{"id":3003,"date":"2016-01-07T17:09:11","date_gmt":"2016-01-07T22:09:11","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=3003"},"modified":"2018-05-06T18:16:10","modified_gmt":"2018-05-06T22:16:10","slug":"betti-sue-hertz","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/betti-sue-hertz\/","title":{"rendered":"Betti-Sue Hertz"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2810\"><audio class=\"wp-audio-shortcode\" id=\"audio-3003-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/bettisuehertz1.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/bettisuehertz1.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/bettisuehertz1.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_3009\" aria-describedby=\"caption-attachment-3009\" style=\"width: 225px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3009 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/BSH.YBCAgallery.jpg?resize=225%2C300&#038;ssl=1\" alt=\"BSH.YBCAgallery\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/BSH.YBCAgallery.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/BSH.YBCAgallery.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/BSH.YBCAgallery.jpg?resize=624%2C832&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/BSH.YBCAgallery.jpg?w=2019&amp;ssl=1 2019w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/BSH.YBCAgallery.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-3009\" class=\"wp-caption-text\">Betti-Sue Hertz<\/figcaption><\/figure>\n<p>Betti-Sue Hertz<strong>\u00a0<\/strong>is a contemporary art curator. She was director of visual arts at Yerba Buena Center for the Arts 2008-2015. In 2015 she was also interim director of programs at Headlands Center for the Arts. Hertz\u00a0served as the curator of contemporary art at San Diego Museum of Art 2000\u20132008 and director of Longwood Arts Project 1992\u20131998.<\/p>\n<p>Trained as an artist and art historian, her projects are fueled by the intersection of visual aesthetics and socially relevant ideas, where emotional content is filtered through intellectual machinations.<\/p>\n<p>She understands exhibitions to be a site for the creation of relational structures and comparative propositions to expand opportunities for new perspectives on a wide range of topics.<\/p>\n<p>Selected major exhibitions and catalogues include <em><a href=\"http:\/\/www.e-flux.com\/announcements\/the-way-things-go\/\">A Special Curatorial Project with Rirkrit Tiravanija: The Way Things Go<\/a><\/em> (2015); <a href=\"http:\/\/www.e-flux.com\/announcements\/public-intimacy-art-and-other-ordinary-acts-in-south-africa\/\"><em>Public Intimacy: Art and Other Ordinary Acts in South Africa<\/em><\/a><em>, <\/em>(2014); <em>Landscape: the virtual, the actual, the possible?<\/em> (2014); <em>Bill T. Jones\/Arnie Zane Dance Company 30<sup>th<\/sup> Anniversary Exhibition <\/em>(2013);<em> Dissident Futures<\/em> (2013); <a href=\"https:\/\/www.youtube.com\/watch?v=hrM4nmIBMoM\"><em>Migrating Identities<\/em><\/a> (2013); and <em>Audience as Subject <\/em>(2010\/2012); <em>Song Dong: Dad and Mom, Don\u2019t Worry About Us, We Are All Well <\/em>(2011); <em>The Matter Within: New Contemporary Art of India<\/em> (2011); and <a href=\"https:\/\/www.youtube.com\/watch?v=0RULIvId3wQ\"><em>Nayland Blake: Free!Love!Tool!Box!<\/em><\/a> (2012), which received a 2013 Award for a Non Profit\/ Alternative Gallery from the International Art Critics Association-USA.<\/p>\n<p><span class=\"s1\">Exhibitions at SDMA include<\/span>; <em>Animated Painting<\/em> (2007); <em>Transmission: The Art of Matta and Gordon Matta-Clark<\/em> (2006);<em> Past in Reverse: Contemporary Art of East Asia <\/em>(2004), for which she received the Emily Hall Tremaine Exhibition Award; and<em> Axis Mexico: Common Objects and Cosmopolitan Actions <\/em>(2002). She has taught art history,\u00a0<span class=\"s1\">visual culture\u00a0<\/span>and critical studies courses at Stanford University, San Francisco Art Institute and California College of Art.<\/p>\n<figure id=\"attachment_3010\" aria-describedby=\"caption-attachment-3010\" style=\"width: 673px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3010 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/PATRA-RUGA1.jpg?resize=673%2C449&#038;ssl=1\" alt=\"PATRA-RUGA1\" width=\"673\" height=\"449\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/PATRA-RUGA1.jpg?w=673&amp;ssl=1 673w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/PATRA-RUGA1.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/PATRA-RUGA1.jpg?resize=624%2C416&amp;ssl=1 624w\" sizes=\"auto, (max-width: 673px) 100vw, 673px\" \/><figcaption id=\"caption-attachment-3010\" class=\"wp-caption-text\">Documentation of a performance by Athi-Patra Ruga titled &#8220;The Elder of Azania&#8221; performed at Yerba Buena Center for the Arts, Feb. 21 and 22, 2014 as a component of the Public Intimacy: Art and Other Ordinary Acts in South Africa exhibition organized by YBCA and San Francisco Museum of Modern Art on view at YBCA Feb. 21-June 29, 2014. Co-curators: Betti-Sue Hertz, Frank Smigiel and Dominic Willsdon.<\/figcaption><\/figure>\n<figure id=\"attachment_3011\" aria-describedby=\"caption-attachment-3011\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3011 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?resize=625%2C421&#038;ssl=1\" alt=\"ybca_021715_012_prs\" width=\"625\" height=\"421\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?resize=1024%2C690&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?resize=768%2C518&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?resize=624%2C421&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?w=1800&amp;ssl=1 1800w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-3011\" class=\"wp-caption-text\">Arin Rungjang, Golden Teardrop (installation view), 2013. Courtesy of the artist and the Office of Contemporary Art and Culture on view in A Special Curatorial Project with Ririkrit Tiravanija: The Way Things Go at Yerba Buena Center for the Arts Feb. 13- May 24, 2015. Curated by Rirkrit Tiravanija in collaboration with Betti-Sue Hertz.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/bettisuehertz1.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listBetti-Sue Hertz\u00a0is a contemporary art curator. She was director of visual arts at Yerba Buena Center for the Arts 2008-2015. In 2015 she was also interim director of programs at Headlands Center for the Arts. Hertz\u00a0served as the curator of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3011,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[76,66],"class_list":{"0":"post-3003","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-san-francisco","9":"tag-us"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2016\/01\/ybca_021715_012_prs.jpg?fit=1800%2C1213&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-Mr","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=3003"}],"version-history":[{"count":7,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3003\/revisions"}],"predecessor-version":[{"id":3030,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/3003\/revisions\/3030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/3011"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=3003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=3003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=3003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}