{"id":3503,"date":"2016-03-10T13:04:19","date_gmt":"2016-03-10T18:04:19","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3503"},"modified":"2018-05-24T11:06:12","modified_gmt":"2018-05-24T15:06:12","slug":"john-hutnyk","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/john-hutnyk\/","title":{"rendered":"John Hutnyk"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9324\"><audio class=\"wp-audio-shortcode\" id=\"audio-3503-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/johnhutnyk.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/johnhutnyk.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/johnhutnyk.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><span class=\"s1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3504 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/John-and-Theodor.jpg?resize=300%2C200&#038;ssl=1\" alt=\"John and Theodor\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/John-and-Theodor.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/John-and-Theodor.jpg?w=480&amp;ssl=1 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>John Hutnyk writes on culture, cities, diaspora, history, film, prisons, colonialism, education, Marxism. He studied and taught in Australia at Deakin and Melbourne Universities; and in the UK in Manchester University\u2019s Institute for Creative and Cultural Research; before moving to Goldsmiths in 1998, and becoming Academic Director of the Centre for Cultural Studies in 2004-2014. He has held visiting researcher posts in Germany at the South Asia Institute and Institute for Ethnologie at Heidelberg Univers<a href=\"http:\/\/www.amazon.com\/Pantomime-Terror-Politics-John-Hutnyk\/dp\/1782792090\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1457632991&amp;sr=1-1&amp;keywords=pantomime+terror\" target=\"_blank\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3506 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/panto.jpg?resize=225%2C300&#038;ssl=1\" alt=\"panto\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/panto.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/panto.jpg?w=360&amp;ssl=1 360w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a>ity, and Visiting Professor posts in InterCultural Studies at Nagoya City University Japan, Zeppelin University and Hamburg University, Germany, Sociology at Mimar Sinan University, Istanbul, Turkey and at the Graduate institute for Social Research and Cultural Studies, National Chiao Tung University, Taiwan. Adjunct Professor of RMIT University, Melbourne. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><a href=\"http:\/\/www.amazon.com\/Bad-Marxism-Capitalism-Cultural-Studies\/dp\/0745322662\" target=\"_blank\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3505 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Bad-marxism.jpg?resize=188%2C300&#038;ssl=1\" alt=\"Bad marxism\" width=\"188\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Bad-marxism.jpg?resize=188%2C300&amp;ssl=1 188w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Bad-marxism.jpg?w=297&amp;ssl=1 297w\" sizes=\"auto, (max-width: 188px) 100vw, 188px\" \/><\/a>His\u00a0books include: \u201cThe Rumour of Calcutta: Tourism, Charity and the Poverty of Representation\u201d (1996 Zed); \u201cCritique of Exotica: Music, Politics and the Culture Industry\u201d (2000 Pluto Press); \u201cBad Marxism: Capitalism and Cultural Studies\u201d (2004 Pluto); \u201cPantomime. Terror: Music and Politics\u201d (2014 Zero); and co-authored with Virinder Kalra and Raminder Kaur: \u201cDiaspora and Hybridity\u201d (2005 Sage). He have edited several volumes of essays, including \u201cDis-Orienting Rhythms: the Politics of the New Asian Dance Music\u201d (1996 Zed, co ed with Sharma and Sharma); \u201cTravel Worlds\u2019 (1998 Zed co-ed with Raminder Kaur); editions of the journals \u2018Theory, Culture and Society\u2019 and \u2018Post-colonial Studies\u2019, and both a festschrift for Klaus Peter Koepping called \u201cCelebrating Transgression\u201d (2006 Berghahn, co-ed with Ursula Rao) and the phd colloquium volume \u201cBeyond Borders\u201d (Pavement books 2012). Next books = Global South Asia, Trinketization, Capital and Cultural Studies, Proletarianisation.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/johnhutnyk.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJohn Hutnyk writes on culture, cities, diaspora, history, film, prisons, colonialism, education, Marxism. He studied and taught in Australia at Deakin and Melbourne Universities; and in the UK in Manchester University\u2019s Institute for Creative and Cultural Research; before moving to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5953,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,21,8,9,20],"tags":[62,63],"class_list":{"0":"post-3503","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-alternative-spaces","9":"category-artists","10":"category-writers","11":"category-professor","12":"tag-london","13":"tag-uk"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/03\/Bad-marxism-1.jpg?fit=188%2C300&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-Uv","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3503"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3503\/revisions"}],"predecessor-version":[{"id":3509,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3503\/revisions\/3509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5953"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}