{"id":4423,"date":"2016-07-25T17:38:40","date_gmt":"2016-07-25T21:38:40","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4423"},"modified":"2018-05-21T11:12:02","modified_gmt":"2018-05-21T15:12:02","slug":"fatos-ustek","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/fatos-ustek\/","title":{"rendered":"Fatos Ustek"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4065\"><audio class=\"wp-audio-shortcode\" id=\"audio-4423-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/fatosustek.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/fatosustek.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/fatosustek.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_4424\" aria-describedby=\"caption-attachment-4424\" style=\"width: 234px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4424\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?resize=234%2C376&#038;ssl=1\" alt=\"FatosUstek_photocredit_JoshMeeks-RayvonWilliams\" width=\"234\" height=\"376\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?resize=637%2C1024&amp;ssl=1 637w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?resize=187%2C300&amp;ssl=1 187w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?resize=768%2C1234&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?resize=624%2C1003&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/FatosUstek_photocredit_JoshMeeks-RayvonWilliams.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 234px) 100vw, 234px\" \/><figcaption id=\"caption-attachment-4424\" class=\"wp-caption-text\">photo by Josh Meeks-Rayvon Williams<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\"><a href=\"http:\/\/www.fatosustek.com\/\">Fatos Ustek <\/a>is an i<\/span><span class=\"s1\">ndependent curator and writer, based in London. She is currently acting as Art Fund curator at fig-2, editing the <a href=\"http:\/\/www.fig2.co.uk\/\">fig-2 publication<\/a> in the aftermath of curating 50 exhibitions in 50 weeks at the ICA, London. Formerly, Ustek acted as Associate Curator for the 10<\/span><span class=\"s2\"><sup>th<\/sup><\/span><span class=\"s1\"> Gwangju Biennale, South Korea. She is member of AICA UK, Block Universe Performance Art Festival&#8217;s advisory board, and regular contributor to international art magazines and exhibition\u00a0catalogues\u00a0and artist monographs. She has curated an opera in five acts at DRAF, London; an exhibition trilogy entitled Now Expanded that took place at Kunstfabrik, Berlin; Tent, Rotterdam and DRAF, London among various group shows in Europe, and Turkey. Ustek is co-founding editor of Nowiswere Contemporary Art Magazine, editing its first 10 issues between 2008-2012, is the editor of Unexpected Encounters Situations of Contemporary Art and Architecture <i>(Turkish Only, 2012; English Only, upcoming) <\/i>published by Zorlu Centre, Istanbul<i>;<\/i> is author of Book of Confusions, 2012, published by Rossi&amp;Rossi, London.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Juxtaposing formations of science and arts, Ustek\u2019s curatorial practice follows thematic investigation of concepts, such as \u2018now\u2019, \u2018time-presence\u2019, \u2018agency-subject\u2019, &#8216;surface-encounter&#8217; emerging as collaborative projects with artists, writers and curators. While Ustek\u2019s authorial practice reflects itself in thematic investigations, manifesting as scholar and creative writing through treating the body of text as place of encounter.\u00a0<\/span><\/p>\n<p class=\"p1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4425\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows.gif?resize=625%2C431&#038;ssl=1\" alt=\"GIF 50 shows\" width=\"625\" height=\"431\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows.gif?resize=1024%2C706&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows.gif?resize=300%2C207&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows.gif?resize=768%2C529&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows.gif?resize=624%2C430&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows.gif?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/p>\n<p class=\"p1\"><em><span class=\"s1\">50 projects in 50 weeks, ICA, 2015 Photo courtesy: Sylvain Deleu and Benjamin Westoby<\/span><\/em><\/p>\n<p class=\"p1\">\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/fatosustek.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listFatos Ustek is an independent curator and writer, based in London. She is currently acting as Art Fund curator at fig-2, editing the fig-2 publication in the aftermath of curating 50 exhibitions in 50 weeks at the ICA, London. Formerly, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5856,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[62,48,47,46,63],"class_list":{"0":"post-4423","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-london","9":"tag-math","10":"tag-science","11":"tag-time","12":"tag-uk"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/07\/GIF-50-shows-1.gif?fit=768%2C529&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-19l","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4423"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4423\/revisions"}],"predecessor-version":[{"id":4432,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4423\/revisions\/4432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5856"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}