{"id":3551,"date":"2016-03-16T10:45:53","date_gmt":"2016-03-16T14:45:53","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3551"},"modified":"2018-05-06T10:14:42","modified_gmt":"2018-05-06T14:14:42","slug":"ana-prvacki","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ana-prvacki\/","title":{"rendered":"Ana Prva\u010dki"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5942\"><audio class=\"wp-audio-shortcode\" id=\"audio-3551-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/anaprvacki1.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/anaprvacki1.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/anaprvacki1.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3583 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/headshot.jpg?resize=229%2C260&#038;ssl=1\" alt=\"headshot\" width=\"229\" height=\"260\" \/>In her videos, services, concoctions and drawings <a href=\"http:\/\/www.anaprvacki.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ana Prva\u010dki<\/a> uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Her work has been included in many international exhibitions including 14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, Istanbul Turkey, Contour Biennial in Mechelen Belgium, dOCUMENTA 13, Sydney Biennial 2007, Singapore Biennial 2006, and the Turin Triennale 2005.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Solo exhibitions and projects include the Hammer Museum, Los Angeles; the Isabella Stewart Gardner Museum, Boston; Castello di Rivoli Museo d&#8217;Arte Contemporanea Turin; Institute of Contemporary Arts, Singapore and 1301PE Gallery, Los Angeles.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Prva\u010dki has produced a series of ideas catalogues (Ananatural Production catalogues) with the intention of filing and documenting her imagination. Some of the thoughts have been realized as performances, such as \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=9DuEAZVQBb0\" target=\"_blank\" rel=\"noopener noreferrer\">Tent, Quartet, bows and elbows<\/a>\u201d and \u201cThe leap of faith\u201d. Her new catalogue of ideas \u201cFinding comfort in an uncomfortable imagination\u201d is published by ICA Singapore.<\/span><\/p>\n<figure id=\"attachment_3584\" aria-describedby=\"caption-attachment-3584\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3584 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/tqbe.jpeg?resize=640%2C416&#038;ssl=1\" alt=\"tqbe\" width=\"640\" height=\"416\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/tqbe.jpeg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/tqbe.jpeg?resize=300%2C195&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/tqbe.jpeg?resize=624%2C406&amp;ssl=1 624w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-3584\" class=\"wp-caption-text\">Tent, quartet, bows and elbows, video and performance, 2007<\/figcaption><\/figure>\n<figure id=\"attachment_3585\" aria-describedby=\"caption-attachment-3585\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3585 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?resize=625%2C489&#038;ssl=1\" alt=\"Duchamp.1\" width=\"625\" height=\"489\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?resize=1024%2C801&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?resize=300%2C235&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?resize=768%2C600&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?resize=624%2C488&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?w=1228&amp;ssl=1 1228w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3585\" class=\"wp-caption-text\">Stealing Shadows, Duchamp, 2009, Installation shot 1301PE<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/anaprvacki1.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listIn her videos, services, concoctions and drawings Ana Prva\u010dki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics. Her work has been included in many international exhibitions including 14th Istanbul Biennial SALTWATER: A Theory [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3585,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[76,66],"class_list":{"0":"post-3551","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-san-francisco","9":"tag-us"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Duchamp.1.jpeg?fit=1228%2C960&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-Vh","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3551"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3551\/revisions"}],"predecessor-version":[{"id":6331,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3551\/revisions\/6331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/3585"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}