{"id":4169,"date":"2016-06-29T15:01:14","date_gmt":"2016-06-29T19:01:14","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=4169"},"modified":"2018-05-21T13:39:02","modified_gmt":"2018-05-21T17:39:02","slug":"hans-ulrich-obrist","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/hans-ulrich-obrist\/","title":{"rendered":"Hans Ulrich Obrist"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5858\"><audio class=\"wp-audio-shortcode\" id=\"audio-4169-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/hansulrichobrist.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/hansulrichobrist.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/hansulrichobrist.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_4179\" aria-describedby=\"caption-attachment-4179\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4179 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?resize=300%2C201&#038;ssl=1\" alt=\"HUO by Youssef Nabil\" width=\"300\" height=\"201\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?resize=768%2C514&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?resize=1024%2C686&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?resize=624%2C418&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/HUO-by-Youssef-Nabil.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-4179\" class=\"wp-caption-text\">HUO by Youssef Nabil<\/figcaption><\/figure>\n<p>Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine Galleries, London. Prior to this, he was the Curator of the Mus\u00e9e d\u2019Art Moderne de la Ville de Paris. Since his first show <em>\u201cWorld Soup\u201d (The Kitchen Show)<\/em> in 1991 he has curated more than 300 shows.<\/p>\n<p>So far in 2016, Obrist has co-curated at the Serpentine Galleries solo shows for Michael Craig-Martin, Simon Denny, Hilma af Klint, DAS INSTITUT, Alex Katz, and Etel Adnan<em>.<\/em> In 2014 he curated the Swiss Pavilion at the 14<sup>th<\/sup> International Architecture Biennale in Venice, where he presented <em>Lucius Burckhardt and Cedric Price\u2014A stroll through a fun palace; <\/em>the building was designed by architects Herzog &amp; de Meuron, and the program was developed with artists Liam Gillick, Philippe Parreno, Tino Sehgal and Dominique Gonzalez-Foerster. Obrist&#8217;s <em>Art of Handwriting <\/em>project is taking place <a href=\"https:\/\/www.instagram.com\/hansulrichobrist\/\" target=\"_blank\">on Instagram<\/a> and is a protest against the disappearance of handwriting in the digital age.<\/p>\n<p>In 2013, Obrist co-founded with Simon Castets the 89plus, a long-term, international, multi-platform research project, conceived as a mapping of the digitally native generation born in or after 1989. In 2011 Obrist received the CCS Bard Award for Curatorial Excellence, in 2009 he was made Honorary Fellow of the Royal Institute of British Architects (RIBA), and in 2015 he received the International Folkwang Prize for his commitment to the arts. Obrist has lectured internationally at academic and art institutions, and is contributing editor to several magazines and journals.<\/p>\n<p>Obrist\u2019s recent publications include <em>Conversations in Mexico<\/em>, <em>Conversations in Colombia, Ways of Curating, The Age of Earthquakes <\/em>with Douglas Coupland and Shumon Basar, and <em>Lives of The Artists, Lives of The Architects.<\/em><\/p>\n<figure id=\"attachment_4181\" aria-describedby=\"caption-attachment-4181\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4181 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?resize=625%2C417&#038;ssl=1\" alt=\"_tf25177\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/tf25177.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4181\" class=\"wp-caption-text\">Etel Adnan: The Weight of the World; Installation view; Serpentine Sackler Gallery, London (2 June \u2013 11 September 2016); Image \u00a9 Tristan Fewings \/ Getty<\/figcaption><\/figure>\n<figure id=\"attachment_4182\" aria-describedby=\"caption-attachment-4182\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4182 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?resize=625%2C508&#038;ssl=1\" alt=\"creadsreads_26\" width=\"625\" height=\"508\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?resize=1024%2C832&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?resize=300%2C244&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?resize=768%2C624&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?resize=624%2C507&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/creadsreads_26.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4182\" class=\"wp-caption-text\">Alex Katz: Quick Light; Installation view; Serpentine Gallery, London (2 June \u2013 11 September 2016); Image \u00a9 readsreads.info<\/figcaption><\/figure>\n<figure id=\"attachment_4183\" aria-describedby=\"caption-attachment-4183\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-4183 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?resize=625%2C417&#038;ssl=1\" alt=\"nle_serpentine_-_photo_c_iwan_baan_2\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-4183\" class=\"wp-caption-text\">Serpentine Summer House 2016 designed by Kunl\u00e9 Adeyemi (NL\u00c9); (10 June \u2013 9 October); Photo \u00a9 Iwan Baan<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/hansulrichobrist.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listHans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine Galleries, London. Prior to this, he was the Curator of the Mus\u00e9e d\u2019Art Moderne de la Ville de Paris. Since his first show \u201cWorld Soup\u201d (The Kitchen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5874,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,7,14],"tags":[62,63],"class_list":{"0":"post-4169","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers","8":"category-curator","9":"category-galleries","10":"tag-london","11":"tag-uk"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/06\/nle_serpentine_-_photo_c_iwan_baan_2-1.jpg?fit=768%2C512&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-15f","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=4169"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4169\/revisions"}],"predecessor-version":[{"id":4186,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/4169\/revisions\/4186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5874"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=4169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=4169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=4169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}