{"id":3964,"date":"2016-05-26T14:39:52","date_gmt":"2016-05-26T18:39:52","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3964"},"modified":"2017-04-05T22:29:12","modified_gmt":"2017-04-06T02:29:12","slug":"yasser-ballemans","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/yasser-ballemans\/","title":{"rendered":"Yasser Ballemans"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5205\"><audio class=\"wp-audio-shortcode\" id=\"audio-3964-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/yasserballemans.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/yasserballemans.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/yasserballemans.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s2\"><a href=\"http:\/\/cargocollective.com\/yasserballemans#\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3965 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/02-Profile-foto-Yasser-Ballemans.jpg?resize=200%2C300&#038;ssl=1\" alt=\"02 Profile foto Yasser Ballemans\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/02-Profile-foto-Yasser-Ballemans.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/02-Profile-foto-Yasser-Ballemans.jpg?resize=768%2C1151&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/02-Profile-foto-Yasser-Ballemans.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/02-Profile-foto-Yasser-Ballemans.jpg?resize=624%2C935&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/02-Profile-foto-Yasser-Ballemans.jpg?w=854&amp;ssl=1 854w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Yasser\u00a0Ballemans<\/a><\/span><span class=\"s1\">\u00a0(Amsterdam, The Netherlands) is investigating the <a href=\"http:\/\/cargocollective.com\/yasserballemans\/Curacao-INSIDE-OUT-1\"><span class=\"s3\">relations between carnival and art<\/span><\/a>, as well as experimenting with active models for art in the context of carnival.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Carnival is a time in which the world is temporarily turned upside down. Not the major but Prince Carnival is in charge. Whole cities change into a big decor in which intensive partying and masquerades goes hand-in-hand with political criticism. Ballemans sees carnival as a challenging stage for fine art.\u00a0In his <a href=\"http:\/\/cargocollective.com\/yasserballemans\/Nos-11-t-m-26\"><span class=\"s3\">earlier work<\/span><\/a>\u00a0Yasser Ballemans investigated the progressive quality of ornaments and decoration.\u00a0<\/span><span class=\"s4\"><a href=\"http:\/\/cargocollective.com\/yasserballemans\/Text\" target=\"_blank\">Learn more about his work, click here.<\/a><\/span><\/p>\n<figure id=\"attachment_3966\" aria-describedby=\"caption-attachment-3966\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3966 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?resize=625%2C469&#038;ssl=1\" alt=\"No 2,4,5,6 Overzicht\" width=\"625\" height=\"469\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?resize=624%2C468&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/No-2456-Overzicht.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3966\" class=\"wp-caption-text\">Nos. 2, 4, 5 and 6 ceramic circa 400x600x200 cm, \u00a02008<\/figcaption><\/figure>\n<figure id=\"attachment_3967\" aria-describedby=\"caption-attachment-3967\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3967 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?resize=625%2C417&#038;ssl=1\" alt=\"MMMTA Nr 0 01\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3967\" class=\"wp-caption-text\">Much More Matter than Antimatter, No. 0 metal, stones, rail diameter 1400cm height 500cm, \u00a02010<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/yasserballemans.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listYasser\u00a0Ballemans\u00a0(Amsterdam, The Netherlands) is investigating the relations between carnival and art, as well as experimenting with active models for art in the context of carnival. Carnival is a time in which the world is temporarily turned upside down. Not the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5899,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-3964","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/05\/MMMTA-Nr-0-01-1.jpg?fit=768%2C512&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-11W","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3964"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3964\/revisions"}],"predecessor-version":[{"id":3969,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3964\/revisions\/3969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5899"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}