{"id":3334,"date":"2016-02-17T21:48:56","date_gmt":"2016-02-18T02:48:56","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3334"},"modified":"2017-04-06T05:44:52","modified_gmt":"2017-04-06T09:44:52","slug":"anne-marie-creamer","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/anne-marie-creamer\/","title":{"rendered":"Anne-Marie Creamer"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7263\"><audio class=\"wp-audio-shortcode\" id=\"audio-3334-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/annemaraiecreamer.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/annemaraiecreamer.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/annemaraiecreamer.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_3364\" aria-describedby=\"caption-attachment-3364\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3364 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?resize=625%2C352&#038;ssl=1\" alt=\"anne-marie.creamer L, with actress Eleonora Gusmano (R).portrait\" width=\"625\" height=\"352\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?resize=624%2C351&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/anne-marie.creamer-L-with-actress-Eleonora-Gusmano-R.portrait.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3364\" class=\"wp-caption-text\">Anne-Marie Creamer, left, with actress Eleonora Gusmano, right<\/figcaption><\/figure>\n<p class=\"p1\"><a href=\"http:\/\/www.amcreamer.net\/\" target=\"_blank\">Anne-Marie Creamer<\/a> is a British artist whose work experiments with cinematic forms using video, drawing, literary texts, filmed staged\u00a0scenarios, and live voice-over. For Anne-Marie stories are always complexly entangled in place. Her work develops from a tenacious attitude\u00a0towards research, which coupled with chance, she develops highly scripted narratives featuring occluded histories that are melancholic but\u00a0wry, corporeal, often intense.<\/p>\n<p class=\"p1\">Her latest, and most major project to date, \u2018Treatment for Six Characters\u2019, is based on an unrealized film Italian writer Luigi Pirandello\u2019s wished\u00a0to make about a fictionalized, ethically ambivalent, portrayal of the creative process leading to his seminal 1921 play \u2018Six Characters in Search\u00a0of an Author\u2019 \u2013 using a text found in a drawer in Vienna about 25 years ago she adapted Pirandello\u2019s plans making a film that explores the\u00a0imaginative possibilities of his absent film. This work was made during an award at the British School at Rome and has recently had private\u00a0screenings at The Drawing Room Gallery\/ Tannery Arts (London), and Italian Cultural Institute London, (2014\/15). More recently she has recently\u00a0made \u201cThe Passing of the Keepers of Salento\u201d (2015) with organizations <a href=\"http:\/\/gapgapgap.tumblr.com\/\" target=\"_blank\">Progetto GAP<\/a> and PepeNero Italy as part of the \u201cMoving Landscape\u00a0project\u201d documenting and dramatizing a filmed declaration with the the train Keepers of Puglia about the moment their role fell into\u00a0obsolescence in 2014, as well as \u201cDear Anne-Marie&#8230;\u201d (2015, forthcoming), a staged scenario in which a fictional character invades public\u00a0events, both of which are included in the forthcoming publication \u201cMoving Landscape\u201d, published by Progetto GAP (Italy, 2015).<\/p>\n<p class=\"p1\">She has\u00a0recently been commissioned by the Borough Road Gallery, London, to make a work about the Vorticist painter David Bomberg and his\u00a0students for exhibition in 2017, and is developing a project that takes the bedchamber of Eliza Soane, within the Sir John Soane Musem\u00a0London, as its subject. The room, now lost, was preserved for nearly twenty years after her death in 1815.<\/p>\n<p class=\"p1\">Her work is regularly exhibited internationally at galleries and museums such as: Sogn og Fjordane Kunstmuseum (Norway), Palm Springs Art\u00a0Museum , Kunstvereniging Diepenheim (The Netherlands), The Sir John Soane\u2019s Museum (London), Apex Art (New York) Draiocht Arts Center\u00a0(Dublin), Sagacho bis (Tokyo), Galerie der Ku\u0308nstler (Munich), Royal College of Art London and Spacex Gallery (Exeter). Publications that feature\u00a0her work include The Drawing Book, edited by Tania Kovats (Black Dog Publishing, 2006). She received the Derek Hill Scholarship in Drawing\u00a0at British School at Rome, 2012, and an International-artist-in-residence-award, Center for Contemporary Art, Prague. Anne-Marie was one of\u00a0a number of a group of artists responsible for the London based artist-run Cubitt Gallery in the 1990\u2018s. She still occasionally curates exhibitions\u00a0&amp; projects, most recently in Norway, with Lars Sture &amp; Kjetil Berge for the Sogn og Fjordane Kunstmuseum, Norway. She was educated at\u00a0Middlesex University &amp; the Royal College of Art and lives in London, where she is a Lecturer on the MFA course at Wimbledon College of Art,\u00a0University of the Arts, London.<\/p>\n<figure id=\"attachment_3365\" aria-describedby=\"caption-attachment-3365\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3365 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?resize=625%2C352&#038;ssl=1\" alt=\"AMCREAMER TREATMENT FOR SIX CHARACTER STILL1\" width=\"625\" height=\"352\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?resize=624%2C351&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/AMCREAMER-TREATMENT-FOR-SIX-CHARACTER-STILL1.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3365\" class=\"wp-caption-text\">Treatment for Six Characters<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/116606232\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Treatment for Six Characters<\/em>, an unrealised film by Luigi Pirandello, 5 minute extract from Anne-Marie Creamer above. More on\u00a0<a href=\"http:\/\/www.amcreamer.net\/treatment-for-six-characters\/\" target=\"_blank\"><em>Treatment for Six Charters<\/em>\u00a0can be read here<\/a>.<\/p>\n<figure id=\"attachment_3366\" aria-describedby=\"caption-attachment-3366\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3366 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg.jpg?resize=625%2C347&#038;ssl=1\" alt=\"ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg\" width=\"625\" height=\"347\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg.jpg?resize=1024%2C568&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg.jpg?resize=300%2C166&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg.jpg?resize=768%2C426&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg.jpg?resize=624%2C346&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg.jpg?w=1038&amp;ssl=1 1038w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3366\" class=\"wp-caption-text\">The Passing of the Keepers of Salento, &#8216;Moving Landscape&#8217; project at the Museo Ferroviario della Puglia<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/annemaraiecreamer.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listAnne-Marie Creamer is a British artist whose work experiments with cinematic forms using video, drawing, literary texts, filmed staged\u00a0scenarios, and live voice-over. For Anne-Marie stories are always complexly entangled in place. Her work develops from a tenacious attitude\u00a0towards research, which [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5973,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-3334","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/ThePassingoftheKeepersofSalento_MovingLandscape_MUSEO_FERROVIARIO_DELLA_PUGLIA2015jpg-1.jpg?fit=768%2C426&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-RM","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3334"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3334\/revisions"}],"predecessor-version":[{"id":3369,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3334\/revisions\/3369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5973"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}