{"id":3768,"date":"2016-04-15T10:24:56","date_gmt":"2016-04-15T14:24:56","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3768"},"modified":"2017-04-05T22:52:02","modified_gmt":"2017-04-06T02:52:02","slug":"thomas-dreher","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/thomas-dreher\/","title":{"rendered":"Thomas Dreher"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6294\"><audio class=\"wp-audio-shortcode\" id=\"audio-3768-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/thomasdreher.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/thomasdreher.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/thomasdreher.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3770 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/7_Biografie_B1.jpg?resize=227%2C255&#038;ssl=1\" alt=\"7_Biografie_B1\" width=\"227\" height=\"255\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/7_Biografie_B1.jpg?resize=267%2C300&amp;ssl=1 267w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/7_Biografie_B1.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><span class=\"s1\"><a href=\"http:\/\/dreher.netzliteratur.net\/Homepage2.html\">Thomas Dreher<\/a><\/span><span class=\"s2\"> studied since 1978 art history, philosophy and classical archeology at the Ludwig-Maximilians-University in Munich. Since 1985 he has written articles, critiques and reviews for art magazines (&#8220;das kunstwerk&#8221; , &#8220;Artefactum&#8221;, &#8220;Artscribe&#8221;, &#8220;Wolkenkratzer&#8221;, &#8220;Kunstforum&#8221; etc.)<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The following links are directed to his <a href=\"http:\/\/dreher.netzliteratur.net\/7_Bibliografie.html\"><span class=\"s1\">writing<\/span><\/a>.<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">1986-1987 scholarship of Lower Saxony for the Central Institute for Art History (Zentralinstitut f\u00fcr Kunstgeschichte) in Munich. 1988 doctorate (thesis on &#8220;Conceptual Art in America and England 1963-1976&#8221;, Peter Lang, Frankfurt a. M. 1992, in German). 1991 participation in &#8220;Kunst als Grenzbeschreitung: John Cage und die Moderne\/Art as a Means to Walk on Limits: John Cage and Modern Times&#8221;, Staatsgalerie moderner Kunst\/State Gallery for Modern Art, Munich. 1995-2000 preparations for and completion of &#8220;<a href=\"http:\/\/digi20.digitale-sammlungen.de\/de\/fs1\/object\/display\/bsb00041413_00001.html\"><span class=\"s1\">Performance Art since 1945: Action Theater and Intermedia<\/span><\/a>&#8221; (Munich 2001, in German) as a part of the <a href=\"http:\/\/www.dfg.de\/\"><span class=\"s1\">DFG (German Research Foundation)<\/span><\/a>-Project &#8220;Das Problempotential der Nachkriegsavantgarden\/The Problem Potential of the Postwar Avant-gardes&#8221; (supervisor and co-editor: Prof. Georg J\u00e4ger).<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Since December 1999: <a href=\"http:\/\/iasl.uni-muenchen.de\/links\/lektion0.htm\"><span class=\"s1\">Lessons in NetArt<\/span><\/a> for <a href=\"http:\/\/iasl.uni-muenchen.de\/\"><span class=\"s1\">IASL (International Archives of Social History of German literature) <i>online<\/i><\/span><\/a> (site of the Ludwig-Maximilians-University, Institute of German Philology, Munich). 2007 <a href=\"http:\/\/90.146.8.18\/en\/archives\/prix_archive\/prixjuryStatement.asp?iProjectID=14165\"><span class=\"s1\">Prix Ars Electronica<\/span><\/a> (in cooperation with the Ludwig Boltzmann Institute Medien.Kunst.Forschung), Linz: Media.Art.Research Award: The website &#8220;IASLonline Lessons in NetArt&#8221; receives an &#8220;Acknowledgement of a Contribution to the Field&#8221; (in 2007: network-based art forms). From October 2011 to December 2012 &#8220;<a href=\"http:\/\/iasl.uni-muenchen.de\/links\/GCA_Index.html\"><span class=\"s1\">History of Computer Art<\/span><\/a>&#8221; was published chapter by chapter (<a