{"id":3611,"date":"2016-04-04T09:45:15","date_gmt":"2016-04-04T13:45:15","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3611"},"modified":"2018-05-21T23:51:05","modified_gmt":"2018-05-22T03:51:05","slug":"jacquelene-drinkall","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/jacquelene-drinkall\/","title":{"rendered":"Jacquelene Drinkall"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4602\"><audio class=\"wp-audio-shortcode\" id=\"audio-3611-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/jacquelenedrinkall.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/jacquelenedrinkall.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/jacquelenedrinkall.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_3656\" aria-describedby=\"caption-attachment-3656\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3656 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_WeatherUnderwater.jpg?resize=300%2C200&#038;ssl=1\" alt=\"JDrinkall_WeatherUnderwater\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_WeatherUnderwater.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_WeatherUnderwater.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_WeatherUnderwater.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_WeatherUnderwater.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_WeatherUnderwater.jpg?w=1181&amp;ssl=1 1181w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-3656\" class=\"wp-caption-text\">Jacquelene Drinkall, Weather Underwater, performance on Great Barrier Reef for video wearing a Telepathic Balaclava Fascinator and dress made from men\u2019s neck ties (still image from Blindside Gallery installation 300 x 540cm, HD video on HD projector), 2010-11<\/figcaption><\/figure>\n<p><a href=\"https:\/\/jacquelene-drinkall.squarespace.com\/\" target=\"_blank\">Jacquelene Drinkall <\/a>is an artist, research-writer, curator and educator based in Gosford\/Sydney, New South Wales, Australia. Following her participation in 2015 <a href=\"http:\/\/saasfeesummerinstituteofart.com\/\">Saas-Fee Summer Institute of Art (SFSIA)<\/a> for which she worked as TA and received a SFSIA scholarship and a Developing and Recognising Talent (DART) award, she is further developing her ongoing research into telepathy aesthetics of immaterial labour through ongoing work with artist and theorist Warren Neidich, who is founder and director of SFSIA. In particular, she is looking at telepathy in relation to cognitive capitalism and extended cognition. She has a forthcoming paper exploring the neuroethics of liberatory artist work with telepathy in dialectic relation to the prosthetics and military mind control developed by DARPA and the capitalist war machine &#8211; it is titled \u2018<a href=\"https:\/\/www.academia.edu\/20448164\/Neuromodulations_of_Extro-Scientific_Telepathy\">Neuromodulations of Extro-Scientific Telepathy\u2019<\/a> and it will be published in Neidich\u2019s Psychopathologies of Cognitive Capitalism Volume 3, published by <a href=\"http:\/\/www.archivebooks.org\/ab-publications.htm\">Archive Books<\/a> in Berlin and launched at <a href=\"http:\/\/www.pro-qm.de\/\">Pro-qm<\/a> bookstore in Berlin, May 9 2016. She also has a paper \u2018All That is Solid: Speculative, Quantum and Cognitive Aesthetics of Telepathy and Telekinesis\u2019 forthcoming in special Transdisciplinary Imaging Conference edition of Leonardo Electronic Almanac. Jacquelene is appointed editor of Neidich\u2019s Artbrain journal for the sixth edition of <a href=\"http:\/\/www.artbrain.org\/category\/journal-neuro-aesthetic-theory\/\">The Journal of Neuro-Aesthetic Theory<\/a>.<\/p>\n<p>Jacquelene began exhibiting internationally when she undertook an Independent Research Unit via an Australian National University Travelling Art Scholarship for study with Marina Abramovic and Krzsyztof Wodicszko at Ecole Nationale Superieure des Beaux-Arts (ENSBA) in 1994-95, and Abramovic curated her performance installations at ENSBA and Crestet Centre d\u2019Art. More recently she has exhibited at SFSIA Exhibition in Switzerland; Riga Triennale at the Latvia National Museum; QUAD Gallery in the UK; University of Sydney\u2019s Verge Gallery; and Blue Mountains Cultural Centre. Jacquelene has received awards such as the Marten Bequest Travelling Art Scholarship; Dyason Bequest from the Art Gallery of New South Wales (AGNSW); an AGNSW Cite International des Arts residency, followed by French government residency at the Cite; an Australian Postgraduate Award, as well as numerous other awards and residencies. She has a BA Visual Art (Painting) with Honours 1 and University Medal; Masters by Research in Visual Art (Painting); and PhD Art History and Theory (artworks\/exhibitions and written thesis).<\/p>\n<p>Jacquelene\u2019s art practice explores telepathy via multiple mediums, including weaving with telecommunications wire, performance, video, photomedia, painting, drawing, installation, objects, sculpture, audio, kinetics, virtual world performance and machinima and EEG neuroheadset interaction. Some of her forthcoming exhibitions include a solo exhibition exploring telepathology in 2018 and group exhibition on mermaids in 2017, both at Macquarie University Gallery, and a group exhibition curated by Alex Wisser involving collaboration-at-a-distance between seven Australian artists and seven New York artists.<\/p>\n<p>Learn more on her <a href=\"https:\/\/jacquelene-drinkall.squarespace.com\/\" target=\"_blank\">website<\/a>.<\/p>\n<figure id=\"attachment_3657\" aria-describedby=\"caption-attachment-3657\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3657 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_VideoPerformanceDocumentationGlitch_Better.jpg?resize=625%2C395&#038;ssl=1\" alt=\"JDrinkall_VideoPerformanceDocumentationGlitch_Better\" width=\"625\" height=\"395\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_VideoPerformanceDocumentationGlitch_Better.jpg?resize=1024%2C647&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_VideoPerformanceDocumentationGlitch_Better.jpg?resize=300%2C190&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_VideoPerformanceDocumentationGlitch_Better.jpg?resize=768%2C485&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_VideoPerformanceDocumentationGlitch_Better.jpg?resize=624%2C394&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/JDrinkall_VideoPerformanceDocumentationGlitch_Better.jpg?w=1181&amp;ssl=1 1181w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3657\" class=\"wp-caption-text\">Jacquelene Drinkall, Video Performance Documentation with Algorithmic Glitch, oil on canvas, 50 x 80cm, 2016, based on a video made of collaborative performance for 2015 SFSIA Exhibition<\/figcaption><\/figure>\n<figure id=\"attachment_3658\" aria-describedby=\"caption-attachment-3658\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3658 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy.jpg?resize=625%2C417&#038;ssl=1\" alt=\"1.JDrinkall_WeathermanUFOlogy\" width=\"625\" height=\"417\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy.jpg?w=1181&amp;ssl=1 1181w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3658\" class=\"wp-caption-text\">Jacquelene Drinkall, Weatherman UFOlogy, high impact acrylic, marine ply, hardware, test installation with viewer interact at Cementa_13, 250 x 464 x 464cm, 2013<\/figcaption><\/figure>\n<p>Jacquelene is Honorary Researcher at UNSW Art and Design.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/jacquelenedrinkall.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJacquelene Drinkall is an artist, research-writer, curator and educator based in Gosford\/Sydney, New South Wales, Australia. Following her participation in 2015 Saas-Fee Summer Institute of Art (SFSIA) for which she worked as TA and received a SFSIA scholarship and a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5939,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[137,183],"class_list":{"0":"post-3611","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-australia","9":"tag-sydney"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/04\/1.JDrinkall_WeathermanUFOlogy-1.jpg?fit=768%2C512&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-Wf","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3611"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3611\/revisions"}],"predecessor-version":[{"id":3775,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3611\/revisions\/3775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5939"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}