{"id":4549,"date":"2016-08-24T21:46:42","date_gmt":"2016-08-25T01:46:42","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4549"},"modified":"2017-04-05T21:31:15","modified_gmt":"2017-04-06T01:31:15","slug":"tyler-stallings","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/tyler-stallings\/","title":{"rendered":"Tyler Stallings"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5742\"><audio class=\"wp-audio-shortcode\" id=\"audio-4549-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/tylerstallings.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/tylerstallings.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/tylerstallings.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4550 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Stallings_05_Rogers&amp;Kushner\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Stallings_05_RogersKushner.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"http:\/\/tylerstallings.com\/\">Tyler Stallings<\/a> is the UCR ARTSblock interim executive director at University of California, Riverside. He was chief curator at Laguna Art Museum prior to his arrival at UCR in 2006. His curatorial projects focus on contemporary art, with a special emphasis on the exploration of identity, technology, photo-based work, and urban culture. Exhibitions that he has curated, most of which are accompanied by major catalogs and books, include<i> Mundos Alternos: Art &amp; Science Fiction in the Americas <\/i>(co-curator, working title, Getty Foundation Pacific Standard Time: LA\/LA) (2017), <i>Free Enterprise: The Art of Citizen Space Exploration <\/i>(co-curator, 2013), <i>Lewis deSoto &amp; Erin Neff: Tahquitz <\/i>(2012)<i>, The Great Picture: The World\u2019s Largest Photograph &amp; the Legacy Project <\/i>(2011)<i>, Margarita Cabrera: Puslo y Martillo (Pulse and Hammer) <\/i>(2011)<i>, Mapping the Desert\/Deserting the Map: An Interdisciplinary Response <\/i>(co-curator, 2009)<i>, Intelligent Design: Interspecies Art <\/i>(co-curator, 2009), <i>Your Donations Do Our Work: Andrea Bowers and Suzanne Lacy <\/i>(2009), <i>Absurd Recreation: Contemporary Art from China <\/i>(2008), <i>Truthiness: Photography as Sculpture <\/i>(2008), and <i>The Signs Pile Up: Paintings by Pedro \u00c1lvarez <\/i>(2007)<i>, CLASS: C presents Ruben Ochoa and Marco Rios: Rigor Motors <\/i>(2004)<i>, Whiteness, A Wayward Construction <\/i>(2003), <i>Surf Culture: The Art History of Surfing <\/i>(co-curator, 2001), <i>Desmothernismo: Ruben Ortiz Torres <\/i>(1998), and <i>Kara Walker: African\u2019t <\/i>(1997). He has also contributed scholarly essays to several books such as <i>Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1980<\/i> (2012), is the co-editor of the anthology, <i>Uncontrollable Bodies: Testimonies of Identity and Culture<\/i>\u00a0 (Seattle: Bay Press, 1994), and is a columnist for KCET-TV\u2019s <i>Artbound<\/i> program. His most recent book, <i>Aridtopia: Essays on Art &amp; Culture from Deserts in the Southwest United States <\/i>(Blue West Books, 2014), is a literary mirage that fuses present day reality and a future imaginary which repositions our view of the world from that of the desert. He also collaborates with artist <a href=\"http:\/\/naidaosline.com\/\">Naida Osline<\/a> on documentary films.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Link to book mentioned:\u00a0<\/span><a href=\"https:\/\/www.amazon.com\/Leaving-America-New-Expatriate-Generation\/dp\/0313345066\"><span class=\"s2\"><i>Leaving America: The New Expatriate Generation<\/i><\/span><\/a><\/p>\n<figure id=\"attachment_4551\" aria-describedby=\"caption-attachment-4551\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4551 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?resize=625%2C417&#038;ssl=1\" alt=\"Clarissa_Tossin_VW Brasilia\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?resize=624%2C417&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Clarissa_Tossin_VW-Brasilia.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4551\" class=\"wp-caption-text\">Clarissa Tossin, Transplanted (VW Brasilia), 2011. Courtesy of the artist and Luisa Strina gallery, Sao Paulo. Photo by Edouard Fraipont.<\/figcaption><\/figure>\n<figure id=\"attachment_4552\" aria-describedby=\"caption-attachment-4552\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4552 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?resize=625%2C462&#038;ssl=1\" alt=\"Molina_Laura AMOR ALIEN - NMMA\" width=\"625\" height=\"462\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?resize=1024%2C757&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?resize=300%2C222&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?resize=768%2C568&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?resize=624%2C461&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Molina_Laura-AMOR-ALIEN-NMMA.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4552\" class=\"wp-caption-text\">Laura Molina, Amor Alien, 2004. Collection of the National Museum of Mexican Art, Chicago. CC BY-SA 3.0 (http:\/\/creativecommons.org\/licenses\/by-sa\/3.0).<\/figcaption><\/figure>\n<figure id=\"attachment_4553\" aria-describedby=\"caption-attachment-4553\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4553 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?resize=625%2C386&#038;ssl=1\" alt=\"Ortiz Torres_2502-9\" width=\"625\" height=\"386\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?resize=1024%2C633&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?resize=300%2C185&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?resize=768%2C475&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?resize=624%2C386&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4553\" class=\"wp-caption-text\">Rub\u00e9n Ortiz Torres, Alien Toy (La Ranfla C\u00f3smica), 1997. Courtesy of the artist and Track 16, Santa Monica. Collection of Tom Patchett, Los Angeles.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/tylerstallings.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listTyler Stallings is the UCR ARTSblock interim executive director at University of California, Riverside. He was chief curator at Laguna Art Museum prior to his arrival at UCR in 2006. His curatorial projects focus on contemporary art, with a special [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5830,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-4549","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/08\/Ortiz-Torres_2502-9-1.jpg?fit=768%2C475&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-1bn","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4549"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4549\/revisions"}],"predecessor-version":[{"id":4556,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4549\/revisions\/4556"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5830"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}