href=\"http:\/\/iasl.uni-muenchen.de\/links\/NATheorie.html\"><span class=\"s1\">IASL<i>online<\/i> Lessons in NetArt: Theory<\/span><\/a>). The <a href=\"http:\/\/iasl.uni-muenchen.de\/links\/GCA_Indexe.html\"><span class=\"s1\">English translation<\/span><\/a> followed from August 2013 until June 2014 (<a href=\"http:\/\/iasl.uni-muenchen.de\/links\/GCA.pdf\"><span class=\"s1\">PDF<\/span><\/a>). January 2015: Curator of &#8220;<a href=\"http:\/\/www.iasl.uni-muenchen.de\/discuss\/lisforen\/aktionstheater.html\"><span class=\"s1\">Viennese Actionism and Action Theater in Munich<\/span><\/a>&#8220;: 2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer &amp; proT). Event in the Academy of Fine Arts, Munich.<\/span><\/p>\n<p class=\"p3\"><span class=\"s3\">Key activities: Intermedia Art, esp. <a href=\"http:\/\/dreher.netzliteratur.net\/2_Performance_Kunst_Titel.html\"><span class=\"s4\">Performances<\/span><\/a>, <a href=\"http:\/\/dreher.netzliteratur.net\/3_Konzeptkunst_Titel.html\"><span class=\"s4\">Conceptual and Context-Reflexive Art<\/span><\/a>, <a href=\"http:\/\/iasl.uni-muenchen.de\/links\/GCA_Index.html\"><span class=\"s4\">Computer Art<\/span><\/a>, <a href=\"http:\/\/iasl.uni-muenchen.de\/links\/lektion0.htm\"><span class=\"s4\">NetArt<\/span><\/a>.<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Texts on <a href=\"http:\/\/dreher.netzliteratur.net\/\"><span class=\"s1\">Thomas Dreher: Intermedia Art<\/span><\/a> and <a href=\"https:\/\/lmu-munich.academia.edu\/ThomasDreher\"><span class=\"s1\">academia.edu<\/span><\/a>, slides on <a href=\"http:\/\/de.slideshare.net\/ThomasDreher\"><span class=\"s1\">SlideShare<\/span><\/a>, pinboards on <a href=\"http:\/\/de.pinterest.com\/thomasdreher353\/\"><span class=\"s1\">Pinterest<\/span><\/a>, informations and tips on <a href=\"https:\/\/www.facebook.com\/thomas.dreher.353\"><span class=\"s1\">Facebook<\/span><\/a>.<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">He lives in Munich.<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3804\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/10347249_10153238893474954_5317746296405490117_n.jpg?resize=643%2C908&#038;ssl=1\" alt=\"10347249_10153238893474954_5317746296405490117_n\" width=\"643\" height=\"908\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/10347249_10153238893474954_5317746296405490117_n.jpg?w=643&amp;ssl=1 643w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/10347249_10153238893474954_5317746296405490117_n.jpg?resize=212%2C300&amp;ssl=1 212w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/10347249_10153238893474954_5317746296405490117_n.jpg?resize=624%2C881&amp;ssl=1 624w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/thomasdreher.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listThomas Dreher studied since 1978 art history, philosophy and classical archeology at the Ludwig-Maximilians-University in Munich. Since 1985 he has written articles, critiques and reviews for art magazines (&#8220;das kunstwerk&#8221; , &#8220;Artefactum&#8221;, &#8220;Artscribe&#8221;, &#8220;Wolkenkratzer&#8221;, &#8220;Kunstforum&#8221; etc.) The following links are [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5926,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,9],"tags":[],"class_list":{"0":"post-3768","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-writers"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/10347249_10153238893474954_5317746296405490117_n-1.jpg?fit=643%2C908&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-YM","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3768"}],"version-history":[{"count":10,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3768\/revisions"}],"predecessor-version":[{"id":3841,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3768\/revisions\/3841"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5926"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}