\/i> (2009), based on a series of debates organized at Documenta XII. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">She has taught at universities and academies in The Netherlands and the Middle East, and has curated video and film screenings for projects and festivals internationally, including for Rotterdam&#8217;s International Film Festival, Norwegian Short Film Festival and Video D.U.M.B.O. She is a member of the Fund for Creative Industries and e-Culture\u2019s advisory committee (NL) as well as Amsterdam\u2019s municipal committee for artist studios. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Previously she served as a member of selection committee of the Mondriaan Fund (NL). In 2015 and 2016 Nat served as the Outreach Coordinator for the Prince Claus Fund. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Recent projects include <i>Spectral Imprints<\/i> for the Abraaj Group Art Prize in Dubai (2012), Adel Abidin\u2019s solo exhibition <i>I love to love\u2026<\/i> at Forum Box in Helsinki (2013), <i>Memory Material<\/i> at Akinci Gallery, Amsterdam (2014); <i>Customs Made: Quotidian Practices &amp; Everyday Rituals<\/i> at Maraya Art Centre in Sharjah (2014); <i>This is the Time. This is the Record of the Time<\/i> at Stedelijk Museum Bureau Amsterdam &amp; American University of Beirut Gallery (2014\/15). <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Nat is editorial correspondent for <i>Ibraaz<\/i> and in 2012 was a speaker on BBC World&#8217;s award-winning program The Doha Debates. In 2015 she curated a group show on contemporary Islamic miniatures <i>Minor Heroisms <\/i>for Galeri Zilberman (Istanbul) and Sadik Kwaish Alfraji\u2019s acclaimed solo show <i>Driven by Storms (Ali&#8217;s Boat)<\/i> at Ayyam Gallery in Dubai for which she edited his first monograph, published by Schilt Publishing. In the same year she was Associate Curator for the Delfina Foundation\u2019s Politics of Food Program (London). In 2016 she edited Nancy Atakan\u2019s monograph <i>Passing On<\/i> published by Kehrer Verlag, and curated her solo show <i>Sporting Chances<\/i> at Pi Artworks (London). Her most recent show on the timely topic of loss of cultural heritage <i>But Still Tomorrow Builds into My Face<\/i> opened at Lawrie Shabibi Gallery during Art Dubai. She has been appointed guest curator for the A.M.Qattan 2016 Young Artist of the Year Award for Palestinian artists.<\/span><\/p>\n<p class=\"p1\">The following resources were mentioned in the interview; \u00a0<b><\/b><span class=\"s3\"><a href=\"http:\/\/www.ibraaz.org\/\">http:\/\/www.ibraaz.org\/<\/a>,\u00a0<\/span><span class=\"s3\"><a href=\"http:\/\/www.reorientmag.com\/\">www.reorientmag.com<\/a>,\u00a0<\/span><span class=\"s3\"><a href=\"http:\/\/bidoun.org\/\">http:\/\/bidoun.org\/<\/a><\/span><\/p>\n<figure id=\"attachment_4560\" aria-describedby=\"caption-attachment-4560\" style=\"width: 822px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4560 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/009.SMBA-THIS-IS-THE-TIME-2014-PH.GJ_.jpg?resize=696%2C397&#038;ssl=1\" alt=\"009.SMBA-'THIS-IS-THE-TIME'-2014-PH.GJ\" width=\"696\" height=\"397\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/009.SMBA-THIS-IS-THE-TIME-2014-PH.GJ_.jpg?w=822&amp;ssl=1 822w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/009.SMBA-THIS-IS-THE-TIME-2014-PH.GJ_.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/009.SMBA-THIS-IS-THE-TIME-2014-PH.GJ_.jpg?resize=768%2C438&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/009.SMBA-THIS-IS-THE-TIME-2014-PH.GJ_.jpg?resize=624%2C356&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-4560\" class=\"wp-caption-text\">This the Time. This is the Record of the Time. Stedelijk Museum Bureau Amsterdam, 2014. Image courtesy of SMBA. Photo by Gert Jan van Rooij.<\/figcaption><\/figure>\n<figure id=\"attachment_4561\" aria-describedby=\"caption-attachment-4561\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4561 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?resize=625%2C297&#038;ssl=1\" alt=\"SpectralImprints\" width=\"625\" height=\"297\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?resize=1024%2C486&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?resize=300%2C142&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?resize=768%2C365&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?resize=624%2C296&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4561\" class=\"wp-caption-text\">Spectral Imprints. Abraaj Group Capital Art Prize. Art Dubai, 2012. Image courtesy of Abraaj Group.<\/figcaption><\/figure>\n<p class=\"p2\">\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/natmuller.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listNat Muller is an independent curator and critic based in Amsterdam. Her main interests include: the intersections of aesthetics, media and politics; media art and contemporary art in and from the Middle East. She is a regular contributor to Springerin, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5829,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[169,75],"class_list":{"0":"post-4557","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-curator","8":"tag-amsterdam","9":"tag-netherlands"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/SpectralImprints-1.jpg?fit=768%2C365&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1bv","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4557"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4557\/revisions"}],"predecessor-version":[{"id":4563,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4557\/revisions\/4563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5829"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}