{"id":3222,"date":"2016-02-04T11:43:08","date_gmt":"2016-02-04T16:43:08","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3222"},"modified":"2018-05-25T02:50:39","modified_gmt":"2018-05-25T06:50:39","slug":"marjorie-coverley-luesebrink","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/marjorie-coverley-luesebrink\/","title":{"rendered":"Marjorie Coverley Luesebrink"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_8560\"><audio class=\"wp-audio-shortcode\" id=\"audio-3222-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/mdcoverley.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/mdcoverley.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/mdcoverley.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-3233 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/coverleyheadshot.jpg?resize=185%2C197&#038;ssl=1\" alt=\"coverleyheadshot\" width=\"185\" height=\"197\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/coverleyheadshot.jpg?resize=282%2C300&amp;ssl=1 282w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/coverleyheadshot.jpg?w=400&amp;ssl=1 400w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><a href=\"http:\/\/califia.us\" target=\"_blank\">M.D. Coverley<\/a> [Marjorie Coverley Luesebrink] is a hypermedia fiction writer.\u00a0 She also works as educator, curator, editor, critic, and journalist.<\/p>\n<p>As M.D. Coverley, she has been writing digital-born fiction since 1995.\u00a0 Her full-length interactive, electronic novel, <em><a href=\"https:\/\/califia.us\/califia1.htm\">Califia<\/a><\/em>, is available on CD-ROM from Eastgate Systems (2000).\u00a0 Her hypermedia novel, <em>Egypt:<\/em> <em>The Book of Going Forth by Day, <\/em>was published as an artist\u2019s book (electronic) in 2006.\u00a0 A selection of web hypermedia short stories, <em>Fingerprints on Digital Glass<\/em>, is <a href=\"http:\/\/califia.us\/\" target=\"_blank\">available on her website<\/a>. Coverley&#8217;s current works-in-progress include <em>Tin Towns and Other Excel Fictions<\/em>, a series of narratives constructed with spreadsheets (<em>The 2015 Fukushima Pinup Calendar<\/em> is part of this collection), <em>Tarim Tapestry<\/em>, and <em>Hours of the Night <\/em>(a PowerPoint poem with Stephanie Strickland).<\/p>\n<p>Coverley&#8217;s web short stories, poems, and essays have appeared in <em>The<\/em> <em>Iowa Review Web<\/em>, <em>BeeHive<\/em>, <em>Artifacts<\/em>, <em>Cauldron &amp; Net<\/em>, <em>The Blue Moon Review<\/em>, <em>electronic book review<\/em>, <em>Riding the Meridian<\/em>, <em>Salt Hill<\/em>, <em>New River<\/em>, <em>Currents in Electronic Literacy<\/em>, <em>Bunk<\/em>, <em>Poems That Go<\/em>, <em>Enterzone<\/em>, <em>The<\/em> <em>Salt River<\/em> <em>Review<\/em>, <em>Aileron<\/em>, <em>Blast 5<\/em> (Alt X Publications), <em>Room Without Walls<\/em>, and <em>frAme<\/em>.\u00a0 She also produced the online and real time collaborative drama, \u201cM is for Nottingham?\u201d for the 2002 trAce Incubation Convention.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3234\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/opening.jpg?resize=536%2C391&#038;ssl=1\" alt=\"opening\" width=\"536\" height=\"391\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/opening.jpg?w=450&amp;ssl=1 450w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/opening.jpg?resize=300%2C219&amp;ssl=1 300w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><\/p>\n<p>Coverley has read\/exhibited nationally and internationally: Library of Congress, Hammer Museum, Guggenheim Museum NY, the Digital Center for the Arts at UCLA, Brown University, Museum of Post-Digital Cultures (Switzerland), Squaw Valley Writer\u2019s Conference, Chicago School of the Arts, trAce, Beyond Baroque, Hugo House Seattle, Downtown Campus Library University of West Virginia, Newport Beach Public Library CA, Boston Lite Show (Boston Cyberarts Festival), ELO Visionary Landscapes Conference Media Arts Show, Aldeburgh Poetry Festival UK, Biblioth\u00e8que nationale de France (National Library of France), Digital Humanities Summer Institute (Victoria), Future For Word Multimedia Exhibition\u00a0(<a href=\"http:\/\/www.poetryfestival.org\/sched2002.shtml\">Seattle Poetry Festival<\/a>), Doheney Library USC, Arts Santa Monica Barcelona.<\/p>\n<p>Because the field of Electronic Literature is still emerging, many practitioners have participated in several elements of field-building.\u00a0 Luesebrink is a founding board member and past president of the <a href=\"http:\/\/eliterature.org\" target=\"_blank\">Electronic Literature Organization<\/a>.\u00a0 She has written non-fiction and critical articles about e-lit, and has curated several online collections of works.\u00a0 She has worked as editor for <em>The Blue Moon Review, Inflect, Riding the Meridian, <\/em>and<em> Word Circuits<\/em>.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3235\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhro.jpg?resize=578%2C387&#038;ssl=1\" alt=\"hhro\" width=\"578\" height=\"387\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhro.jpg?w=578&amp;ssl=1 578w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhro.jpg?resize=300%2C201&amp;ssl=1 300w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3236\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhnavi.jpg?resize=577%2C385&#038;ssl=1\" alt=\"hhnavi\" width=\"577\" height=\"385\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhnavi.jpg?w=577&amp;ssl=1 577w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhnavi.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 577px) 100vw, 577px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/mdcoverley.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listM.D. Coverley [Marjorie Coverley Luesebrink] is a hypermedia fiction writer.\u00a0 She also works as educator, curator, editor, critic, and journalist. As M.D. Coverley, she has been writing digital-born fiction since 1995.\u00a0 Her full-length interactive, electronic novel, Califia, is available on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5991,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,8,24,9,23],"tags":[212,66],"class_list":{"0":"post-3222","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-artists","9":"category-collaborative","10":"category-writers","11":"category-publisher","12":"tag-newport-beach","13":"tag-us"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/02\/hhnavi-1.jpg?fit=577%2C385&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-PY","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3222"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3222\/revisions"}],"predecessor-version":[{"id":3240,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3222\/revisions\/3240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/5991"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}